Harry Partch: The Bewitched
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TickIt!
Artist | John Garvey |
Bewertung | ![]() |
Epoche | Modern (1910-1949) |
Label | New World Records |
Erschienen | 2005 |
Klassik-Werke auf diesem Album
# | ![]() | Werk/Besetzung | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments | ![]() | 75:37 |
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Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Prologue. The Lost Musicians Mix Magic | ![]() | 18:21 |
1 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Prologue. The Lost Musicians Mix Magic | ![]() | 18:21 |
2 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 1. Three Undergrads Become Transfixed in a Hong Kong Music Hall | ![]() | 5:34 |
2 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 1. Three Undergrads Become Transfixed in a Hong Kong Music Hall | ![]() | 5:34 |
3 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 2. Exercises in Harmony and Counterpoint Are Tried in a Court of Ancient Ritual | ![]() | 5:11 |
3 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 2. Exercises in Harmony and Counterpoint Are Tried in a Court of Ancient Ritual | ![]() | 5:11 |
4 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 3. The Romancing of a Pathological Liar Comes to an Inspired End | ![]() | 5:38 |
4 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 3. The Romancing of a Pathological Liar Comes to an Inspired End | ![]() | 5:38 |
5 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 4. A Soul Tormented by Contemporary Music Finds a Humanizing Alchemy | ![]() | 5:43 |
5 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 4. A Soul Tormented by Contemporary Music Finds a Humanizing Alchemy | ![]() | 5:43 |
6 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 5. Visions Fill the Eyes of a Defeated Basketball Team in the Shower Room | ![]() | 4:22 |
6 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 5. Visions Fill the Eyes of a Defeated Basketball Team in the Shower Room | ![]() | 4:22 |
7 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 6. Euphoria Descends a Sausalito Stairway | ![]() | 4:20 |
7 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 6. Euphoria Descends a Sausalito Stairway | ![]() | 4:20 |
8 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 7. Two Detectives on the Trail of a Tricky Culprit Turn in Their Badges | ![]() | 5:34 |
8 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 7. Two Detectives on the Trail of a Tricky Culprit Turn in Their Badges | ![]() | 5:34 |
9 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 8. A Court in its Own Contempt Rises to a Motherly Apotheosis | ![]() | 5:31 |
9 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 8. A Court in its Own Contempt Rises to a Motherly Apotheosis | ![]() | 5:31 |
10 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 9. A Lost Political Soul Finds Himself Among the Voteless Women of Paradise | ![]() | 6:00 |
10 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 9. A Lost Political Soul Finds Himself Among the Voteless Women of Paradise | ![]() | 6:00 |
11 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 10. The Cognoscenti Are Plunged into a Demonic Descent While at Cocktails | ![]() | 7:16 |
11 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 10. The Cognoscenti Are Plunged into a Demonic Descent While at Cocktails | ![]() | 7:16 |
12 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Epilogue | ![]() | 2:07 |
12 | ![]() | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Epilogue | ![]() | 2:07 |
Bewertungen zu Harry Partch: The Bewitched
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