Harry Partch: The Bewitched
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TickIt!
Artist | John Garvey |
Bewertung | |
Epoche | Modern (1910-1949) |
Label | New World Records |
Erschienen | 2005 |
Klassik-Werke auf diesem Album
# | Werk/Besetzung | Dauer | ||
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1 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments | 75:37 | ||
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Prologue. The Lost Musicians Mix Magic | 18:21 | ||
1 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Prologue. The Lost Musicians Mix Magic | 18:21 | ||
2 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 1. Three Undergrads Become Transfixed in a Hong Kong Music Hall | 5:34 | ||
2 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 1. Three Undergrads Become Transfixed in a Hong Kong Music Hall | 5:34 | ||
3 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 2. Exercises in Harmony and Counterpoint Are Tried in a Court of Ancient Ritual | 5:11 | ||
3 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 2. Exercises in Harmony and Counterpoint Are Tried in a Court of Ancient Ritual | 5:11 | ||
4 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 3. The Romancing of a Pathological Liar Comes to an Inspired End | 5:38 | ||
4 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 3. The Romancing of a Pathological Liar Comes to an Inspired End | 5:38 | ||
5 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 4. A Soul Tormented by Contemporary Music Finds a Humanizing Alchemy | 5:43 | ||
5 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 4. A Soul Tormented by Contemporary Music Finds a Humanizing Alchemy | 5:43 | ||
6 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 5. Visions Fill the Eyes of a Defeated Basketball Team in the Shower Room | 4:22 | ||
6 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 5. Visions Fill the Eyes of a Defeated Basketball Team in the Shower Room | 4:22 | ||
7 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 6. Euphoria Descends a Sausalito Stairway | 4:20 | ||
7 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 6. Euphoria Descends a Sausalito Stairway | 4:20 | ||
8 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 7. Two Detectives on the Trail of a Tricky Culprit Turn in Their Badges | 5:34 | ||
8 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 7. Two Detectives on the Trail of a Tricky Culprit Turn in Their Badges | 5:34 | ||
9 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 8. A Court in its Own Contempt Rises to a Motherly Apotheosis | 5:31 | ||
9 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 8. A Court in its Own Contempt Rises to a Motherly Apotheosis | 5:31 | ||
10 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 9. A Lost Political Soul Finds Himself Among the Voteless Women of Paradise | 6:00 | ||
10 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 9. A Lost Political Soul Finds Himself Among the Voteless Women of Paradise | 6:00 | ||
11 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 10. The Cognoscenti Are Plunged into a Demonic Descent While at Cocktails | 7:16 | ||
11 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 10. The Cognoscenti Are Plunged into a Demonic Descent While at Cocktails | 7:16 | ||
12 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Epilogue | 2:07 | ||
12 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Epilogue | 2:07 |
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