Händel: Admetus, King of Thessaly
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Artist | Anthony Lewis |
Bewertung | |
Epoche | Barock (1600-1749) |
Label | Ponto |
Erschienen |
Klassik-Werke auf diesem Album
# | Werk/Besetzung | Dauer | ||
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1 | Admeto, Rè di Tessaglia, opera, HWV 22 | 180:18 | ||
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2 | Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 (BC A125) | 31:37 | ||
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Admeto, Rè di Tessaglia, opera, HWV 22 - Symphony | 3:33 | ||
2 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Introduction | 1:56 | ||
3 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 1. Recitative. Oh midnight phantoms! Why will you crowd 'round me? | 3:34 | ||
4 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 1. Arioso. Oh God of sweet forgetting, be kind to me | 3:30 | ||
5 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 1. Recitative. Great King, the godlike Hercules takes his departure | :45 | ||
6 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 2. Recitative. My dear comrade Admetus | 1:00 | ||
7 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 2. Aria. Immortal glories that are inspired to high renown | 4:41 | ||
8 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 3. Recitative. Be confident, my Lord, and may relent | 1:11 | ||
9 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 3. Recitative. King Admetus shall die! | :25 | ||
10 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 3. Recitative. Irretrievable orders! | 1:14 | ||
11 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 3. Aria. Dearest husband, your eyelids are closing | 6:23 | ||
12 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 3. Pastoral Symphony | 1:11 | ||
13 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 4. Recitative. Admetus, you;re a false deceiver | 2:42 | ||
14 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 4. Aria. Oh whence the harbour, whence the guidance of prudent lofting | 3:42 | ||
15 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 5. Recitative. It grieves me sorely to see you weeping, my maidens | :32 | ||
16 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 5. Aria. No cause for tears and sighing | 4:15 | ||
17 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 6. Aria. My fortune changes | 4:29 | ||
18 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 6. Recitative. I enjoy it well, Admetus, to see this turn of fortune / Scene 7. Recita | 3:40 | ||
19 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 7. Aria. Fair hopes have the strength of lightning | 2:29 | ||
20 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 8. Recitative. Where must I stay, until Meraspes joins me | 1:08 | ||
21 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 9. Symphony | :41 | ||
22 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 9. Recitative. Oh Antigona, beloved, here I gaze on your portrait | 2:28 | ||
23 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 9. Aria. If you had bow and arrows | 3:12 | ||
24 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 10. Recitative. Unexpected good fortune has led the Prince's footsteps | :36 | ||
25 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 1. Scene 10. Aria. The falcon keeps the skies | 4:23 | ||
26 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Symphony | 3:00 | ||
27 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 1. Recitative. Your barking, Cerberus, is useless | :53 | ||
28 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 1. Symphony | 1:42 | ||
29 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 1. Recitative. Hercules, my deliverer! | :45 | ||
30 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 1. Aria. He will rejoice, to him I am restored | 6:36 | ||
31 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 2. Recitative. What have I now to hope for? | :50 | ||
32 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 2. Aria. Dearest, there is no shame | 1:46 | ||
33 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 3. Recitative. Most desired of all women, it is you | 1:21 | ||
34 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 3. Aria. Your wishes bind me, I shall depart | 4:43 | ||
35 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 4. Recitative. Some tangled feat makes Thrasymedes adore me | :32 | ||
36 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 4. Aria. Over headings and mountains towering | 5:35 | ||
37 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 5. Recitative. Great King, since you desired me to discover | 2:01 | ||
38 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 5. Aria. Oh dark brooding, vanish! | 3:18 | ||
39 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 6. Recitative. My Lord, since fortune grants me the joy to see you | 3:24 | ||
40 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 6. Aria. My sorrows so oppressing | 5:05 | ||
41 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 7. Recitative. For what purpose, Alcestis, have you disguised yourself | 1:36 | ||
42 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 7. Aria. Hate and jealousy, beguiling and rudeness | 5:03 | ||
43 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 8. Recitative. Way down to lonely shades of deep distress | 3:10 | ||
44 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 8. Aria. Ah yes, I die | 3:18 | ||
45 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 9. Recitative. Let me go, scoundrels! / Scene 10. Recitative. I've recovered the portr | 1:12 | ||
46 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 10. Aria. That man, he's born ill-fated whom fortune has forgot | 2:27 | ||
47 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 11. Recitative. The impetuous Thrasymedes in his flight | 2:22 | ||
48 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 11. Aria. My hopes uncertainly waver like some elusive star | 4:11 | ||
49 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 12. Recitative. This is how he wants me? | :46 | ||
50 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 2. Scene 12. Aria. Soon I'll discover if love has fled | 5:43 | ||
51 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 1. Arioso. I am doomed, disastrous love | 2:24 | ||
52 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 1. Recitative. Ah, Great King Admetus, on my knees here before you I pray | 2:29 | ||
53 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 1. Aria. Great King, I was unjust | 1:57 | ||
54 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 2. Recitative. Oh love, what new flame kindled and gathered frenzy | :53 | ||
55 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 2. Aria. How long the tigress waits | 4:17 | ||
56 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 3. Recitative. From the kingdom of shadows I return | 1:47 | ||
57 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 3. Aria. This love is like a tyrant | 1:32 | ||
58 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 4. Recitative. What comfort you grant me now, little gods of love / Scene 5. Recitativ | 1:36 | ||
59 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 5. Aria. I caress thee, oh lovely portrait | 1:14 | ||
60 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 6. Recitative. What is this, oh gods, this treason? | 1:50 | ||
61 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 6. Aria. Wherever my eyes discover sweet grasses | 4:46 | ||
62 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 7. Recitative. Joyful news, Thrasymedes: Antigona has been rescued | 2:12 | ||
63 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 7. Aria. Alas, what can I do? | 2:59 | ||
64 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 7. Recitative. All my hopes then are shattered | :38 | ||
65 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 7. Aria. Lighten my anger, here shall I smite him | 1:47 | ||
66 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 8. Recitative. Come then, Antigona dearest, your sorrows have ended | :51 | ||
67 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 8. Duet. My beloved! Sweet reconciling! | 2:23 | ||
68 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Scene 8. Recitative. Die, traitor! / Scene 9. Recitative. I damand royal justice! Miscreants | 3:11 | ||
69 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Final Scene. Aria. Now all my hopes are passed | 3:22 | ||
70 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Final Scene. Recitative. To my faithful Alcestis I owe my life, to Antigona my honour | :19 | ||
71 | Admeto, Rè di Tessaglia, opera, HWV 22 - Act 3. Final Scene. Chorus. The heart is contented | 2:52 | ||
72 | Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 (BC A125) - Part 1. Sinfonie | 6:37 | ||
73 | Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 (BC A125) - Part 1. Arie. Geist und Seele wird verwirret | 9:55 | ||
74 | Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 (BC A125) - Part 1. Rezitativ. Ich wundre mich | 2:11 | ||
75 | Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 (BC A125) - Part 1. Arie. Gott has alles wohlgemacht | 4:09 | ||
76 | Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 (BC A125) - Part 2. Sinfonie | 3:19 | ||
77 | Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 (BC A125) - Part 2. Rezitativ. Ach, starker Gott, lass mich | 1:46 | ||
78 | Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 (BC A125) - Part 2. Arie. Ich wünsche nur bei Gott zu leben | 3:40 |
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