Carissimi: Ten Motets
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Artist | Consortium Carissimi |
Bewertung | |
Epoche | Barock (1600-1749) |
Label | Naxos |
Erschienen | 2001 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Surgamus, eamus, properemus, motet for alto, tenor, bass & continuo | 5:27 | ||
1 | Surgamus, eamus, properemus, motet for alto, tenor, bass & continuo | 5:27 | ||
2 | Quis est hic vir, motet for alto, bass & continuo | 6:58 | ||
2 | Quis est hic vir, motet for alto, bass & continuo | 6:58 | ||
3 | O vos populi, motet for alto, tenor, bass, 2 violins, viola, cello & continuo (attributed to Carissimi) | 4:32 | ||
3 | O vos populi, motet for alto, tenor, bass, 2 violins, viola, cello & continuo (attributed to Carissimi) | 4:32 | ||
4 | In te, Domine, speravi, motet for alto, tenor, bass, 2 violins, viola da gamba & continuo (doubtful) | 9:07 | ||
4 | In te, Domine, speravi, motet for alto, tenor, bass, 2 violins, viola da gamba & continuo (doubtful) | 9:07 | ||
5 | Lucifero, caelestis olim, motet for bass, soprano & continuo | 5:08 | ||
5 | Lucifero, caelestis olim, motet for bass, soprano & continuo | 5:08 | ||
6 | O vulnera doloris, motet for bass (or 2 sopranos & bass) & continuo | 4:43 | ||
6 | O vulnera doloris, motet for bass (or 2 sopranos & bass) & continuo | 4:43 | ||
7 | Quasi aquila, motet for tenor, 2 violins, bassoon & continuo | 10:43 | ||
7 | Quasi aquila, motet for tenor, 2 violins, bassoon & continuo | 10:43 | ||
8 | Lamentationes Jeremiae Prophetae ("Feriae Quintae in Coena Domini"), motet for mezzo-soprano, soprano & continuo | 6:22 | ||
8 | Lamentationes Jeremiae Prophetae ("Feriae Quintae in Coena Domini"), motet for mezzo-soprano, soprano & continuo | 6:22 | ||
9 | Quid tandem sunt mundi deliciae, motet for alto, tenor, bass & continuo | 4:14 | ||
9 | Quid tandem sunt mundi deliciae, motet for alto, tenor, bass & continuo | 4:14 | ||
10 | Suscitavit Dominus, motet for alto, tenor, bass & continuo | 6:43 | ||
10 | Suscitavit Dominus, motet for alto, tenor, bass & continuo | 6:43 |
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