Vienna 1700: Baroque Music from Austria
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Artist | Armonico Tributo Austria |
Bewertung | |
Epoche | Barock (1600-1749) |
Label | CPO |
Erschienen |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | O du lieber Augustin | 4:06 | ||
1 | O du lieber Augustin | 4:06 | ||
2 | Battaglia for organ | 5:45 | ||
2 | Battaglia for organ | 5:45 | ||
3 | Te Deum, for 4 voices, choir & orchestra, K. 271 - Te Deum | 2:59 | ||
3 | Te Deum, for 4 voices, choir & orchestra, K. 271 - Te Deum | 2:59 | ||
4 | Te Deum, for 4 voices, choir & orchestra, K. 271 - Pleni sunt Coeli | 3:40 | ||
4 | Te Deum, for 4 voices, choir & orchestra, K. 271 - Pleni sunt Coeli | 3:40 | ||
5 | Te Deum, for 4 voices, choir & orchestra, K. 271 - Te ergo (Adagio) | 5:47 | ||
5 | Te Deum, for 4 voices, choir & orchestra, K. 271 - Te ergo (Adagio) | 5:47 | ||
6 | Te Deum, for 4 voices, choir & orchestra, K. 271 - In te Domine (Un poco allegro) | 2:27 | ||
6 | Te Deum, for 4 voices, choir & orchestra, K. 271 - In te Domine (Un poco allegro) | 2:27 | ||
7 | Antiphon Salve regina | 2:36 | ||
7 | Antiphon Salve regina | 2:36 | ||
8 | Stabat Mater, for 4 voices, choir & orchestra, K. 268 - Stabat Mater | 5:03 | ||
8 | Stabat Mater, for 4 voices, choir & orchestra, K. 268 - Stabat Mater | 5:03 | ||
9 | Stabat Mater, for 4 voices, choir & orchestra, K. 268 - Eia Mater | 4:08 | ||
9 | Stabat Mater, for 4 voices, choir & orchestra, K. 268 - Eia Mater | 4:08 | ||
10 | Stabat Mater, for 4 voices, choir & orchestra, K. 268 - Virgo Virginum praeclara | 3:26 | ||
10 | Stabat Mater, for 4 voices, choir & orchestra, K. 268 - Virgo Virginum praeclara | 3:26 | ||
11 | Stabat Mater, for 4 voices, choir & orchestra, K. 268 - Quando corpus morietur | 1:09 | ||
11 | Stabat Mater, for 4 voices, choir & orchestra, K. 268 - Quando corpus morietur | 1:09 | ||
12 | Sonata à 6 die pauern-Kirchfarth genandt, for 3 violins, 2 violas & continuo in B flat major, C. 110 - Adagio - Presto | 1:34 | ||
12 | Sonata à 6 die pauern-Kirchfarth genandt, for 3 violins, 2 violas & continuo in B flat major, C. 110 - Adagio - Presto | 1:34 | ||
13 | Sonata à 6 die pauern-Kirchfarth genandt, for 3 violins, 2 violas & continuo in B flat major, C. 110 - Die Pauern Kirchfahrt | 2:17 | ||
13 | Sonata à 6 die pauern-Kirchfarth genandt, for 3 violins, 2 violas & continuo in B flat major, C. 110 - Die Pauern Kirchfahrt | 2:17 | ||
14 | Sonata à 6 die pauern-Kirchfarth genandt, for 3 violins, 2 violas & continuo in B flat major, C. 110 - Adagio | 1:41 | ||
14 | Sonata à 6 die pauern-Kirchfarth genandt, for 3 violins, 2 violas & continuo in B flat major, C. 110 - Adagio | 1:41 | ||
15 | Sonata à 6 die pauern-Kirchfarth genandt, for 3 violins, 2 violas & continuo in B flat major, C. 110 - Aria (Andante) | 1:17 | ||
15 | Sonata à 6 die pauern-Kirchfarth genandt, for 3 violins, 2 violas & continuo in B flat major, C. 110 - Aria (Andante) | 1:17 | ||
16 | Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Allegro | 1:04 | ||
16 | Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Allegro | 1:04 | ||
17 | Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Die liederliche Gesellschaft von allerley Humor | 1:30 | ||
17 | Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Die liederliche Gesellschaft von allerley Humor | 1:30 | ||
18 | Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Der Mars | 1:19 | ||
18 | Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Der Mars | 1:19 | ||
19 | Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Presto | 1:07 | ||
19 | Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Presto | 1:07 | ||
20 | Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Aria (Andante) | 2:03 | ||
20 | Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Aria (Andante) | 2:03 | ||
21 | Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Die Schlacht | :47 | ||
21 | Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Die Schlacht | :47 | ||
22 | Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Lamento der Verwundten Musquetirer | 1:44 | ||
22 | Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Lamento der Verwundten Musquetirer | 1:44 | ||
23 | Gegrüßt seist Du, for soprano, strings & basso continuo | 6:58 | ||
23 | Gegrüßt seist Du, for soprano, strings & basso continuo | 6:58 | ||
24 | Polish Bagpipes (Polnische Sackpfeiffen à 3), for 2 violins & continuo in G major | 5:56 | ||
24 | Polish Bagpipes (Polnische Sackpfeiffen à 3), for 2 violins & continuo in G major | 5:56 | ||
25 | Ave Maria, antiphon | 2:07 | ||
25 | Ave Maria, antiphon | 2:07 | ||
26 | Litaniae Sancta Maria, for 4 voices, choir & orchestra, K. 121 - Kyrie eleison | 3:10 | ||
26 | Litaniae Sancta Maria, for 4 voices, choir & orchestra, K. 121 - Kyrie eleison | 3:10 | ||
27 | Litaniae Sancta Maria, for 4 voices, choir & orchestra, K. 121 - Virgo prudentissima | 3:37 | ||
27 | Litaniae Sancta Maria, for 4 voices, choir & orchestra, K. 121 - Virgo prudentissima | 3:37 | ||
28 | Litaniae Sancta Maria, for 4 voices, choir & orchestra, K. 121 - Regina Angelorum | 3:42 | ||
28 | Litaniae Sancta Maria, for 4 voices, choir & orchestra, K. 121 - Regina Angelorum | 3:42 | ||
29 | Litaniae Sancta Maria, for 4 voices, choir & orchestra, K. 121 - Sub tuum praesidium | 1:41 | ||
29 | Litaniae Sancta Maria, for 4 voices, choir & orchestra, K. 121 - Sub tuum praesidium | 1:41 | ||
30 | Litaniae Sancta Maria, for 4 voices, choir & orchestra, K. 121 - Domina nostra | 1:29 | ||
30 | Litaniae Sancta Maria, for 4 voices, choir & orchestra, K. 121 - Domina nostra | 1:29 | ||
31 | Magnificat I, antiphon in Honor of Our Lady | 7:13 | ||
31 | Magnificat I, antiphon in Honor of Our Lady | 7:13 | ||
32 | Magnificat, for chorus & orchestra, K. 98 - Magnificat | 2:05 | ||
32 | Magnificat, for chorus & orchestra, K. 98 - Magnificat | 2:05 | ||
33 | Magnificat, for chorus & orchestra, K. 98 - Quia respexit | 2:44 | ||
33 | Magnificat, for chorus & orchestra, K. 98 - Quia respexit | 2:44 | ||
34 | Magnificat, for chorus & orchestra, K. 98 - Et misericordia ejus | 1:59 | ||
34 | Magnificat, for chorus & orchestra, K. 98 - Et misericordia ejus | 1:59 | ||
35 | Magnificat, for chorus & orchestra, K. 98 - Deposuit potentes | 2:50 | ||
35 | Magnificat, for chorus & orchestra, K. 98 - Deposuit potentes | 2:50 | ||
36 | Magnificat, for chorus & orchestra, K. 98 - Sicut locutus est | 2:36 | ||
36 | Magnificat, for chorus & orchestra, K. 98 - Sicut locutus est | 2:36 | ||
37 | Magnificat, for chorus & orchestra, K. 98 - Amen | 1:44 | ||
37 | Magnificat, for chorus & orchestra, K. 98 - Amen | 1:44 |
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