Sofia Gubaidulina: Offertorium
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Artist | Gidon Kremer |
Bewertung | |
Epoche | Contemporary (1950-200X) |
Label | Deutsche Grammophon |
Erschienen |
Klassik-Werke auf diesem Album
# | Werk/Besetzung | Dauer | ||
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1 | Offertorium, concerto for violin & orchestra (3 versions) | 35:43 | ||
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2 | Hommage à T. S. Eliot, for soprano & octet | 33:40 | ||
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Offertorium, concerto for violin & orchestra (3 versions) | 35:43 | ||
1 | Offertorium, concerto for violin & orchestra (3 versions) | 35:43 | ||
2 | Hommage à T. S. Eliot, for soprano & octet - 1st movement | 6:55 | ||
2 | Hommage à T. S. Eliot, for soprano & octet - 1st movement | 6:55 | ||
3 | Hommage à T. S. Eliot, for soprano & octet - 2nd movement | 2:23 | ||
3 | Hommage à T. S. Eliot, for soprano & octet - 2nd movement | 2:23 | ||
4 | Hommage à T. S. Eliot, for soprano & octet - 3rd movement: Time and the bell have buried the day | 2:29 | ||
4 | Hommage à T. S. Eliot, for soprano & octet - 3rd movement: Time and the bell have buried the day | 2:29 | ||
5 | Hommage à T. S. Eliot, for soprano & octet - 4th movement | 1:27 | ||
5 | Hommage à T. S. Eliot, for soprano & octet - 4th movement | 1:27 | ||
6 | Hommage à T. S. Eliot, for soprano & octet - 5th movement: The chill ascends from feet to knees | 7:20 | ||
6 | Hommage à T. S. Eliot, for soprano & octet - 5th movement: The chill ascends from feet to knees | 7:20 | ||
7 | Hommage à T. S. Eliot, for soprano & octet - 6th movement | 5:01 | ||
7 | Hommage à T. S. Eliot, for soprano & octet - 6th movement | 5:01 | ||
8 | Hommage à T. S. Eliot, for soprano & octet - 7th movement: Sin is behovely, but... | 8:05 | ||
8 | Hommage à T. S. Eliot, for soprano & octet - 7th movement: Sin is behovely, but... | 8:05 |
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