Celestiall Witchcraft - The Private Music of Henry and Charles, Princes of Wales
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Artist | Fretwork |
Bewertung | |
Epoche | Barock (1600-1749) |
Label | Veritas |
Erschienen | 1999 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Fantasia a 6 No 5 | 3:26 | ||
1 | Fantasia a 6 No 5 | 3:26 | ||
2 | Fantasia a 6, No.5, for viols, MB35 | 3:10 | ||
2 | Fantasia a 6, No.5, for viols, MB35 | 3:10 | ||
3 | So Beauty on the Waters Stood, for voice & lute | 1:30 | ||
3 | So Beauty on the Waters Stood, for voice & lute | 1:30 | ||
4 | Pavin | 5:12 | ||
4 | Pavin | 5:12 | ||
5 | In Nomine a 5 | 5:00 | ||
5 | In Nomine a 5 | 5:00 | ||
6 | Fantasia a 3 (Music for the Double Bass), No.2, MB17 | 3:50 | ||
6 | Fantasia a 3 (Music for the Double Bass), No.2, MB17 | 3:50 | ||
7 | Fantasia a 3 (Music for the Double Bass), No.3, MB18 | 4:08 | ||
7 | Fantasia a 3 (Music for the Double Bass), No.3, MB18 | 4:08 | ||
8 | So, so, leave off this last lamenting kisse (from Ayres 1609) | 2:57 | ||
8 | So, so, leave off this last lamenting kisse (from Ayres 1609) | 2:57 | ||
9 | O come'è gran martire | 2:14 | ||
9 | O come'è gran martire | 2:14 | ||
10 | Fantasia Chi può mirarvi | 3:21 | ||
10 | Fantasia Chi può mirarvi | 3:21 | ||
11 | Royall Consort Suite No 7 in A minor | 2:27 | ||
11 | Royall Consort Suite No 7 in A minor | 2:27 | ||
12 | Royall Consort Suite No 7 in A minor | 1:51 | ||
12 | Royall Consort Suite No 7 in A minor | 1:51 | ||
13 | Royall Consort Suite No 7 in A minor | 1:10 | ||
13 | Royall Consort Suite No 7 in A minor | 1:10 | ||
14 | Royall Consort Suite No 7 in A minor | 1:28 | ||
14 | Royall Consort Suite No 7 in A minor | 1:28 | ||
15 | Royall Consort Suite No 7 in A minor | 1:48 | ||
15 | Royall Consort Suite No 7 in A minor | 1:48 | ||
16 | Royall Consort Suite No 7 in A minor | :58 | ||
16 | Royall Consort Suite No 7 in A minor | :58 | ||
17 | Ardo, Si a 5 - Prima Parte | 2:03 | ||
17 | Ardo, Si a 5 - Prima Parte | 2:03 | ||
18 | Ardi et Gela - Seconda Parte | 2:07 | ||
18 | Ardi et Gela - Seconda Parte | 2:07 | ||
19 | When pale famine (To the most disconsolate Great Brittaine) | 2:57 | ||
19 | When pale famine (To the most disconsolate Great Brittaine) | 2:57 | ||
20 | Pavin first for 3 lyra viols (No. 563) | 4:48 | ||
20 | Pavin first for 3 lyra viols (No. 563) | 4:48 | ||
21 | Almain for 3 lyra viols (No. 564) | 1:36 | ||
21 | Almain for 3 lyra viols (No. 564) | 1:36 | ||
22 | L tra 'l sangue (Latral) | 1:43 | ||
22 | L tra 'l sangue (Latral) | 1:43 | ||
23 | L tra 'l sangue (Latral) - Parte Seconda | 1:52 | ||
23 | L tra 'l sangue (Latral) - Parte Seconda | 1:52 | ||
24 | Fantazia 1st for 3 lyra viols (No. 567) | 2:44 | ||
24 | Fantazia 1st for 3 lyra viols (No. 567) | 2:44 | ||
25 | Saraband for 3 lyra viols (No. 569) | 1:18 | ||
25 | Saraband for 3 lyra viols (No. 569) | 1:18 | ||
26 | Fortune and Glory (To the Most High and Mighty Prince Charles) | 2:05 | ||
26 | Fortune and Glory (To the Most High and Mighty Prince Charles) | 2:05 | ||
27 | Fantasia a 6, No.6, for viols, MB36 | 3:47 | ||
27 | Fantasia a 6, No.6, for viols, MB36 | 3:47 |
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