Ernestine Schumann-Heink: The Victor Recordings, 1911-20
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Artist | Ernestine Schumann-Heink |
Bewertung | |
Epoche | Romantische Musik (1820-1869) |
Label | Romophone |
Erschienen | 2001 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Sei still | 4:02 | ||
1 | Sei still | 4:02 | ||
2 | Erlkönig ("Wer reitet so spät"), song for voice & piano, D. 328 (Op. 1) | 3:47 | ||
2 | Erlkönig ("Wer reitet so spät"), song for voice & piano, D. 328 (Op. 1) | 3:47 | ||
3 | The Cry of Rachel | 3:58 | ||
3 | The Cry of Rachel | 3:58 | ||
4 | Von Himmel Hoch | 3:47 | ||
4 | Von Himmel Hoch | 3:47 | ||
5 | Stille Nacht, heilige Nacht (Silent Night) | 3:07 | ||
5 | Stille Nacht, heilige Nacht (Silent Night) | 3:07 | ||
6 | Träume ("Sag, welch wunderbare Träume"), song for voice & piano (or orchestra) (Wesendonk Lieder), WWV 91/5 | 4:16 | ||
6 | Träume ("Sag, welch wunderbare Träume"), song for voice & piano (or orchestra) (Wesendonk Lieder), WWV 91/5 | 4:16 | ||
7 | A Child's Prayer | 2:27 | ||
7 | A Child's Prayer | 2:27 | ||
8 | Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32) | 1:53 | ||
8 | Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32) | 1:53 | ||
9 | The Rosary, for voice & piano | 2:47 | ||
9 | The Rosary, for voice & piano | 2:47 | ||
10 | Erlkönig ("Wer reitet so spät"), song for voice & piano, D. 328 (Op. 1) | 4:06 | ||
10 | Erlkönig ("Wer reitet so spät"), song for voice & piano, D. 328 (Op. 1) | 4:06 | ||
11 | Samson et Dalila, opera in 3 acts, Op. 47 - Die Sonne, sie lachte (Printemps qui commence) | 4:04 | ||
11 | Samson et Dalila, opera in 3 acts, Op. 47 - Die Sonne, sie lachte (Printemps qui commence) | 4:04 | ||
12 | When the Roses Bloom | 2:36 | ||
12 | When the Roses Bloom | 2:36 | ||
13 | Spinnerliedchen | 1:44 | ||
13 | Spinnerliedchen | 1:44 | ||
14 | Down In The Forest | 2:50 | ||
14 | Down In The Forest | 2:50 | ||
15 | Agnus Dei, for voice & piano (or orchestra) (Intermezzo from L'arlésienne Suite No. 2/6, arranged by Ernest Guirard) | 4:09 | ||
15 | Agnus Dei, for voice & piano (or orchestra) (Intermezzo from L'arlésienne Suite No. 2/6, arranged by Ernest Guirard) | 4:09 | ||
16 | Il Trovatore, opera - Se m'ami ancor...Ai nostri monti | 4:26 | ||
16 | Il Trovatore, opera - Se m'ami ancor...Ai nostri monti | 4:26 | ||
17 | Wanderers Nachtlied ("Aller Berge Gipfel ruhn"), song for 2 voices & piano, Op. 48/5 | 3:18 | ||
17 | Wanderers Nachtlied ("Aller Berge Gipfel ruhn"), song for 2 voices & piano, Op. 48/5 | 3:18 | ||
18 | The Kerry Dance | 3:52 | ||
18 | The Kerry Dance | 3:52 | ||
19 | Cantata No. 68, "Also hat Gott die Welt geliebt," BWV 68 (BC A86) - My Heart Ever Faithful (Also hat Gott) | 3:38 | ||
19 | Cantata No. 68, "Also hat Gott die Welt geliebt," BWV 68 (BC A86) - My Heart Ever Faithful (Also hat Gott) | 3:38 | ||
20 | Bonjour, Suzon!, song for voice & piano (or orchestra) | 3:01 | ||
20 | Bonjour, Suzon!, song for voice & piano (or orchestra) | 3:01 | ||
21 | Mens jeg venter (On the Water), song for voice & piano, Op. 60/3 | 2:22 | ||
21 | Mens jeg venter (On the Water), song for voice & piano, Op. 60/3 | 2:22 | ||
22 | The Robin Sings in the Apple Tree, for voice & piano, Op. 47/1 | 2:17 | ||
22 | The Robin Sings in the Apple Tree, for voice & piano, Op. 47/1 | 2:17 | ||
23 | Allah, for voice & piano, L. 7/22 | 2:00 | ||
23 | Allah, for voice & piano, L. 7/22 | 2:00 | ||
24 | Samson et Dalila, opera in 3 acts, Op. 47 - Sieh, mein Herz (Mon coeur s'ouvre à ta voix) | 3:48 | ||
24 | Samson et Dalila, opera in 3 acts, Op. 47 - Sieh, mein Herz (Mon coeur s'ouvre à ta voix) | 3:48 | ||
25 | Wiegenlied ("Guten Abend, gut Nacht"), song for voice & piano, Op. 49/4 | 2:01 | ||
25 | Wiegenlied ("Guten Abend, gut Nacht"), song for voice & piano, Op. 49/4 | 2:01 | ||
26 | Moderen synger (The Mother's Lament), song for voice & piano, Op. 60/2 | 2:58 | ||
26 | Moderen synger (The Mother's Lament), song for voice & piano, Op. 60/2 | 2:58 | ||
27 | Before the Crucifix | 3:17 | ||
27 | Before the Crucifix | 3:17 | ||
28 | One Sweetly Solemn Thought | 3:41 | ||
28 | One Sweetly Solemn Thought | 3:41 | ||
29 | Sapphische Ode ("Rosen brach ich Nachts mir am dunklen Hage"), song for voice & piano, Op. 94/4 | 2:53 | ||
29 | Sapphische Ode ("Rosen brach ich Nachts mir am dunklen Hage"), song for voice & piano, Op. 94/4 | 2:53 | ||
30 | The Rosary, for voice & piano | 2:53 | ||
30 | The Rosary, for voice & piano | 2:53 | ||
31 | Irish love song, Op 22 | 2:17 | ||
31 | Irish love song, Op 22 | 2:17 | ||
32 | Die Lorelei (The Loreley), song | 4:07 | ||
32 | Die Lorelei (The Loreley), song | 4:07 | ||
33 | Das Erkennen | 3:56 | ||
33 | Das Erkennen | 3:56 | ||
34 | Thy Beaming Eyes, for voice & piano, Op. 40/3 | 2:05 | ||
34 | Thy Beaming Eyes, for voice & piano, Op. 40/3 | 2:05 | ||
35 | Londonderry Air (Danny Boy), folk song | 3:37 | ||
35 | Londonderry Air (Danny Boy), folk song | 3:37 | ||
36 | Cradle Song | 3:16 | ||
36 | Cradle Song | 3:16 | ||
37 | Just before the battle, Mother | 3:30 | ||
37 | Just before the battle, Mother | 3:30 | ||
38 | Nearer My God to Thee, for voice & piano (or orchestra) | 3:13 | ||
38 | Nearer My God to Thee, for voice & piano (or orchestra) | 3:13 | ||
39 | Taps (attributed to Daniel Butterfield) | 3:06 | ||
39 | Taps (attributed to Daniel Butterfield) | 3:06 | ||
40 | Old Folks at Home, for voice & piano | 4:06 | ||
40 | Old Folks at Home, for voice & piano | 4:06 | ||
41 | When the Boys Come Home | 3:16 | ||
41 | When the Boys Come Home | 3:16 | ||
42 | St. Gertrude ("Onward, Christian soldiers"), hymn for chorus | 3:13 | ||
42 | St. Gertrude ("Onward, Christian soldiers"), hymn for chorus | 3:13 | ||
43 | In the Sweet Bye and Bye | 3:04 | ||
43 | In the Sweet Bye and Bye | 3:04 | ||
44 | Sun of My Soul | 2:56 | ||
44 | Sun of My Soul | 2:56 | ||
45 | The Home Road for voice & piano | 7:19 | ||
45 | The Home Road for voice & piano | 7:19 |
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