New Dimensions
0
TickIt!
Artist | Freiburg Trumpet Ensemble |
Bewertung | |
Epoche | Contemporary (1950-200X) |
Label | Summit Records |
Erschienen | 2004 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Preludio No. 2 for 4 trumpets | 1:11 | ||
2 | Reflections, for 8 trumpets in 2 choirs - No. 1 | 5:52 | ||
3 | Reflections, for 8 trumpets in 2 choirs - No. 2 | 4:53 | ||
4 | Hurry Up, for 4 muted trumpets | :59 | ||
5 | The Bells, for soprano & piano - 1. | 1:22 | ||
6 | The Bells, for soprano & piano - 2. | 1:53 | ||
7 | The Bells, for soprano & piano - 3. | 2:15 | ||
8 | The Bells, for soprano & piano - 4. | 5:53 | ||
9 | Piece 'a Brevis, for 4 muted trumpets | 1:14 | ||
10 | Blue Mazda, for 4 trumpets, percussion, cello, piano & soprano/narrator - 1. Introduction | 1:46 | ||
11 | Blue Mazda, for 4 trumpets, percussion, cello, piano & soprano/narrator - 2. The Market of My Own Expectations | 4:12 | ||
12 | Blue Mazda, for 4 trumpets, percussion, cello, piano & soprano/narrator - 3. Chivalry | :35 | ||
13 | Blue Mazda, for 4 trumpets, percussion, cello, piano & soprano/narrator - 4. Great Haste | 1:01 | ||
14 | Blue Mazda, for 4 trumpets, percussion, cello, piano & soprano/narrator - 5. Is There A Good Chance | 3:09 | ||
15 | Blue Mazda, for 4 trumpets, percussion, cello, piano & soprano/narrator - 6. Marching to Hysteria | 5:31 | ||
16 | Blue Mazda, for 4 trumpets, percussion, cello, piano & soprano/narrator - 7. Evening's Balmy Lament | 2:43 | ||
17 | Blue Mazda, for 4 trumpets, percussion, cello, piano & soprano/narrator - 8. The Blue Mazda | 5:20 | ||
18 | Blue Mazda, for 4 trumpets, percussion, cello, piano & soprano/narrator - 9. Appropriate Expressions (Reprise) | 1:34 | ||
19 | Wisp, for 4 muted trumpets | 1:29 | ||
20 | Jazz Suite, for 8 trumpets - 1. Spring for Joy | 2:30 | ||
21 | Jazz Suite, for 8 trumpets - 2. Georgia Variations | 3:26 | ||
22 | Jazz Suite, for 8 trumpets - 3. What Fantasy | 3:23 | ||
23 | Jazz Suite, for 8 trumpets - 4. Jazz Waltz | 2:30 |
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