Heifetz: It Ain't Necessarily So
0
TickIt!
Artist | Jascha Heifetz |
Bewertung | |
Epoche | Modern (1910-1949) |
Label | Deutsche Grammophon |
Erschienen | 2006 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | From the Canebrake, for violin & piano, Op. 5 | 1:35 | ||
1 | From the Canebrake, for violin & piano, Op. 5 | 1:35 | ||
2 | Jamaican Rumba for 2 pianos or orchestra | 1:38 | ||
2 | Jamaican Rumba for 2 pianos or orchestra | 1:38 | ||
3 | Beau Soir, arrangement for violin & piano (after Debussy) | 2:09 | ||
3 | Beau Soir, arrangement for violin & piano (after Debussy) | 2:09 | ||
4 | Pièce en forme de Habanera, arrangement(s) for solo instrument & keyboard | 2:39 | ||
4 | Pièce en forme de Habanera, arrangement(s) for solo instrument & keyboard | 2:39 | ||
5 | Levee Dance for violin & piano, No 2, Op 27 | 3:07 | ||
5 | Levee Dance for violin & piano, No 2, Op 27 | 3:07 | ||
6 | Il barbiere di Siviglia (The Barber of Seville), opera - Figaro (paraphrase on "Largo al factotum) | 5:22 | ||
6 | Il barbiere di Siviglia (The Barber of Seville), opera - Figaro (paraphrase on "Largo al factotum) | 5:22 | ||
7 | Jeanie with the Light Brown Hair, arrangement for violin & piano (after Foster) | 2:58 | ||
7 | Jeanie with the Light Brown Hair, arrangement for violin & piano (after Foster) | 2:58 | ||
8 | A la valse, for violin & piano | 1:38 | ||
8 | A la valse, for violin & piano | 1:38 | ||
9 | Humoresque No. 7 for piano in G flat major, B. 187/7 (Op. 101/7) | 3:34 | ||
9 | Humoresque No. 7 for piano in G flat major, B. 187/7 (Op. 101/7) | 3:34 | ||
10 | Gweedore Brae for voice & piano | 3:12 | ||
10 | Gweedore Brae for voice & piano | 3:12 | ||
11 | Old Folks at Home, for voice & piano | 3:20 | ||
11 | Old Folks at Home, for voice & piano | 3:20 | ||
12 | Deep River, arrangement of spiritual for violin & piano | 2:24 | ||
12 | Deep River, arrangement of spiritual for violin & piano | 2:24 | ||
13 | Impressions (12) for violin & piano: No. 11, Viennese (Wienerisch) | 3:47 | ||
13 | Impressions (12) for violin & piano: No. 11, Viennese (Wienerisch) | 3:47 | ||
14 | White Christmas, song (from "Holiday Inn") | 3:22 | ||
14 | White Christmas, song (from "Holiday Inn") | 3:22 | ||
15 | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Summertime | 1:43 | ||
15 | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Summertime | 1:43 | ||
16 | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - A Woman is a Sometime Thing | 1:50 | ||
16 | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - A Woman is a Sometime Thing | 1:50 | ||
17 | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - My Man's Gone Now | 3:54 | ||
17 | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - My Man's Gone Now | 3:54 | ||
18 | It Ain't Necessarily So, arrangement for violin & piano (after Gershwin's Porgy & Bess) | 2:32 | ||
18 | It Ain't Necessarily So, arrangement for violin & piano (after Gershwin's Porgy & Bess) | 2:32 | ||
19 | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Tempo di Blues (There's A Boat That's Leavin' Soon for New York) | 2:54 | ||
19 | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Tempo di Blues (There's A Boat That's Leavin' Soon for New York) | 2:54 | ||
20 | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Bess, You is My Woman Now | 3:07 | ||
20 | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Bess, You is My Woman Now | 3:07 | ||
21 | Three Preludes, arrangement for violin & piano (after Gershwin) - 1. Allegro ben ritmato e deciso | 1:32 | ||
21 | Three Preludes, arrangement for violin & piano (after Gershwin) - 1. Allegro ben ritmato e deciso | 1:32 | ||
22 | Three Preludes, arrangement for violin & piano (after Gershwin) - 2. Andante con moto e poco rubato | 2:53 | ||
22 | Three Preludes, arrangement for violin & piano (after Gershwin) - 2. Andante con moto e poco rubato | 2:53 | ||
23 | Three Preludes, arrangement for violin & piano (after Gershwin) - 3. Allegro be ritmato e deciso | 1:26 | ||
23 | Three Preludes, arrangement for violin & piano (after Gershwin) - 3. Allegro be ritmato e deciso | 1:26 | ||
24 | An Outlandish Suite for violin & piano ("Florida Night Song") - 2. Florida Night Song | 3:00 | ||
24 | An Outlandish Suite for violin & piano ("Florida Night Song") - 2. Florida Night Song | 3:00 | ||
25 | Golliwog's Cake-Walk, arrangement for violin & piano (after Debussy) | 2:34 | ||
25 | Golliwog's Cake-Walk, arrangement for violin & piano (after Debussy) | 2:34 | ||
26 | Clair de lune, for orchestra or other arrangement (from "Suite Bergamasque" for piano), L. 75/3 | 3:44 | ||
26 | Clair de lune, for orchestra or other arrangement (from "Suite Bergamasque" for piano), L. 75/3 | 3:44 | ||
27 | Ao pé da fogueira (By the bonfire), arrangement for violin & piano (after F. Valle's Preludio 15) | 1:14 | ||
27 | Ao pé da fogueira (By the bonfire), arrangement for violin & piano (after F. Valle's Preludio 15) | 1:14 | ||
28 | Huella, canción argentina for piano, Op. 49 | 2:30 | ||
28 | Huella, canción argentina for piano, Op. 49 | 2:30 | ||
29 | Prelude for piano, in C sharp minor, Op. 34/10 | 2:01 | ||
29 | Prelude for piano, in C sharp minor, Op. 34/10 | 2:01 | ||
30 | Prelude for piano, in D flat major, Op. 34/15 | :59 | ||
30 | Prelude for piano, in D flat major, Op. 34/15 | :59 | ||
31 | Waves at Play (Wellenspiel), for violin & piano | 1:42 | ||
31 | Waves at Play (Wellenspiel), for violin & piano | 1:42 | ||
32 | March, arrangement for violin & piano (after Prokofiev's "The Love for Three Oranges") | 1:29 | ||
32 | March, arrangement for violin & piano (after Prokofiev's "The Love for Three Oranges") | 1:29 | ||
33 | Masks, arrangement for violin & piano (after Prokofiev's Romeo and Juliet) | 2:05 | ||
33 | Masks, arrangement for violin & piano (after Prokofiev's Romeo and Juliet) | 2:05 | ||
34 | Hexapoda, 5 studies in jitteroptera for violin & piano - Gut-Bucket Gus | 2:00 | ||
34 | Hexapoda, 5 studies in jitteroptera for violin & piano - Gut-Bucket Gus | 2:00 | ||
35 | Hexapoda, 5 studies in jitteroptera for violin & piano - Jane Shakes Her Hair | 1:05 | ||
35 | Hexapoda, 5 studies in jitteroptera for violin & piano - Jane Shakes Her Hair | 1:05 | ||
36 | Hexapoda, 5 studies in jitteroptera for violin & piano - Betty and Harold Close Their Eyes | 1:43 | ||
36 | Hexapoda, 5 studies in jitteroptera for violin & piano - Betty and Harold Close Their Eyes | 1:43 | ||
37 | Hexapoda, 5 studies in jitteroptera for violin & piano - Jim Jives | 1:00 | ||
37 | Hexapoda, 5 studies in jitteroptera for violin & piano - Jim Jives | 1:00 | ||
38 | Hexapoda, 5 studies in jitteroptera for violin & piano - ... Till Dawn Sunday | 1:51 | ||
38 | Hexapoda, 5 studies in jitteroptera for violin & piano - ... Till Dawn Sunday | 1:51 | ||
39 | Die Moritat von Mackie Messer (The Ballad of Mack the Knife), song for voice & piano (from "Die Dreigroschenoper") | 2:22 | ||
39 | Die Moritat von Mackie Messer (The Ballad of Mack the Knife), song for voice & piano (from "Die Dreigroschenoper") | 2:22 | ||
40 | Souvenir d'un lieu cher, for violin & piano (or orchestra), Op. 42 - 3. Mélodie in E flat major | 3:49 | ||
40 | Souvenir d'un lieu cher, for violin & piano (or orchestra), Op. 42 - 3. Mélodie in E flat major | 3:49 | ||
41 | Nocturne, arrangement for violin & piano (after Chopin's Op. 55/2) | 3:56 | ||
41 | Nocturne, arrangement for violin & piano (after Chopin's Op. 55/2) | 3:56 | ||
42 | Dance of the Blessed Spirits (Melody), arrangement (from "Orfeo ed Euridice") | 2:54 | ||
42 | Dance of the Blessed Spirits (Melody), arrangement (from "Orfeo ed Euridice") | 2:54 | ||
43 | Waldszenen No. 7 ("Vogel als Prophet"), for piano, Op. 82/7 | 2:35 | ||
43 | Waldszenen No. 7 ("Vogel als Prophet"), for piano, Op. 82/7 | 2:35 | ||
44 | Le Coq d'Or (The Golden Cockerel; Zolotoy petushok), opera in 3 acts with a prologue & epilogue - Hymn to the Sun | 3:07 | ||
44 | Le Coq d'Or (The Golden Cockerel; Zolotoy petushok), opera in 3 acts with a prologue & epilogue - Hymn to the Sun | 3:07 | ||
45 | Dance No.4, arrangement for violin & piano (after Krien's Dance Suite, Op. 44) | 1:36 | ||
45 | Dance No.4, arrangement for violin & piano (after Krien's Dance Suite, Op. 44) | 1:36 | ||
46 | Hungarian Dance for piano, 4 hands, in A major, WoO 1/7 | 2:03 | ||
46 | Hungarian Dance for piano, 4 hands, in A major, WoO 1/7 | 2:03 | ||
47 | The Swan, arrangement for violin & piano (after Saint-Saëns' Carnival of the Animals) | 2:39 | ||
47 | The Swan, arrangement for violin & piano (after Saint-Saëns' Carnival of the Animals) | 2:39 | ||
48 | Pictures (6), for violin & piano, Op. 30 - No. 4. Hills | 1:35 | ||
48 | Pictures (6), for violin & piano, Op. 30 - No. 4. Hills | 1:35 | ||
49 | Geister Tanz (Ghost Dance), Op. 21/3 | 1:17 | ||
49 | Geister Tanz (Ghost Dance), Op. 21/3 | 1:17 | ||
50 | Berceuse de Jocelyn ("Angels Guard Thee") | 3:15 | ||
50 | Berceuse de Jocelyn ("Angels Guard Thee") | 3:15 | ||
51 | Where My Caravan Has Rested | 2:56 | ||
51 | Where My Caravan Has Rested | 2:56 | ||
52 | When You Make Love to Me (Don't Make Believe), for piano | 1:40 | ||
52 | When You Make Love to Me (Don't Make Believe), for piano | 1:40 |
Bewertungen zu Heifetz: It Ain't Necessarily So
Es wurde noch kein Kommentar zu diesem Album abgegeben