Liszt's Last Pupil
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Artist | Frederic Lamond |
Bewertung | |
Epoche | Romantische Musik (1820-1869) |
Label | Pearl |
Erschienen |
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Erlkönig (II), transcription for piano (after Schubert, D. 328d), S. 558/4 (LW A42/4) | 4:12 | ||
1 | Erlkönig (II), transcription for piano (after Schubert, D. 328d), S. 558/4 (LW A42/4) | 4:12 | ||
2 | Cujus Animam, for voice & organ (after Rossini: Stabat Mater), S. 682 (LW K5) | 4:41 | ||
2 | Cujus Animam, for voice & organ (after Rossini: Stabat Mater), S. 682 (LW K5) | 4:41 | ||
3 | Tarantelle di bravura d'aprés la tarantella de La Muette de Portici, for piano (after Auber; 3 versions), S. 386 (LW A125) | 9:10 | ||
3 | Tarantelle di bravura d'aprés la tarantella de La Muette de Portici, for piano (after Auber; 3 versions), S. 386 (LW A125) | 9:10 | ||
4 | Liebesträume, notturno for piano No. 3 in A flat major ("O Lieb, so lang du lieben kannst"), S. 541/3 (LW A103/3) | 4:00 | ||
4 | Liebesträume, notturno for piano No. 3 in A flat major ("O Lieb, so lang du lieben kannst"), S. 541/3 (LW A103/3) | 4:00 | ||
5 | Feux-follets, etude for piano in B flat major (Transcendental Etude No. 5), S. 139/5 (LW A172/5) - Feux Follets | 4:05 | ||
5 | Feux-follets, etude for piano in B flat major (Transcendental Etude No. 5), S. 139/5 (LW A172/5) - Feux Follets | 4:05 | ||
6 | Konzertetüden (2), for piano, S. 145 (LW A218) - Waldesrauschen | 4:06 | ||
6 | Konzertetüden (2), for piano, S. 145 (LW A218) - Waldesrauschen | 4:06 | ||
7 | Sonetto del Petrarca No. 104 (Pace non trovo; II) for piano (Années II/5), S. 161/5 (LW A55/5) - Petrarch Sonnet No 104 | 4:51 | ||
7 | Sonetto del Petrarca No. 104 (Pace non trovo; II) for piano (Années II/5), S. 161/5 (LW A55/5) - Petrarch Sonnet No 104 | 4:51 | ||
8 | Konzertetüden (2), for piano, S. 145 (LW A218) - Gnomenreigen | 3:45 | ||
8 | Konzertetüden (2), for piano, S. 145 (LW A218) - Gnomenreigen | 3:45 | ||
9 | Un sospiro, for piano in D flat major (Grande études de concert No. 3), S. 144/3 (LW A118/3) | 4:27 | ||
9 | Un sospiro, for piano in D flat major (Grande études de concert No. 3), S. 144/3 (LW A118/3) | 4:27 | ||
10 | Un sospiro, for piano in D flat major (Grande études de concert No. 3), S. 144/3 (LW A118/3) | 4:38 | ||
10 | Un sospiro, for piano in D flat major (Grande études de concert No. 3), S. 144/3 (LW A118/3) | 4:38 | ||
11 | Valse-Impromptu (I & II), for piano, S. 213 (LW 84c) | 3:43 | ||
11 | Valse-Impromptu (I & II), for piano, S. 213 (LW 84c) | 3:43 | ||
12 | Venezia e Napoli I (3), for piano, S. 159 (LW A53) - Tarantella | 8:19 | ||
12 | Venezia e Napoli I (3), for piano, S. 159 (LW A53) - Tarantella | 8:19 | ||
13 | Nocturne for piano No. 10 in A flat major, Op. 32/2, CT. 117 | 4:38 | ||
13 | Nocturne for piano No. 10 in A flat major, Op. 32/2, CT. 117 | 4:38 | ||
14 | Barcarolle for piano No. 3 in G minor (after 4 hand version), Op. 50/3 | 3:28 | ||
14 | Barcarolle for piano No. 3 in G minor (after 4 hand version), Op. 50/3 | 3:28 | ||
15 | Pieces (8) for piano, Op. 76 - No 2, Capriccio in B minor | 3:31 | ||
15 | Pieces (8) for piano, Op. 76 - No 2, Capriccio in B minor | 3:31 | ||
16 | The Lark (Zhavronok), song for voice & piano (A Farewell to St. Petersburg No. 10), G. x250 | 3:55 | ||
16 | The Lark (Zhavronok), song for voice & piano (A Farewell to St. Petersburg No. 10), G. x250 | 3:55 |
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