Vittorio Ghielmi: Full of Colour
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Artist | Concerto di Viole |
Bewertung | ![]() |
Epoche | Contemporary (1950-200X) |
Label | Winter & Winter |
Erschienen | 2006 |
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Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | St. Paul's Steeple Division, for viol consort (after John Playford) | ![]() | 2:47 |
1 | ![]() | St. Paul's Steeple Division, for viol consort (after John Playford) | ![]() | 2:47 |
2 | ![]() | Browning a 3 | ![]() | 2:42 |
2 | ![]() | Browning a 3 | ![]() | 2:42 |
3 | ![]() | La Danza, La Piva, La Gamba - La Danza | ![]() | 2:12 |
3 | ![]() | La Danza, La Piva, La Gamba - La Danza | ![]() | 2:12 |
4 | ![]() | Bagpipe Tuning | ![]() | 2:22 |
4 | ![]() | Bagpipe Tuning | ![]() | 2:22 |
5 | ![]() | Colla Parte | ![]() | 3:20 |
5 | ![]() | Colla Parte | ![]() | 3:20 |
6 | ![]() | The Morning Dew (Sunrise and Dance), for viol consort | ![]() | 3:24 |
6 | ![]() | The Morning Dew (Sunrise and Dance), for viol consort | ![]() | 3:24 |
7 | ![]() | Hexachord Fantasia, Ut re mi, for 3 viols | ![]() | 1:29 |
7 | ![]() | Hexachord Fantasia, Ut re mi, for 3 viols | ![]() | 1:29 |
8 | ![]() | Toccata a modo di trombetta a 4 | ![]() | 2:55 |
8 | ![]() | Toccata a modo di trombetta a 4 | ![]() | 2:55 |
9 | ![]() | Clothespin Modulation, for cello & viol consort | ![]() | 2:22 |
9 | ![]() | Clothespin Modulation, for cello & viol consort | ![]() | 2:22 |
10 | ![]() | Prima stravaganze a 4 | ![]() | 1:54 |
10 | ![]() | Prima stravaganze a 4 | ![]() | 1:54 |
11 | ![]() | Jupiter, for viol consort (after Antoine Forqueray) | ![]() | 4:52 |
11 | ![]() | Jupiter, for viol consort (after Antoine Forqueray) | ![]() | 4:52 |
12 | ![]() | Toccata prima secondo Tono, for keyboard (Book 1) | ![]() | 3:04 |
12 | ![]() | Toccata prima secondo Tono, for keyboard (Book 1) | ![]() | 3:04 |
13 | ![]() | Verder Geen Nieuws, for cello & viol consort - Verder Geen Nieuws | ![]() | 2:53 |
13 | ![]() | Verder Geen Nieuws, for cello & viol consort - Verder Geen Nieuws | ![]() | 2:53 |
14 | ![]() | La Portugaise, for viol consort (after Antoine Forqueray) | ![]() | 3:11 |
14 | ![]() | La Portugaise, for viol consort (after Antoine Forqueray) | ![]() | 3:11 |
15 | ![]() | Work(s) - Almaine | ![]() | 1:55 |
15 | ![]() | Work(s) - Almaine | ![]() | 1:55 |
16 | ![]() | Work(s) - Almaine | ![]() | 1:35 |
16 | ![]() | Work(s) - Almaine | ![]() | 1:35 |
17 | ![]() | Work(s) - Ayre | ![]() | 1:35 |
17 | ![]() | Work(s) - Ayre | ![]() | 1:35 |
18 | ![]() | Hownot2, for cello & viol consort | ![]() | 5:56 |
18 | ![]() | Hownot2, for cello & viol consort | ![]() | 5:56 |
19 | ![]() | The Third, for cello & viol consort | ![]() | :43 |
19 | ![]() | The Third, for cello & viol consort | ![]() | :43 |
20 | ![]() | The Spirit of Gambo. The Lord Dewys favoret | ![]() | 2:52 |
20 | ![]() | The Spirit of Gambo. The Lord Dewys favoret | ![]() | 2:52 |
21 | ![]() | The Pashion of Musicke. Sir Christopher Hattons choice | ![]() | 4:12 |
21 | ![]() | The Pashion of Musicke. Sir Christopher Hattons choice | ![]() | 4:12 |
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