Charpentier: Grâce et grandeurs de la Vierge
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TickIt!
Artist | Emmanuel Mandrin |
Bewertung | |
Epoche | Barock (1600-1749) |
Label | Virgin |
Erschienen | 1998 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Ave Regina coelorum, motet for 3 voices & continuo, H.19 | 3:09 | ||
1 | Ave Regina coelorum, motet for 3 voices & continuo, H.19 | 3:09 | ||
2 | Nativité de la Vierge, motet for 2 voices & continuo, H. 309 - Sicut spina rosam | 2:31 | ||
2 | Nativité de la Vierge, motet for 2 voices & continuo, H. 309 - Sicut spina rosam | 2:31 | ||
3 | Work(s) - Gaude felix rosam | 1:55 | ||
3 | Work(s) - Gaude felix rosam | 1:55 | ||
4 | Work(s) - Unspecified Magnificat | - | ||
4 | Work(s) - Unspecified Magnificat | - | ||
5 | Work(s) - Unspecified Magnificat | 8:42 | ||
5 | Work(s) - Unspecified Magnificat | 8:42 | ||
6 | Work(s) - Unspecified Magnificat | 1:16 | ||
6 | Work(s) - Unspecified Magnificat | 1:16 | ||
7 | Quam pulchra es, motet for 3 voices & continuo, H. 322 | 4:11 | ||
7 | Quam pulchra es, motet for 3 voices & continuo, H. 322 | 4:11 | ||
8 | Work(s) - Omni die dic Mariae | 2:38 | ||
8 | Work(s) - Omni die dic Mariae | 2:38 | ||
9 | Gaudia Virginis Mariae, motet for 3 sopranos & continuo, H. 59 | 3:05 | ||
9 | Gaudia Virginis Mariae, motet for 3 sopranos & continuo, H. 59 | 3:05 | ||
10 | Alma redemptoris mater, motet for 2 high sopranos & continuo, H. 21 | 3:10 | ||
10 | Alma redemptoris mater, motet for 2 high sopranos & continuo, H. 21 | 3:10 | ||
11 | In nativitatem Domini Nostri Jesu Christi Canticum, histoire sacrée for 4 voices, chorus, 2 treble instruments & continuo, H. 414 | 8:52 | ||
11 | In nativitatem Domini Nostri Jesu Christi Canticum, histoire sacrée for 4 voices, chorus, 2 treble instruments & continuo, H. 414 | 8:52 | ||
12 | Regina coeli, motet for 2 high sopranos & instruments in B flat major, H. 32 | 2:39 | ||
12 | Regina coeli, motet for 2 high sopranos & instruments in B flat major, H. 32 | 2:39 | ||
13 | Work(s) | 1:14 | ||
13 | Work(s) | 1:14 | ||
14 | A la Vierge à 4 voix pareilles, motet for 4 voices & continuo, H. 371 | 2:26 | ||
14 | A la Vierge à 4 voix pareilles, motet for 4 voices & continuo, H. 371 | 2:26 | ||
15 | Work(s) - Unspecified Salve Regina | 5:00 | ||
15 | Work(s) - Unspecified Salve Regina | 5:00 | ||
16 | Sub tuum praesidium, motet for 3 voices & continuo, H. 20 | 1:59 | ||
16 | Sub tuum praesidium, motet for 3 voices & continuo, H. 20 | 1:59 | ||
17 | Litanies de la Vierge, motet for 6 voices, chorus, 2 dessus de violes & continuo, H. 83 | 9:17 | ||
17 | Litanies de la Vierge, motet for 6 voices, chorus, 2 dessus de violes & continuo, H. 83 | 9:17 | ||
18 | Inviolata, integra, et casta es, Maria, motet for 2 sopranos, bass & continuo, H. 26 | 4:58 | ||
18 | Inviolata, integra, et casta es, Maria, motet for 2 sopranos, bass & continuo, H. 26 | 4:58 |
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