Mr. Henry Purcell's Most Admirable Composures
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Artist | James Bowman |
Bewertung | ![]() |
Epoche | Barock (1600-1749) |
Label | Hyperion |
Erschienen | 1989 |
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Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | We sing to Him whose wisdom form'd the ear, sacred song for soprano, chorus of soprano & bass & continuo, Z. 199 | ![]() | 2:19 |
1 | ![]() | We sing to Him whose wisdom form'd the ear, sacred song for soprano, chorus of soprano & bass & continuo, Z. 199 | ![]() | 2:19 |
2 | ![]() | What Shall I Do? (from "Prophetess"), prelude and aria for soprano, Z. 627/18 | ![]() | 1:57 |
2 | ![]() | What Shall I Do? (from "Prophetess"), prelude and aria for soprano, Z. 627/18 | ![]() | 1:57 |
3 | ![]() | How long, great God?, sacred song for soprano & continuo, Z. 189 | ![]() | 4:09 |
3 | ![]() | How long, great God?, sacred song for soprano & continuo, Z. 189 | ![]() | 4:09 |
4 | ![]() | Not all my torments can your pity move, song, Z. 400 | ![]() | 2:02 |
4 | ![]() | Not all my torments can your pity move, song, Z. 400 | ![]() | 2:02 |
5 | ![]() | Music for a While (from "Oedipus"), song, Z. 583/2 | ![]() | 3:32 |
5 | ![]() | Music for a While (from "Oedipus"), song, Z. 583/2 | ![]() | 3:32 |
6 | ![]() | Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38 | ![]() | 4:03 |
6 | ![]() | Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38 | ![]() | 4:03 |
7 | ![]() | Hears not my Phyllis (The Knotting Song), song, Z. 371 | ![]() | 2:31 |
7 | ![]() | Hears not my Phyllis (The Knotting Song), song, Z. 371 | ![]() | 2:31 |
8 | ![]() | O let me weep ("The Plaint" from "The Fairy Queen"), aria, Z. 629/40 | ![]() | 7:39 |
8 | ![]() | O let me weep ("The Plaint" from "The Fairy Queen"), aria, Z. 629/40 | ![]() | 7:39 |
9 | ![]() | Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344 - With him he brings the partner of his throne | ![]() | 4:51 |
9 | ![]() | Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344 - With him he brings the partner of his throne | ![]() | 4:51 |
10 | ![]() | Ah! How sweet it is to love (from "Tyrannic Love"), song, Z. 613/2 | ![]() | 2:02 |
10 | ![]() | Ah! How sweet it is to love (from "Tyrannic Love"), song, Z. 613/2 | ![]() | 2:02 |
11 | ![]() | Celia has a thousand charms (from "The Rival Sisters, or, The Violence of Love"), song, Z. 609 | ![]() | 2:30 |
11 | ![]() | Celia has a thousand charms (from "The Rival Sisters, or, The Violence of Love"), song, Z. 609 | ![]() | 2:30 |
12 | ![]() | The fatal hour comes on apace, song, Z. 421 | ![]() | 3:45 |
12 | ![]() | The fatal hour comes on apace, song, Z. 421 | ![]() | 3:45 |
13 | ![]() | If music be the food of love, song, Z. 379 (3 settings) | ![]() | 2:31 |
13 | ![]() | If music be the food of love, song, Z. 379 (3 settings) | ![]() | 2:31 |
14 | ![]() | One charming night (from "The Fairy Queen"), alto aria, Z. 629/13 | ![]() | 2:18 |
14 | ![]() | One charming night (from "The Fairy Queen"), alto aria, Z. 629/13 | ![]() | 2:18 |
15 | ![]() | Since from my dear Astrea's sight (from "Prophetess"), aria for soprano, Z. 627/App2 | ![]() | 3:30 |
15 | ![]() | Since from my dear Astrea's sight (from "Prophetess"), aria for soprano, Z. 627/App2 | ![]() | 3:30 |
16 | ![]() | Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 339 | ![]() | 4:03 |
16 | ![]() | Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 339 | ![]() | 4:03 |
17 | ![]() | Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193 | ![]() | 4:04 |
17 | ![]() | Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193 | ![]() | 4:04 |
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