The Unknown Ives
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Artist | Donald Berman |
Bewertung | |
Epoche | Modern (1910-1949) |
Label | CRI |
Erschienen | 1999 |
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Three-Page Sonata, for piano (& optional glockenspiel), S. 89 (K. 3B15) - Movement 1: Allegro Moderato | 2:04 | ||
2 | Three-Page Sonata, for piano (& optional glockenspiel), S. 89 (K. 3B15) - Movement 2: Andante | 3:16 | ||
3 | Three-Page Sonata, for piano (& optional glockenspiel), S. 89 (K. 3B15) - Movement 3: Allegro - March Time | 2:38 | ||
4 | Study No. 6: Andante, etude for piano, S. 94 (K. 3B17) | 4:22 | ||
5 | Study No. 7: Andante cantabile, etude for piano, S. 95 (K. 3B17) | 2:58 | ||
6 | Study No. 8: Trio (Allegro moderato--Presto), etude for piano, S. 96 (K. 3B17) | 1:51 | ||
7 | Study No. 9: The Anti-Abolitionist Riots in the 1830s & 1840s, for piano, S. 97 (K. 3B17) | 3:19 | ||
8 | Study No. 15: Allegro moderato, etude for piano, S. 100 (K. 3B17) (incomplete) | 4:05 | ||
9 | Studies Nos. 16 and 19, for piano, S. 101/103 (K. 3B17) | 2:15 | ||
10 | Study No. 23: Allegro, etude for piano, S. 107 (K. 3B17) | 4:07 | ||
11 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - No. 1, "The Seen and Unseen" | 2:55 | ||
12 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - No. 2, "Rough and Ready et al and/or "The Jumping Frog" | 3:06 | ||
13 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - No. 3, "Song Without (Good) Words" (Melody in F and F flat) | 3:17 | ||
14 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - No. 4, "Scene Episode" | 2:12 | ||
15 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - No. 5, "Bad Resolutions and Good One" | :57 | ||
16 | Study No. 20: March (Slow Allegro or Fast Andante), etude for piano, S. 104 (K. 3B17) - Study No 20, for piano | 7:31 | ||
17 | Study No. 22: Andante maestoso--Allegro vivace, etude for piano, S. 106 (K. 3B17) - Study No 22, for piano | 1:57 | ||
18 | Study No. 21: Some Southpaw Pitching, etude for piano, S. 105 (K. 3B17) - Study No 21, for piano "Some South-Paw Pitching" | 2:48 | ||
19 | Evocations, chants (4) for piano - I. Largo (To Harriette Miller) | 2:01 | ||
20 | Evocations, chants (4) for piano - II. Andante con fantasia (To John Kirkpatrick) | 2:51 | ||
21 | Evocations, chants (4) for piano - III. Moderato appasionato (To Charlotte Ruggles) | 1:37 | ||
22 | Evocations, chants (4) for piano - IV. Adagio Sostenuto (To Charles Ives) | 3:32 |
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