Heifetz: It Ain't Necessarily So
0
TickIt!
Artist | Jascha Heifetz |
Bewertung | ![]() |
Epoche | Modern (1910-1949) |
Label | Deutsche Grammophon |
Erschienen | 2006 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | From the Canebrake, for violin & piano, Op. 5 | ![]() | 1:35 |
1 | ![]() | From the Canebrake, for violin & piano, Op. 5 | ![]() | 1:35 |
2 | ![]() | Jamaican Rumba for 2 pianos or orchestra | ![]() | 1:38 |
2 | ![]() | Jamaican Rumba for 2 pianos or orchestra | ![]() | 1:38 |
3 | ![]() | Beau Soir, arrangement for violin & piano (after Debussy) | ![]() | 2:09 |
3 | ![]() | Beau Soir, arrangement for violin & piano (after Debussy) | ![]() | 2:09 |
4 | ![]() | Pièce en forme de Habanera, arrangement(s) for solo instrument & keyboard | ![]() | 2:39 |
4 | ![]() | Pièce en forme de Habanera, arrangement(s) for solo instrument & keyboard | ![]() | 2:39 |
5 | ![]() | Levee Dance for violin & piano, No 2, Op 27 | ![]() | 3:07 |
5 | ![]() | Levee Dance for violin & piano, No 2, Op 27 | ![]() | 3:07 |
6 | ![]() | Il barbiere di Siviglia (The Barber of Seville), opera - Figaro (paraphrase on "Largo al factotum) | ![]() | 5:22 |
6 | ![]() | Il barbiere di Siviglia (The Barber of Seville), opera - Figaro (paraphrase on "Largo al factotum) | ![]() | 5:22 |
7 | ![]() | Jeanie with the Light Brown Hair, arrangement for violin & piano (after Foster) | ![]() | 2:58 |
7 | ![]() | Jeanie with the Light Brown Hair, arrangement for violin & piano (after Foster) | ![]() | 2:58 |
8 | ![]() | A la valse, for violin & piano | ![]() | 1:38 |
8 | ![]() | A la valse, for violin & piano | ![]() | 1:38 |
9 | ![]() | Humoresque No. 7 for piano in G flat major, B. 187/7 (Op. 101/7) | ![]() | 3:34 |
9 | ![]() | Humoresque No. 7 for piano in G flat major, B. 187/7 (Op. 101/7) | ![]() | 3:34 |
10 | ![]() | Gweedore Brae for voice & piano | ![]() | 3:12 |
10 | ![]() | Gweedore Brae for voice & piano | ![]() | 3:12 |
11 | ![]() | Old Folks at Home, for voice & piano | ![]() | 3:20 |
11 | ![]() | Old Folks at Home, for voice & piano | ![]() | 3:20 |
12 | ![]() | Deep River, arrangement of spiritual for violin & piano | ![]() | 2:24 |
12 | ![]() | Deep River, arrangement of spiritual for violin & piano | ![]() | 2:24 |
13 | ![]() | Impressions (12) for violin & piano: No. 11, Viennese (Wienerisch) | ![]() | 3:47 |
13 | ![]() | Impressions (12) for violin & piano: No. 11, Viennese (Wienerisch) | ![]() | 3:47 |
14 | ![]() | White Christmas, song (from "Holiday Inn") | ![]() | 3:22 |
14 | ![]() | White Christmas, song (from "Holiday Inn") | ![]() | 3:22 |
15 | ![]() | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Summertime | ![]() | 1:43 |
15 | ![]() | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Summertime | ![]() | 1:43 |
16 | ![]() | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - A Woman is a Sometime Thing | ![]() | 1:50 |
16 | ![]() | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - A Woman is a Sometime Thing | ![]() | 1:50 |
17 | ![]() | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - My Man's Gone Now | ![]() | 3:54 |
17 | ![]() | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - My Man's Gone Now | ![]() | 3:54 |
18 | ![]() | It Ain't Necessarily So, arrangement for violin & piano (after Gershwin's Porgy & Bess) | ![]() | 2:32 |
18 | ![]() | It Ain't Necessarily So, arrangement for violin & piano (after Gershwin's Porgy & Bess) | ![]() | 2:32 |
19 | ![]() | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Tempo di Blues (There's A Boat That's Leavin' Soon for New York) | ![]() | 2:54 |
19 | ![]() | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Tempo di Blues (There's A Boat That's Leavin' Soon for New York) | ![]() | 2:54 |
20 | ![]() | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Bess, You is My Woman Now | ![]() | 3:07 |
20 | ![]() | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Bess, You is My Woman Now | ![]() | 3:07 |
21 | ![]() | Three Preludes, arrangement for violin & piano (after Gershwin) - 1. Allegro ben ritmato e deciso | ![]() | 1:32 |
21 | ![]() | Three Preludes, arrangement for violin & piano (after Gershwin) - 1. Allegro ben ritmato e deciso | ![]() | 1:32 |
22 | ![]() | Three Preludes, arrangement for violin & piano (after Gershwin) - 2. Andante con moto e poco rubato | ![]() | 2:53 |
22 | ![]() | Three Preludes, arrangement for violin & piano (after Gershwin) - 2. Andante con moto e poco rubato | ![]() | 2:53 |
23 | ![]() | Three Preludes, arrangement for violin & piano (after Gershwin) - 3. Allegro be ritmato e deciso | ![]() | 1:26 |
23 | ![]() | Three Preludes, arrangement for violin & piano (after Gershwin) - 3. Allegro be ritmato e deciso | ![]() | 1:26 |
24 | ![]() | An Outlandish Suite for violin & piano ("Florida Night Song") - 2. Florida Night Song | ![]() | 3:00 |
24 | ![]() | An Outlandish Suite for violin & piano ("Florida Night Song") - 2. Florida Night Song | ![]() | 3:00 |
25 | ![]() | Golliwog's Cake-Walk, arrangement for violin & piano (after Debussy) | ![]() | 2:34 |
25 | ![]() | Golliwog's Cake-Walk, arrangement for violin & piano (after Debussy) | ![]() | 2:34 |
26 | ![]() | Clair de lune, for orchestra or other arrangement (from "Suite Bergamasque" for piano), L. 75/3 | ![]() | 3:44 |
26 | ![]() | Clair de lune, for orchestra or other arrangement (from "Suite Bergamasque" for piano), L. 75/3 | ![]() | 3:44 |
27 | ![]() | Ao pé da fogueira (By the bonfire), arrangement for violin & piano (after F. Valle's Preludio 15) | ![]() | 1:14 |
27 | ![]() | Ao pé da fogueira (By the bonfire), arrangement for violin & piano (after F. Valle's Preludio 15) | ![]() | 1:14 |
28 | ![]() | Huella, canción argentina for piano, Op. 49 | ![]() | 2:30 |
28 | ![]() | Huella, canción argentina for piano, Op. 49 | ![]() | 2:30 |
29 | ![]() | Prelude for piano, in C sharp minor, Op. 34/10 | ![]() | 2:01 |
29 | ![]() | Prelude for piano, in C sharp minor, Op. 34/10 | ![]() | 2:01 |
30 | ![]() | Prelude for piano, in D flat major, Op. 34/15 | ![]() | :59 |
30 | ![]() | Prelude for piano, in D flat major, Op. 34/15 | ![]() | :59 |
31 | ![]() | Waves at Play (Wellenspiel), for violin & piano | ![]() | 1:42 |
31 | ![]() | Waves at Play (Wellenspiel), for violin & piano | ![]() | 1:42 |
32 | ![]() | March, arrangement for violin & piano (after Prokofiev's "The Love for Three Oranges") | ![]() | 1:29 |
32 | ![]() | March, arrangement for violin & piano (after Prokofiev's "The Love for Three Oranges") | ![]() | 1:29 |
33 | ![]() | Masks, arrangement for violin & piano (after Prokofiev's Romeo and Juliet) | ![]() | 2:05 |
33 | ![]() | Masks, arrangement for violin & piano (after Prokofiev's Romeo and Juliet) | ![]() | 2:05 |
34 | ![]() | Hexapoda, 5 studies in jitteroptera for violin & piano - Gut-Bucket Gus | ![]() | 2:00 |
34 | ![]() | Hexapoda, 5 studies in jitteroptera for violin & piano - Gut-Bucket Gus | ![]() | 2:00 |
35 | ![]() | Hexapoda, 5 studies in jitteroptera for violin & piano - Jane Shakes Her Hair | ![]() | 1:05 |
35 | ![]() | Hexapoda, 5 studies in jitteroptera for violin & piano - Jane Shakes Her Hair | ![]() | 1:05 |
36 | ![]() | Hexapoda, 5 studies in jitteroptera for violin & piano - Betty and Harold Close Their Eyes | ![]() | 1:43 |
36 | ![]() | Hexapoda, 5 studies in jitteroptera for violin & piano - Betty and Harold Close Their Eyes | ![]() | 1:43 |
37 | ![]() | Hexapoda, 5 studies in jitteroptera for violin & piano - Jim Jives | ![]() | 1:00 |
37 | ![]() | Hexapoda, 5 studies in jitteroptera for violin & piano - Jim Jives | ![]() | 1:00 |
38 | ![]() | Hexapoda, 5 studies in jitteroptera for violin & piano - ... Till Dawn Sunday | ![]() | 1:51 |
38 | ![]() | Hexapoda, 5 studies in jitteroptera for violin & piano - ... Till Dawn Sunday | ![]() | 1:51 |
39 | ![]() | Die Moritat von Mackie Messer (The Ballad of Mack the Knife), song for voice & piano (from "Die Dreigroschenoper") | ![]() | 2:22 |
39 | ![]() | Die Moritat von Mackie Messer (The Ballad of Mack the Knife), song for voice & piano (from "Die Dreigroschenoper") | ![]() | 2:22 |
40 | ![]() | Souvenir d'un lieu cher, for violin & piano (or orchestra), Op. 42 - 3. Mélodie in E flat major | ![]() | 3:49 |
40 | ![]() | Souvenir d'un lieu cher, for violin & piano (or orchestra), Op. 42 - 3. Mélodie in E flat major | ![]() | 3:49 |
41 | ![]() | Nocturne, arrangement for violin & piano (after Chopin's Op. 55/2) | ![]() | 3:56 |
41 | ![]() | Nocturne, arrangement for violin & piano (after Chopin's Op. 55/2) | ![]() | 3:56 |
42 | ![]() | Dance of the Blessed Spirits (Melody), arrangement (from "Orfeo ed Euridice") | ![]() | 2:54 |
42 | ![]() | Dance of the Blessed Spirits (Melody), arrangement (from "Orfeo ed Euridice") | ![]() | 2:54 |
43 | ![]() | Waldszenen No. 7 ("Vogel als Prophet"), for piano, Op. 82/7 | ![]() | 2:35 |
43 | ![]() | Waldszenen No. 7 ("Vogel als Prophet"), for piano, Op. 82/7 | ![]() | 2:35 |
44 | ![]() | Le Coq d'Or (The Golden Cockerel; Zolotoy petushok), opera in 3 acts with a prologue & epilogue - Hymn to the Sun | ![]() | 3:07 |
44 | ![]() | Le Coq d'Or (The Golden Cockerel; Zolotoy petushok), opera in 3 acts with a prologue & epilogue - Hymn to the Sun | ![]() | 3:07 |
45 | ![]() | Dance No.4, arrangement for violin & piano (after Krien's Dance Suite, Op. 44) | ![]() | 1:36 |
45 | ![]() | Dance No.4, arrangement for violin & piano (after Krien's Dance Suite, Op. 44) | ![]() | 1:36 |
46 | ![]() | Hungarian Dance for piano, 4 hands, in A major, WoO 1/7 | ![]() | 2:03 |
46 | ![]() | Hungarian Dance for piano, 4 hands, in A major, WoO 1/7 | ![]() | 2:03 |
47 | ![]() | The Swan, arrangement for violin & piano (after Saint-Saëns' Carnival of the Animals) | ![]() | 2:39 |
47 | ![]() | The Swan, arrangement for violin & piano (after Saint-Saëns' Carnival of the Animals) | ![]() | 2:39 |
48 | ![]() | Pictures (6), for violin & piano, Op. 30 - No. 4. Hills | ![]() | 1:35 |
48 | ![]() | Pictures (6), for violin & piano, Op. 30 - No. 4. Hills | ![]() | 1:35 |
49 | ![]() | Geister Tanz (Ghost Dance), Op. 21/3 | ![]() | 1:17 |
49 | ![]() | Geister Tanz (Ghost Dance), Op. 21/3 | ![]() | 1:17 |
50 | ![]() | Berceuse de Jocelyn ("Angels Guard Thee") | ![]() | 3:15 |
50 | ![]() | Berceuse de Jocelyn ("Angels Guard Thee") | ![]() | 3:15 |
51 | ![]() | Where My Caravan Has Rested | ![]() | 2:56 |
51 | ![]() | Where My Caravan Has Rested | ![]() | 2:56 |
52 | ![]() | When You Make Love to Me (Don't Make Believe), for piano | ![]() | 1:40 |
52 | ![]() | When You Make Love to Me (Don't Make Believe), for piano | ![]() | 1:40 |
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