Igor Markevitch: The Musical Offering
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Artist | Christopher Lyndon-Gee |
Bewertung | |
Epoche | Modern (1910-1949) |
Label | Marco Polo |
Erschienen | 2004 |
Klassik-Werke auf diesem Album
# | Werk/Besetzung | Dauer | ||
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1 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet | 51:46 | ||
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Tracks auf diesem Album
# | Titel | Dauer | ||
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1 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 1. Ricercare a 3 Voci | 6:34 | ||
1 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 1. Ricercare a 3 Voci | 6:34 | ||
2 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Tema | :28 | ||
2 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Tema | :28 | ||
3 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon a 2, Cancrizans | 1:05 | ||
3 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon a 2, Cancrizans | 1:05 | ||
4 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon Perpetuus super Thema Regium | 1:09 | ||
4 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon Perpetuus super Thema Regium | 1:09 | ||
5 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Motum Contrarium | :38 | ||
5 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Motum Contrarium | :38 | ||
6 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon in Unisono | :35 | ||
6 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon in Unisono | :35 | ||
7 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Motum Contrarium (Quaerendo invenietis) | :32 | ||
7 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Motum Contrarium (Quaerendo invenietis) | :32 | ||
8 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Motum Contrarium: Inversus Var. Vae | :31 | ||
8 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Motum Contrarium: Inversus Var. Vae | :31 | ||
9 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Fuga Canonica in Epidiapente | 2:18 | ||
9 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Fuga Canonica in Epidiapente | 2:18 | ||
10 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Augmentationem contrario motu | 2:03 | ||
10 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Augmentationem contrario motu | 2:03 | ||
11 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon Per Tonos | 3:19 | ||
11 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon Per Tonos | 3:19 | ||
12 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon Perpetuus a 4 | 4:27 | ||
12 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon Perpetuus a 4 | 4:27 | ||
13 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Largo | 5:04 | ||
13 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Largo | 5:04 | ||
14 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Allegro (with Orchestral interpolations) | 6:27 | ||
14 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Allegro (with Orchestral interpolations) | 6:27 | ||
15 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Andante | 3:01 | ||
15 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Andante | 3:01 | ||
16 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Allegro giusto ('Canon concertante', i.e. Canon Perpetuus) | 1:04 | ||
16 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Allegro giusto ('Canon concertante', i.e. Canon Perpetuus) | 1:04 | ||
17 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Tempo di Giga | 3:42 | ||
17 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Tempo di Giga | 3:42 | ||
18 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 4. Fuga (Ricercar) a 6 Voci | 8:49 | ||
18 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 4. Fuga (Ricercar) a 6 Voci | 8:49 |
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