The James Bowman Collection
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TickIt!
Artist | James Bowman |
Bewertung | |
Epoche | Barock (1600-1749) |
Label | Hyperion |
Erschienen | 1996 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Erbarme dich | 6:34 | ||
1 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Erbarme dich | 6:34 | ||
2 | Solomon, oratorio, HWV 67 - Almighty power | 2:50 | ||
2 | Solomon, oratorio, HWV 67 - Almighty power | 2:50 | ||
3 | Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z. 343 - Britain, thou now art great | 3:45 | ||
3 | Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z. 343 - Britain, thou now art great | 3:45 | ||
4 | The Choice of Hercules, oratorio, HWV 69 - Yet can I hear that dulcet lay | 4:02 | ||
4 | The Choice of Hercules, oratorio, HWV 69 - Yet can I hear that dulcet lay | 4:02 | ||
5 | Come Tread the Paths of Pensive Pangs, song for voice & lute | 3:47 | ||
5 | Come Tread the Paths of Pensive Pangs, song for voice & lute | 3:47 | ||
6 | Sono liete, fortunate, duet for soprano, alto & continuo, HWV 194 - Crudeltà nè lontananza | 2:21 | ||
6 | Sono liete, fortunate, duet for soprano, alto & continuo, HWV 194 - Crudeltà nè lontananza | 2:21 | ||
7 | O solitude, my sweetest choice, song, Z. 406 | 5:49 | ||
7 | O solitude, my sweetest choice, song, Z. 406 | 5:49 | ||
8 | Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143) - Stirb in mir | 4:52 | ||
8 | Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143) - Stirb in mir | 4:52 | ||
9 | Deborah, oratorio, HWV 51 - Impious mortal | 2:44 | ||
9 | Deborah, oratorio, HWV 51 - Impious mortal | 2:44 | ||
10 | Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & continuo, Z. 332 - By beautous softness mixed | 4:02 | ||
10 | Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & continuo, Z. 332 - By beautous softness mixed | 4:02 | ||
11 | O magnum mysterium, motet for 8 voices | 3:11 | ||
11 | O magnum mysterium, motet for 8 voices | 3:11 | ||
12 | Esther, oratorio, HWV 50b - Tune your harps | 5:05 | ||
12 | Esther, oratorio, HWV 50b - Tune your harps | 5:05 | ||
13 | Since First I Saw Your Face, song for 4 voices & instruments | 2:37 | ||
13 | Since First I Saw Your Face, song for 4 voices & instruments | 2:37 | ||
14 | Solomon, oratorio, HWV 67 - Welcome as the Dawn of Day | 3:38 | ||
14 | Solomon, oratorio, HWV 67 - Welcome as the Dawn of Day | 3:38 | ||
15 | Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193 | 4:01 | ||
15 | Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193 | 4:01 | ||
16 | Occasional Oratorio, HWV 62 - Thou shalt bring them in | 3:10 | ||
16 | Occasional Oratorio, HWV 62 - Thou shalt bring them in | 3:10 | ||
17 | Leçon de Ténèbres 3, for 2 treble voices & continuo - Jerusalem, convertere | 3:09 | ||
17 | Leçon de Ténèbres 3, for 2 treble voices & continuo - Jerusalem, convertere | 3:09 | ||
18 | Rinaldo, opera, HWV 7 - Or la tromba | 3:59 | ||
18 | Rinaldo, opera, HWV 7 - Or la tromba | 3:59 | ||
19 | On the brow of Richmond Hill, song, Z. 405 | 1:37 | ||
19 | On the brow of Richmond Hill, song, Z. 405 | 1:37 | ||
20 | Ode for the Birthday of Queen Anne (Eternal Source of Light Divine), HWV 74 - Eternal source of light | 3:26 | ||
20 | Ode for the Birthday of Queen Anne (Eternal Source of Light Divine), HWV 74 - Eternal source of light | 3:26 | ||
21 | Te Deum and Jubilate Deo, for soloists, chorus & instruments in D major, Z. 232 - Vouchsafe, O Lord, to keep us this day | 3:32 | ||
21 | Te Deum and Jubilate Deo, for soloists, chorus & instruments in D major, Z. 232 - Vouchsafe, O Lord, to keep us this day | 3:32 |
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