Morris Rosenzweig: Chamber Music 1997-2003
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TickIt!
Artist | Canyonlands Ensemble |
Bewertung | ![]() |
Epoche | Contemporary (1950-200X) |
Label | Albany Music |
Erschienen |
Klassik-Werke auf diesem Album
# | ![]() | Werk/Besetzung | ![]() | Dauer |
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1 | ![]() | Melpomene, for cello, flute, mallet percussion & harp | ![]() | 15:22 |
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2 | ![]() | Partita Intrecciata for violin & electronics | ![]() | 13:44 |
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3 | ![]() | What Follows is a Song From the Same Fragmented Masque, for solo flute | ![]() | 10:01 |
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4 | ![]() | Just One Step Beyond, for viola & piano | ![]() | 5:33 |
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5 | ![]() | trace, for 2 pianos & 2 percussionists | ![]() | 16:39 |
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Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | Melpomene, for cello, flute, mallet percussion & harp | ![]() | 15:22 |
2 | ![]() | Partita Intrecciata for violin & electronics | ![]() | 13:44 |
3 | ![]() | What Follows is a Song From the Same Fragmented Masque, for solo flute - 1. With a slightly restless, singing quality / 2. Measured with fanciful moments; like a March | ![]() | 6:50 |
4 | ![]() | What Follows is a Song From the Same Fragmented Masque, for solo flute - 3. Ritornello and Aria | ![]() | 3:11 |
5 | ![]() | Just One Step Beyond, for viola & piano | ![]() | 5:33 |
6 | ![]() | trace, for 2 pianos & 2 percussionists | ![]() | 16:39 |
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