The Emma Kirkby Collection
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Artist | Emma Kirkby |
Bewertung | |
Epoche | Barock (1600-1749) |
Label | Hyperion |
Erschienen | 1987 |
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267 - Confitebor tibi, Domine | 5:57 | ||
1 | Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267 - Confitebor tibi, Domine | 5:57 | ||
2 | Now Hath Flora Rob'd Her Bowers for voice, lute & bass viol | 2:54 | ||
2 | Now Hath Flora Rob'd Her Bowers for voice, lute & bass viol | 2:54 | ||
3 | Stript of their green our groves appear, song, Z. 444 | 3:56 | ||
3 | Stript of their green our groves appear, song, Z. 444 | 3:56 | ||
4 | Voglio di vita uscir, madrigal for soprano | 4:18 | ||
4 | Voglio di vita uscir, madrigal for soprano | 4:18 | ||
5 | Piangono al pianger mio (from "Le Musiche... da cantar solo nel Clavicordo...et altri istromenti simili") | 4:00 | ||
5 | Piangono al pianger mio (from "Le Musiche... da cantar solo nel Clavicordo...et altri istromenti simili") | 4:00 | ||
6 | Flow not so fast ye fountains, for 4 voices & lute (Third Book of Songs) | 2:50 | ||
6 | Flow not so fast ye fountains, for 4 voices & lute (Third Book of Songs) | 2:50 | ||
7 | Foy porter, honneur garder, virelai for voice | 3:23 | ||
7 | Foy porter, honneur garder, virelai for voice | 3:23 | ||
8 | Columba aspexit, sequence for St Maximinus - Columba aspexit | 5:17 | ||
8 | Columba aspexit, sequence for St Maximinus - Columba aspexit | 5:17 | ||
9 | Cantata No. 208, "Was mir behagt," (Hunt Cantata), BWV 208 (BC G1, G3) - Sheep may safely graze | 4:30 | ||
9 | Cantata No. 208, "Was mir behagt," (Hunt Cantata), BWV 208 (BC G1, G3) - Sheep may safely graze | 4:30 | ||
10 | Time stands still, for voice, lute & bass viol (Third Book of Songs) | 4:08 | ||
10 | Time stands still, for voice, lute & bass viol (Third Book of Songs) | 4:08 | ||
11 | Diana (Questo Dardo, Quest'Arco), for voice | 2:47 | ||
11 | Diana (Questo Dardo, Quest'Arco), for voice | 2:47 | ||
12 | Quel sguardo sdegnosetto, madrigal for soprano (from Scherzi musicali), SV 247/1 - Quel sguardo sdegnosetto | 2:11 | ||
12 | Quel sguardo sdegnosetto, madrigal for soprano (from Scherzi musicali), SV 247/1 - Quel sguardo sdegnosetto | 2:11 | ||
13 | Lamento d'Olimpia, madrigal in 3 sections for soprano, SV A2 - Maledetto sia l'aspetto | 1:00 | ||
13 | Lamento d'Olimpia, madrigal in 3 sections for soprano, SV A2 - Maledetto sia l'aspetto | 1:00 | ||
14 | The Lark ("Swift through the yielding air") | 2:07 | ||
14 | The Lark ("Swift through the yielding air") | 2:07 | ||
15 | Move now with measured sound (from A Wedding Maske) for voice, lute & bass viol | 3:03 | ||
15 | Move now with measured sound (from A Wedding Maske) for voice, lute & bass viol | 3:03 | ||
16 | The Triumph of Time and Truth, oratorio, HWV 71 - Sharp thorns despising | 2:20 | ||
16 | The Triumph of Time and Truth, oratorio, HWV 71 - Sharp thorns despising | 2:20 | ||
17 | Cantata No. 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata"), BWV 202 (BC G41) - Recitative and Aria Sich üben im Lieben | 4:59 | ||
17 | Cantata No. 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata"), BWV 202 (BC G41) - Recitative and Aria Sich üben im Lieben | 4:59 | ||
18 | You Meaner Beauties of the Night for 5 voices | 4:34 | ||
18 | You Meaner Beauties of the Night for 5 voices | 4:34 |
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