Introitus: Vokalmusik von Dufay bis Palestrina
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TickIt!
Artist | Hilliard Ensemble |
Bewertung | ![]() |
Epoche | Renaissance (1450-1599) |
Label | EMI |
Erschienen | 1994 |
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Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | Ave Maria... virgo serena, motet for 4 parts | ![]() | 6:49 |
1 | ![]() | Ave Maria... virgo serena, motet for 4 parts | ![]() | 6:49 |
2 | ![]() | Requiem (Missa pro Defunctis), for 3-4 voices (introit, Kyrie, gradual, offertory only) - Introit: Requiem aeternam | ![]() | 5:39 |
2 | ![]() | Requiem (Missa pro Defunctis), for 3-4 voices (introit, Kyrie, gradual, offertory only) - Introit: Requiem aeternam | ![]() | 5:39 |
3 | ![]() | Nuper rosarum flores, isorhythmic motet for 4 voices | ![]() | 6:47 |
3 | ![]() | Nuper rosarum flores, isorhythmic motet for 4 voices | ![]() | 6:47 |
4 | ![]() | O Salutaris Hostia | ![]() | 1:44 |
4 | ![]() | O Salutaris Hostia | ![]() | 1:44 |
5 | ![]() | Quam pulchra es, for 3 voices | ![]() | 4:18 |
5 | ![]() | Quam pulchra es, for 3 voices | ![]() | 4:18 |
6 | ![]() | Veni Sancte Spiritus, isorhythmic motet for 4 voices, MB 32 | ![]() | 6:27 |
6 | ![]() | Veni Sancte Spiritus, isorhythmic motet for 4 voices, MB 32 | ![]() | 6:27 |
7 | ![]() | Himno XIX Pange lingua IV | ![]() | 3:09 |
7 | ![]() | Himno XIX Pange lingua IV | ![]() | 3:09 |
8 | ![]() | Alma redemptoris, plainchant (Old Hall Manuscript) | ![]() | 2:07 |
8 | ![]() | Alma redemptoris, plainchant (Old Hall Manuscript) | ![]() | 2:07 |
9 | ![]() | Salve Porta Paradisi for 3 voices | ![]() | 1:45 |
9 | ![]() | Salve Porta Paradisi for 3 voices | ![]() | 1:45 |
10 | ![]() | In monte Oliveti, motet for 6 voices, M. vi (S. xi/187) | ![]() | 4:34 |
10 | ![]() | In monte Oliveti, motet for 6 voices, M. vi (S. xi/187) | ![]() | 4:34 |
11 | ![]() | Tota pulchra es, motet for 5 voices (from Motets Book IV from Canticis canticorum) | ![]() | 2:15 |
11 | ![]() | Tota pulchra es, motet for 5 voices (from Motets Book IV from Canticis canticorum) | ![]() | 2:15 |
12 | ![]() | Vulnerasti cor meum, motet for 5 voices (from Motets Book IV from Canticis canticorum) | ![]() | 2:52 |
12 | ![]() | Vulnerasti cor meum, motet for 5 voices (from Motets Book IV from Canticis canticorum) | ![]() | 2:52 |
13 | ![]() | De tous biens plaine, chanson | ![]() | 3:12 |
13 | ![]() | De tous biens plaine, chanson | ![]() | 3:12 |
14 | ![]() | Mille regretz, song for 4 parts | ![]() | 2:04 |
14 | ![]() | Mille regretz, song for 4 parts | ![]() | 2:04 |
15 | ![]() | Il bianco e dolce cigno, madrigal for 4 voices, S. 2/18 | ![]() | 2:03 |
15 | ![]() | Il bianco e dolce cigno, madrigal for 4 voices, S. 2/18 | ![]() | 2:03 |
16 | ![]() | Nymphes des bois/Requiem aeternam/Deploration de la Mort de Jehan Ockeghem, lament for 5 parts | ![]() | 5:49 |
16 | ![]() | Nymphes des bois/Requiem aeternam/Deploration de la Mort de Jehan Ockeghem, lament for 5 parts | ![]() | 5:49 |
17 | ![]() | Clamabat Autem Mulier | ![]() | 4:14 |
17 | ![]() | Clamabat Autem Mulier | ![]() | 4:14 |
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