Tavener: The Hidden Face
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Artist | Fretwork |
Bewertung | |
Epoche | Contemporary (1950-200X) |
Label | Harmonia Mundi |
Erschienen | 2001 |
Klassik-Werke auf diesem Album
# | Werk/Besetzung | Dauer | ||
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1 | The Hidden Face, for countertenor, oboe, 8 violins & 8 violas | 17:50 | ||
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2 | Missa "Gloria Tibi Trinitas" for six voices: Sanctus & Benedictus | 8:01 | ||
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3 | In Nomine I | 3:37 | ||
4 | In Nomine II | 3:27 | ||
5 | In Nomine | 5:47 | ||
6 | Apokatástasis, for countertenor, 6 viols & Tibetan bowls | 2:51 | ||
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7 | Nipson, for countertenor & 5 viols | 20:54 | ||
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8 | An Evening Hymn, arranged for countertenor & 6 viols (after Purcell) | 5:41 | ||
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | The Hidden Face, for countertenor, oboe, 8 violins & 8 violas | - | ||
1 | The Hidden Face, for countertenor, oboe, 8 violins & 8 violas | - | ||
2 | Missa "Gloria Tibi Trinitas" for six voices - Sanctus & Benedictus | - | ||
2 | Missa "Gloria Tibi Trinitas" for six voices - Sanctus & Benedictus | - | ||
3 | In Nomine I | - | ||
3 | In Nomine I | - | ||
4 | In Nomine II | - | ||
4 | In Nomine II | - | ||
5 | In Nomine | - | ||
5 | In Nomine | - | ||
6 | Apokatástasis, for countertenor, 6 viols & Tibetan bowls | - | ||
6 | Apokatástasis, for countertenor, 6 viols & Tibetan bowls | - | ||
7 | Nipson, for countertenor & 5 viols | - | ||
7 | Nipson, for countertenor & 5 viols | - | ||
8 | An Evening Hymn, arranged for countertenor & 6 viols (after Purcell) | - | ||
8 | An Evening Hymn, arranged for countertenor & 6 viols (after Purcell) | - |
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