Mr. Henry Purcell's Most Admirable Composures
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Artist | James Bowman |
Bewertung | |
Epoche | Barock (1600-1749) |
Label | Hyperion |
Erschienen | 1989 |
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | We sing to Him whose wisdom form'd the ear, sacred song for soprano, chorus of soprano & bass & continuo, Z. 199 | 2:19 | ||
1 | We sing to Him whose wisdom form'd the ear, sacred song for soprano, chorus of soprano & bass & continuo, Z. 199 | 2:19 | ||
2 | Prophetess, or The History of Dioclesian, semi-opera, Z. 627 - What shall I do to show how much I love her? | 1:57 | ||
2 | Prophetess, or The History of Dioclesian, semi-opera, Z. 627 - What shall I do to show how much I love her? | 1:57 | ||
3 | How long, great God?, sacred song for soprano & continuo, Z. 189 | 4:09 | ||
3 | How long, great God?, sacred song for soprano & continuo, Z. 189 | 4:09 | ||
4 | Not all my torments can your pity move, song, Z. 400 | 2:02 | ||
4 | Not all my torments can your pity move, song, Z. 400 | 2:02 | ||
5 | Music for a While (from "Oedipus"), song, Z. 583/2 | 3:32 | ||
5 | Music for a While (from "Oedipus"), song, Z. 583/2 | 3:32 | ||
6 | King Arthur, or, The British Worthy, semi-opera, Z. 628 - Fairest isle, all isles excelling | 4:03 | ||
6 | King Arthur, or, The British Worthy, semi-opera, Z. 628 - Fairest isle, all isles excelling | 4:03 | ||
7 | Hears not my Phyllis (The Knotting Song), song, Z. 371 | 2:31 | ||
7 | Hears not my Phyllis (The Knotting Song), song, Z. 371 | 2:31 | ||
8 | The Fairy Queen, semi-opera, Z. 629 - The plaint | 7:39 | ||
8 | The Fairy Queen, semi-opera, Z. 629 - The plaint | 7:39 | ||
9 | Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344 - With him he brings | 4:51 | ||
9 | Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344 - With him he brings | 4:51 | ||
10 | Tyrannic Love, or, the Royal Martyr, incidental music, Z. 613 - Ah, how sweet it is to love | 2:02 | ||
10 | Tyrannic Love, or, the Royal Martyr, incidental music, Z. 613 - Ah, how sweet it is to love | 2:02 | ||
11 | The Rival Sisters, or, the Violence of Love, incidental music, Z. 609 - Celia has a thousand charms | 2:30 | ||
11 | The Rival Sisters, or, the Violence of Love, incidental music, Z. 609 - Celia has a thousand charms | 2:30 | ||
12 | The fatal hour comes on apace, song, Z. 421 | 3:45 | ||
12 | The fatal hour comes on apace, song, Z. 421 | 3:45 | ||
13 | If music be the food of love, song, Z. 379 (3 settings) - (first setting) | 2:31 | ||
13 | If music be the food of love, song, Z. 379 (3 settings) - (first setting) | 2:31 | ||
14 | The Fairy Queen, semi-opera, Z. 629 - One charming night | 2:18 | ||
14 | The Fairy Queen, semi-opera, Z. 629 - One charming night | 2:18 | ||
15 | Prophetess, or The History of Dioclesian, semi-opera, Z. 627 - Since from my dear Astrea's sight | 3:30 | ||
15 | Prophetess, or The History of Dioclesian, semi-opera, Z. 627 - Since from my dear Astrea's sight | 3:30 | ||
16 | Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 339 - Here the deities approve | 4:03 | ||
16 | Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 339 - Here the deities approve | 4:03 | ||
17 | Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193 | 4:04 | ||
17 | Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193 | 4:04 |
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