Best of Bach
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Artist | João Carlos Martins |
Bewertung | ![]() |
Epoche | Barock (1600-1749) |
Label | Tomato |
Erschienen | 2005 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | The Well-Tempered Clavier (24), collection of preludes & fugues, Book I, BWV 846-869 (BC L80-103) - Prelude No. 1 in C major | ![]() | 4:04 |
2 | ![]() | The Well-Tempered Clavier (24), collection of preludes & fugues, Book II, BWV 870-893 (BC L104-127) - Fugue No. 25 in C major | ![]() | 1:31 |
3 | ![]() | Partita for keyboard No. 5 in G major, BWV 829 (BC L5) - Praeambulum / Allemande / Courrente | ![]() | 7:08 |
4 | ![]() | Goldberg Variations, for keyboard (Clavier-Übung IV), BWV 988 (BC L9) - Aria / Variation 1 | ![]() | 3:47 |
5 | ![]() | Work(s) - The Two and Three-Part Inventions. No. 1 in C major / No. 5 in E flat major | ![]() | 4:47 |
6 | ![]() | Italian Concerto, for solo keyboard in F major (Clavier-Übung II/1), BWV 971 (BC L7) - Allegro animato | ![]() | 3:35 |
7 | ![]() | Concerto for harpsichord, strings & continuo No. 1 in D minor, BWV 1052 - Allegro | ![]() | 8:03 |
8 | ![]() | French Suite, for keyboard No. 5 in G major, BWV 816 (BC L23) - Sarabande / Gigue | ![]() | 6:47 |
9 | ![]() | English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14) - Prélude / Les agréments de la mëme Sarabande | ![]() | 7:21 |
10 | ![]() | Fantasia and Fugue, for keyboard in C minor (fugue incomplete), BWV 906 (BC L133, 138) - Fantasia | ![]() | 2:45 |
11 | ![]() | Concerto for harpsichord, strings & continuo No. 2 in E major, BWV 1053 - Siciliano | ![]() | 5:37 |
12 | ![]() | Toccata for keyboard in G major, BWV 916 (BC L147) | ![]() | 7:32 |
13 | ![]() | Concerto for 2 harpsichords, strings & continuo in C major, BWV 1061 - Fuga | ![]() | 5:22 |
14 | ![]() | Duetto, for keyboard No. 1 in E minor (Clavier-Übung III No. 23), BWV 802 (BC J74) | ![]() | 2:13 |
15 | ![]() | Fughetta for keyboard in C minor, BWV 961 (BC L158) - Two versions: recorded in 1997 / announced and recorded in 1949 by the 8-year old João Carlos | ![]() | 3:42 |
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