An Introduction to Schubert's Piano Quintet "Trout"
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TickIt!
Artist | Jeremy Siepmann |
Bewertung | |
Epoche | () |
Label | Naxos |
Erschienen | 2002 |
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Tracks auf diesem Album
# | Titel | Dauer | ||
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1 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Introduction, origins | 1:39 | ||
2 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Imagery, analogy and the shape of the things to come; the opening flourish | 1:50 | ||
3 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The unusual presence of the double-bass | :54 | ||
4 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A palette of tone colours and the emergence of a theme | :47 | ||
5 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Trouble getting off the ground, but the key is not in doubt | :49 | ||
6 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Jumping the quene: Schubert takes a lesson from Mozart | 1:33 | ||
7 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Mozart demonstrates a traditional transition | :33 | ||
8 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Destination clarified | :07 | ||
9 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Mozart confirms our arrival | :08 | ||
10 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A Schubertian shocker from a later work | :52 | ||
11 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Rejoining the "Trout", with a reminder | :27 | ||
12 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano joins the strings with yet a third variant of the theme | :31 | ||
13 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A rhythmic motto: the "triplet motif" | 1:26 | ||
14 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - We get it here | :17 | ||
15 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - We get it there | :17 | ||
16 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - We find it everywhere, even in the double-bass | :27 | ||
17 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The strings' answer to the piano's opening flourish | :36 | ||
18 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The two-part structure of the 'answering motif'... | :24 | ||
19 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - ...but scarcely ever the same way twice | :34 | ||
20 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano and strings now share the material for the first time | :42 | ||
21 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Conversation as the first principle of chamber music | :43 | ||
22 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Opening (introductory) section heard complete | 1:01 | ||
23 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The violin and double-bass in partnership | 1:16 | ||
24 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The violin and piano swap roles | :59 | ||
25 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Transition to second main theme; triplets now everywhere | 1:12 | ||
26 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - On the threshold of the new theme | :30 | ||
27 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Second main theme (a 'love duet'), shared by cello and viola | 1:24 | ||
28 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The abandonment of octaves in the piano changes the tone colour | 1:07 | ||
29 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A surprising change of tone and a premonition | :39 | ||
30 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A return to lyricism, but the cello jumps the gun | :37 | ||
31 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A buoyant, skipping new theme is given to the solo piano | :36 | ||
32 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Re-entry of the strings as the violin takes up the new theme | :25 | ||
33 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A transitional theme, and another Schubertian key-jump | 1:33 | ||
34 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - We sense the imminent arrival of the closing theme | 1:31 | ||
35 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A sudden, hushed key-change introduces part two of the closing theme | :40 | ||
36 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The exposition comes to an end | :32 | ||
37 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Cue to complete exposition | :06 | ||
38 | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) - Expositon complete | 4:09 | ||
39 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Introduction to the development; the genetic code of "key" | 7:20 | ||
40 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The contrasting aural properties of piano and violin | 1:03 | ||
41 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The ponderous double-bass is featured in the first main theme | :49 | ||
42 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The strings are liberated from servitude, but are a long way from home | :42 | ||
43 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A joyful conversation and a change of pace in the piano | 1:06 | ||
44 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano takes the melodic lead again | :31 | ||
45 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A conversation between violin and piano leads to the exposition... | 1:20 | ||
46 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - ...but Schubert gets it "wrong" | 1:35 | ||
47 | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) - First movement (complete) | 9:09 | ||
48 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Introduction to second movement | 1:53 | ||
49 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The violin now takes theme one | :29 | ||
50 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano regains the theme | :42 | ||
51 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The violin and piano round off first section with the new "closing" theme | :35 | ||
52 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A major change of tone: a passing cloud and a dark new key | 1:19 | ||
53 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano abandons its octaves, but not its triplets, in the new "Hungarian" theme | 1:28 | ||
54 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The sun returns with a new theme, in two contrasting parts | 1:21 | ||
55 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - An evaporating dialogue between violin and piano | :58 | ||
56 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A major mood change as twilight falls | 1:12 | ||
57 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Cue to whole movement | :33 | ||
58 | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) - Second movement (complete) | 7:30 | ||
59 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Introduction to the Scherzo - and a clear four-bar phrase... | 1:37 | ||
60 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - ..."answered" by two two-bar phrases | :21 | ||
61 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A disconcerting "echo" | 1:02 | ||
62 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Expectation, frustration and surprise | :27 | ||
63 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The phrase length expands from nine to fourteen bars | :36 | ||
64 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The beginning of the second half... | 1:07 | ||
65 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - ...or should it go from G minor to D major? | :08 | ||
66 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Doubts are sown as the tonality becomes elusive | :48 | ||
67 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A varied reprise of part one, and the end of the Scherzo proper | :33 | ||
68 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A conversational start to the Trio section | :40 | ||
69 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Another Schubertian phrase extension | :25 | ||
70 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Two overlapping phrases add up to a single theme | :22 | ||
71 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano adds a third phrase to the overlap | :32 | ||
72 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The overlaps continue as the key drifts downwards | :36 | ||
73 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Another Schubertian key-jump, now to B flat | :45 | ||
74 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A dramatic transformaton of mood | :52 | ||
75 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Awakening from a dream: the main theme's return | :51 | ||
76 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Cue to complete Scherzo | :11 | ||
77 | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) - Third movement (complete) | 3:52 | ||
78 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Enter the trout, at last; a meeting with the original | :30 | ||
79 | Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32) | 1:59 | ||
80 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Back to the Quintet: the strings, headed by the violin, introduce the theme | 1:24 | ||
81 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The first variation | 1:41 | ||
82 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The second variation | 1:14 | ||
83 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The third variation | 1:20 | ||
84 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The fourth variation, part one | 1:33 | ||
85 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The fourth variation, part two | :57 | ||
86 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The fifth variation | 2:45 | ||
87 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The final variation, part one: violin and piano alone introduce the theme | :31 | ||
88 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The final variation, part two: the cello takes the tune | :25 | ||
89 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The final variation, part three: piano and violin return as a duo... | :25 | ||
90 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The final variation, part four:...as do the viola and cello | :17 | ||
91 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The final variation, part five: the entire ensemble is reunited | :39 | ||
92 | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) - Fourth movement (complete) | 7:09 | ||
93 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Introduction to the Finale: Schubert as wizard of repetition | 2:17 | ||
94 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Easily overlooked: the accompaniment from cello and double-bass | :36 | ||
95 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Contrasts of timbre and register | :59 | ||
96 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A repetition, and yet not a repetition | :07 | ||
97 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A journey begun: the phenomenon of musical gravity | :22 | ||
98 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The journey completed | :16 | ||
99 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The source of musical gravity | :22 | ||
100 | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble - The Pianists (Excerpt) | :28 | ||
101 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A scale of shifting tensions | :49 | ||
102 | Symphony No. 1 in C major, Op. 21 - Finale (Excerpt) | :37 | ||
103 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Back to Schubert | :39 | ||
104 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano embellishes a scalewise descent | :18 | ||
105 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A retrospective moment | :33 | ||
106 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Repetition more apparent than real | 1:02 | ||
107 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A taste of phrase rhythm | 1:26 | ||
108 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Shifting patterns of accentuation | :27 | ||
109 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The section reviewed | :15 | ||
110 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - An increasingly sophisticated texture as parts interact | :46 | ||
111 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - More phrase rhythm | :29 | ||
112 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A repetition from the strings... | :11 | ||
113 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - ....and an answer from the piano | :13 | ||
114 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - In transition to the secondary key | :51 | ||
115 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The orgin of the second theme | :19 | ||
116 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The second main theme | :38 | ||
117 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The closing section begins, with a question answered | :42 | ||
118 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The question repeated, a slightly different answer | :28 | ||
119 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - First theme of closing section reviewed | :59 | ||
120 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Remembrance of things past | :28 | ||
121 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano and strings argue over the harmony | 1:13 | ||
122 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Emergence of the final theme | :24 | ||
123 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - An unexpected thunderstorm | :51 | ||
124 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The sound of silence | 1:29 | ||
125 | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Cue to complete Finale | 1:00 | ||
126 | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) - Finale (complete) | 6:47 |
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