Talking About Opera: Strauss' Die Frau ohne Schatten
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Artist | Brian Zeger |
Bewertung | |
Epoche | () |
Label | Metropolitan Opera Gu |
Erschienen | 2001 |
Klassik-Werke auf diesem Album
# | Werk/Besetzung | Dauer | ||
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1 | Talking About Opera: Strauss' Die Frau ohne Schatten, narration with musical examples | 73:14 | ||
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Tracks auf diesem Album
# | Titel | Dauer | ||
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1 | Talking About Opera: Strauss' Die Frau ohne Schatten, narration with musical examples - Introduction. "Of the major operas of Richard Strauss, Die Frau ohne Schatten is the most complex a | 5:05 | ||
2 | Talking About Opera: Strauss' Die Frau ohne Schatten, narration with musical examples - Introduction. "No wonder that with all this rich material to contribute to his libretto, Hofmannsth | 3:17 | ||
3 | Talking About Opera: Strauss' Die Frau ohne Schatten, narration with musical examples - Act 1. "When the curtain rises, the Nurse is met by a mysterious messenger from Keikobad." | 13:34 | ||
4 | Talking About Opera: Strauss' Die Frau ohne Schatten, narration with musical examples - Act 1. "As their duet ends, Strauss pulls out a II the stops to depict their descent from the spiri | 15:41 | ||
5 | Talking About Opera: Strauss' Die Frau ohne Schatten, narration with musical examples - Act 2. "The first act has accomplished most of the hard work of setting out the complex emotional s | 8:01 | ||
6 | Talking About Opera: Strauss' Die Frau ohne Schatten, narration with musical examples - Act 2. "The Empress now begins to confront an anguishing moral dilemma..." | 6:54 | ||
7 | Talking About Opera: Strauss' Die Frau ohne Schatten, narration with musical examples - Act 2. "Let's take a brief intermission before we plunge into Act Three to look at where we are in | 2:46 | ||
8 | Talking About Opera: Strauss' Die Frau ohne Schatten, narration with musical examples - Act 3. "The opening of the third act finds the human couple imprisoned in two underground chambers. | 11:36 | ||
9 | Talking About Opera: Strauss' Die Frau ohne Schatten, narration with musical examples - Act 3. "In this ultimate moment of decision, the Empress speaks rather than sings..." | 6:20 |
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