Beverly Sills & Friends
0
TickIt!
Artist | Beverly Sills |
Bewertung | |
Epoche | Romantische Musik (1820-1869) |
Label | Deutsche Grammophon |
Erschienen | 2006 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Manon, opera in 5 acts - Act 3. Scene 1. Je marche sur tous les chemins | 2:50 | ||
1 | Manon, opera in 5 acts - Act 3. Scene 1. Je marche sur tous les chemins | 2:50 | ||
2 | Manon, opera in 5 acts - Act 3. Scene 1. Gavotte. Obéissons, quand leur voix appelle | 3:58 | ||
2 | Manon, opera in 5 acts - Act 3. Scene 1. Gavotte. Obéissons, quand leur voix appelle | 3:58 | ||
3 | Manon, opera in 5 acts - Act 4. Un mot, s'il vous plaît, Chevalier | 3:33 | ||
3 | Manon, opera in 5 acts - Act 4. Un mot, s'il vous plaît, Chevalier | 3:33 | ||
4 | Lucia di Lammermoor, opera - Part 1. No. 4. Duet. Sulla tomba che rinserra | 10:57 | ||
4 | Lucia di Lammermoor, opera - Part 1. No. 4. Duet. Sulla tomba che rinserra | 10:57 | ||
5 | Lucia di Lammermoor, opera - Part 2. Act 1. Sextet with Chorus. Chi mi frena in tal momento? / Chi raffrena il mio furore? | 3:59 | ||
5 | Lucia di Lammermoor, opera - Part 2. Act 1. Sextet with Chorus. Chi mi frena in tal momento? / Chi raffrena il mio furore? | 3:59 | ||
6 | I Puritani, opera - Part 1. Scene 2. Scene and Duet. O amato zio - Sai com'arde | 6:09 | ||
6 | I Puritani, opera - Part 1. Scene 2. Scene and Duet. O amato zio - Sai com'arde | 6:09 | ||
7 | I Puritani, opera - Part 1. Scene 2. Scene and Duet. Chi mosse a' miei desir il genitor? | 3:33 | ||
7 | I Puritani, opera - Part 1. Scene 2. Scene and Duet. Chi mosse a' miei desir il genitor? | 3:33 | ||
8 | I Puritani, opera - Part 1. Scene 2. Scene and Duet. Odi... Qual suon si desta? | 4:11 | ||
8 | I Puritani, opera - Part 1. Scene 2. Scene and Duet. Odi... Qual suon si desta? | 4:11 | ||
9 | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Dio, che mi vedi in core | 7:13 | ||
9 | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Dio, che mi vedi in core | 7:13 | ||
10 | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Sul suo capo aggravi un Dio | 3:32 | ||
10 | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Sul suo capo aggravi un Dio | 3:32 | ||
11 | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Dal mio cor punita io sono | 2:54 | ||
11 | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Dal mio cor punita io sono | 2:54 | ||
12 | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Va', infelice, e teco reca | 3:17 | ||
12 | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Va', infelice, e teco reca | 3:17 | ||
13 | Roberto Devereux (Il Conte di Essex), opera - Act 1. Scene 1. Nunzio son del Parlamento | 5:56 | ||
13 | Roberto Devereux (Il Conte di Essex), opera - Act 1. Scene 1. Nunzio son del Parlamento | 5:56 | ||
14 | Maria Stuarda, opera - Act 2. No. 6. Finale. Deh! l'accogli! | 8:04 | ||
14 | Maria Stuarda, opera - Act 2. No. 6. Finale. Deh! l'accogli! | 8:04 | ||
15 | Maria Stuarda, opera - Act 2. No. 6. Finale. Va', preparati, furente | 2:59 | ||
15 | Maria Stuarda, opera - Act 2. No. 6. Finale. Va', preparati, furente | 2:59 | ||
16 | Les contes d'Hoffmann, opera in 4 acts - Act 3. Barcarolle. Belle nuit, ô nuit d'amour | 4:15 | ||
16 | Les contes d'Hoffmann, opera in 4 acts - Act 3. Barcarolle. Belle nuit, ô nuit d'amour | 4:15 | ||
17 | Les contes d'Hoffmann, opera in 4 acts - Act 3. Scene. Cher ange! | 2:04 | ||
17 | Les contes d'Hoffmann, opera in 4 acts - Act 3. Scene. Cher ange! | 2:04 | ||
18 | Les contes d'Hoffmann, opera in 4 acts - Act 3. Duet. Malheureux, tu ne comprends donc pas | 6:01 | ||
18 | Les contes d'Hoffmann, opera in 4 acts - Act 3. Duet. Malheureux, tu ne comprends donc pas | 6:01 | ||
19 | The Ballad of Baby Doe, opera in 2 acts - Act 1. Scene 2. Willow, where we met together (Willow Song) | 3:01 | ||
19 | The Ballad of Baby Doe, opera in 2 acts - Act 1. Scene 2. Willow, where we met together (Willow Song) | 3:01 | ||
20 | The Ballad of Baby Doe, opera in 2 acts - Act 1. Scene 2. Oh, Mr. Tabor! | 1:14 | ||
20 | The Ballad of Baby Doe, opera in 2 acts - Act 1. Scene 2. Oh, Mr. Tabor! | 1:14 | ||
21 | The Ballad of Baby Doe, opera in 2 acts - Act 1. Scene 2. Warm as the autumn light | 4:08 | ||
21 | The Ballad of Baby Doe, opera in 2 acts - Act 1. Scene 2. Warm as the autumn light | 4:08 | ||
22 | Le Toreador, opera - Act 1. Aria. Ah! vous dirai-je, maman | 6:19 | ||
22 | Le Toreador, opera - Act 1. Aria. Ah! vous dirai-je, maman | 6:19 | ||
23 | Der Hirt auf dem Felsen ("Wenn auf dem höchsten Fels ich steh'"), for voice, clarinet (or cello) & piano, D. 965 (Op. posth. 129) | 11:45 | ||
23 | Der Hirt auf dem Felsen ("Wenn auf dem höchsten Fels ich steh'"), for voice, clarinet (or cello) & piano, D. 965 (Op. posth. 129) | 11:45 | ||
24 | Meine Seele hört im Sehen (German Aria No.6), hymn for soprano & continuo, HWV 207 | 7:04 | ||
24 | Meine Seele hört im Sehen (German Aria No.6), hymn for soprano & continuo, HWV 207 | 7:04 | ||
25 | Artaxerxes, opera in 3 acts - Act 3. Scena 3. Aria. The soldier tir'd of war's alarms | 3:30 | ||
25 | Artaxerxes, opera in 3 acts - Act 3. Scena 3. Aria. The soldier tir'd of war's alarms | 3:30 | ||
26 | La Costanza vince il rigore, cantata for 2 voices, violins & oboe | 7:15 | ||
26 | La Costanza vince il rigore, cantata for 2 voices, violins & oboe | 7:15 | ||
27 | Lo! Here the Gentle Lark | 5:17 | ||
27 | Lo! Here the Gentle Lark | 5:17 | ||
28 | Der Zarewitsch, operetta in 3 acts - Act 1. Aria. Einer wird kommen | 5:06 | ||
28 | Der Zarewitsch, operetta in 3 acts - Act 1. Aria. Einer wird kommen | 5:06 |
Bewertungen zu Beverly Sills & Friends
Es wurde noch kein Kommentar zu diesem Album abgegeben