An Introduction to Schubert's Piano Quintet "Trout"
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Artist | Jeremy Siepmann |
Bewertung | ![]() |
Epoche | () |
Label | Naxos |
Erschienen | 2002 |
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Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
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1 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Introduction, origins | ![]() | 1:39 |
2 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Imagery, analogy and the shape of the things to come; the opening flourish | ![]() | 1:50 |
3 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The unusual presence of the double-bass | ![]() | :54 |
4 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A palette of tone colours and the emergence of a theme | ![]() | :47 |
5 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Trouble getting off the ground, but the key is not in doubt | ![]() | :49 |
6 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Jumping the quene: Schubert takes a lesson from Mozart | ![]() | 1:33 |
7 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Mozart demonstrates a traditional transition | ![]() | :33 |
8 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Destination clarified | ![]() | :07 |
9 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Mozart confirms our arrival | ![]() | :08 |
10 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A Schubertian shocker from a later work | ![]() | :52 |
11 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Rejoining the "Trout", with a reminder | ![]() | :27 |
12 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano joins the strings with yet a third variant of the theme | ![]() | :31 |
13 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A rhythmic motto: the "triplet motif" | ![]() | 1:26 |
14 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - We get it here | ![]() | :17 |
15 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - We get it there | ![]() | :17 |
16 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - We find it everywhere, even in the double-bass | ![]() | :27 |
17 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The strings' answer to the piano's opening flourish | ![]() | :36 |
18 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The two-part structure of the 'answering motif'... | ![]() | :24 |
19 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - ...but scarcely ever the same way twice | ![]() | :34 |
20 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano and strings now share the material for the first time | ![]() | :42 |
21 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Conversation as the first principle of chamber music | ![]() | :43 |
22 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Opening (introductory) section heard complete | ![]() | 1:01 |
23 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The violin and double-bass in partnership | ![]() | 1:16 |
24 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The violin and piano swap roles | ![]() | :59 |
25 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Transition to second main theme; triplets now everywhere | ![]() | 1:12 |
26 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - On the threshold of the new theme | ![]() | :30 |
27 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Second main theme (a 'love duet'), shared by cello and viola | ![]() | 1:24 |
28 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The abandonment of octaves in the piano changes the tone colour | ![]() | 1:07 |
29 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A surprising change of tone and a premonition | ![]() | :39 |
30 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A return to lyricism, but the cello jumps the gun | ![]() | :37 |
31 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A buoyant, skipping new theme is given to the solo piano | ![]() | :36 |
32 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Re-entry of the strings as the violin takes up the new theme | ![]() | :25 |
33 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A transitional theme, and another Schubertian key-jump | ![]() | 1:33 |
34 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - We sense the imminent arrival of the closing theme | ![]() | 1:31 |
35 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A sudden, hushed key-change introduces part two of the closing theme | ![]() | :40 |
36 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The exposition comes to an end | ![]() | :32 |
37 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Cue to complete exposition | ![]() | :06 |
38 | ![]() | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) - Expositon complete | ![]() | 4:09 |
39 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Introduction to the development; the genetic code of "key" | ![]() | 7:20 |
40 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The contrasting aural properties of piano and violin | ![]() | 1:03 |
41 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The ponderous double-bass is featured in the first main theme | ![]() | :49 |
42 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The strings are liberated from servitude, but are a long way from home | ![]() | :42 |
43 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A joyful conversation and a change of pace in the piano | ![]() | 1:06 |
44 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano takes the melodic lead again | ![]() | :31 |
45 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A conversation between violin and piano leads to the exposition... | ![]() | 1:20 |
46 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - ...but Schubert gets it "wrong" | ![]() | 1:35 |
47 | ![]() | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) - First movement (complete) | ![]() | 9:09 |
48 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Introduction to second movement | ![]() | 1:53 |
49 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The violin now takes theme one | ![]() | :29 |
50 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano regains the theme | ![]() | :42 |
51 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The violin and piano round off first section with the new "closing" theme | ![]() | :35 |
52 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A major change of tone: a passing cloud and a dark new key | ![]() | 1:19 |
53 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano abandons its octaves, but not its triplets, in the new "Hungarian" theme | ![]() | 1:28 |
54 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The sun returns with a new theme, in two contrasting parts | ![]() | 1:21 |
55 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - An evaporating dialogue between violin and piano | ![]() | :58 |
56 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A major mood change as twilight falls | ![]() | 1:12 |
57 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Cue to whole movement | ![]() | :33 |
58 | ![]() | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) - Second movement (complete) | ![]() | 7:30 |
59 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Introduction to the Scherzo - and a clear four-bar phrase... | ![]() | 1:37 |
60 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - ..."answered" by two two-bar phrases | ![]() | :21 |
61 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A disconcerting "echo" | ![]() | 1:02 |
62 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Expectation, frustration and surprise | ![]() | :27 |
63 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The phrase length expands from nine to fourteen bars | ![]() | :36 |
64 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The beginning of the second half... | ![]() | 1:07 |
65 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - ...or should it go from G minor to D major? | ![]() | :08 |
66 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Doubts are sown as the tonality becomes elusive | ![]() | :48 |
67 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A varied reprise of part one, and the end of the Scherzo proper | ![]() | :33 |
68 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A conversational start to the Trio section | ![]() | :40 |
69 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Another Schubertian phrase extension | ![]() | :25 |
70 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Two overlapping phrases add up to a single theme | ![]() | :22 |
71 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano adds a third phrase to the overlap | ![]() | :32 |
72 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The overlaps continue as the key drifts downwards | ![]() | :36 |
73 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Another Schubertian key-jump, now to B flat | ![]() | :45 |
74 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A dramatic transformaton of mood | ![]() | :52 |
75 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Awakening from a dream: the main theme's return | ![]() | :51 |
76 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Cue to complete Scherzo | ![]() | :11 |
77 | ![]() | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) - Third movement (complete) | ![]() | 3:52 |
78 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Enter the trout, at last; a meeting with the original | ![]() | :30 |
79 | ![]() | Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32) | ![]() | 1:59 |
80 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Back to the Quintet: the strings, headed by the violin, introduce the theme | ![]() | 1:24 |
81 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The first variation | ![]() | 1:41 |
82 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The second variation | ![]() | 1:14 |
83 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The third variation | ![]() | 1:20 |
84 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The fourth variation, part one | ![]() | 1:33 |
85 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The fourth variation, part two | ![]() | :57 |
86 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The fifth variation | ![]() | 2:45 |
87 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The final variation, part one: violin and piano alone introduce the theme | ![]() | :31 |
88 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The final variation, part two: the cello takes the tune | ![]() | :25 |
89 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The final variation, part three: piano and violin return as a duo... | ![]() | :25 |
90 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The final variation, part four:...as do the viola and cello | ![]() | :17 |
91 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The final variation, part five: the entire ensemble is reunited | ![]() | :39 |
92 | ![]() | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) - Fourth movement (complete) | ![]() | 7:09 |
93 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Introduction to the Finale: Schubert as wizard of repetition | ![]() | 2:17 |
94 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Easily overlooked: the accompaniment from cello and double-bass | ![]() | :36 |
95 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Contrasts of timbre and register | ![]() | :59 |
96 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A repetition, and yet not a repetition | ![]() | :07 |
97 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A journey begun: the phenomenon of musical gravity | ![]() | :22 |
98 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The journey completed | ![]() | :16 |
99 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The source of musical gravity | ![]() | :22 |
100 | ![]() | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble - The Pianists (Excerpt) | ![]() | :28 |
101 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A scale of shifting tensions | ![]() | :49 |
102 | ![]() | Symphony No. 1 in C major, Op. 21 - Finale (Excerpt) | ![]() | :37 |
103 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Back to Schubert | ![]() | :39 |
104 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano embellishes a scalewise descent | ![]() | :18 |
105 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A retrospective moment | ![]() | :33 |
106 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Repetition more apparent than real | ![]() | 1:02 |
107 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A taste of phrase rhythm | ![]() | 1:26 |
108 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Shifting patterns of accentuation | ![]() | :27 |
109 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The section reviewed | ![]() | :15 |
110 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - An increasingly sophisticated texture as parts interact | ![]() | :46 |
111 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - More phrase rhythm | ![]() | :29 |
112 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - A repetition from the strings... | ![]() | :11 |
113 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - ....and an answer from the piano | ![]() | :13 |
114 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - In transition to the secondary key | ![]() | :51 |
115 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The orgin of the second theme | ![]() | :19 |
116 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The second main theme | ![]() | :38 |
117 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The closing section begins, with a question answered | ![]() | :42 |
118 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The question repeated, a slightly different answer | ![]() | :28 |
119 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - First theme of closing section reviewed | ![]() | :59 |
120 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Remembrance of things past | ![]() | :28 |
121 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The piano and strings argue over the harmony | ![]() | 1:13 |
122 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Emergence of the final theme | ![]() | :24 |
123 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - An unexpected thunderstorm | ![]() | :51 |
124 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - The sound of silence | ![]() | 1:29 |
125 | ![]() | An Introduction to Schubert's Piano Quintet "Trout", narration with musical examples - Cue to complete Finale | ![]() | 1:00 |
126 | ![]() | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) - Finale (complete) | ![]() | 6:47 |
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