Trombonastics
1
TickIt!
Artist | Joseph Alessi |
Bewertung | |
Epoche | Modern (1910-1949) |
Label | Summit Records |
Erschienen | 2002 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Carmen, opera - Prelude to Act 4 | - | ||
1 | Carmen, opera - Prelude to Act 4 | - | ||
2 | Carmen, opera - Seguidilla | - | ||
2 | Carmen, opera - Seguidilla | - | ||
3 | Carmen, opera - Intermezzo | - | ||
3 | Carmen, opera - Intermezzo | - | ||
4 | Carmen, opera - Habañera | - | ||
4 | Carmen, opera - Habañera | - | ||
5 | Carmen, opera - Danse Boheme | - | ||
5 | Carmen, opera - Danse Boheme | - | ||
6 | Cogent Caprice, concerto for tenor trombone, solo trombone & 6 trombones (4 tenors & 2 basses) | - | ||
6 | Cogent Caprice, concerto for tenor trombone, solo trombone & 6 trombones (4 tenors & 2 basses) | - | ||
7 | Sonata for trombone & piano ("Vox Gabrieli") | - | ||
7 | Sonata for trombone & piano ("Vox Gabrieli") | - | ||
8 | Vocalise-étude, for soprano & piano (orchestrated as II mvt. of "Concert à quatre"), I/15 | - | ||
8 | Vocalise-étude, for soprano & piano (orchestrated as II mvt. of "Concert à quatre"), I/15 | - | ||
9 | Beau soir ("Lorsque au soleil couchant les rivières sont roses"), song for voice & piano, L. 6 | - | ||
9 | Beau soir ("Lorsque au soleil couchant les rivières sont roses"), song for voice & piano, L. 6 | - | ||
10 | La fille aux cheveux de lin, prelude for piano, L. 117/8 | - | ||
10 | La fille aux cheveux de lin, prelude for piano, L. 117/8 | - | ||
11 | Doolallynastics, A Brief Torture for solo trombone | - | ||
11 | Doolallynastics, A Brief Torture for solo trombone | - | ||
12 | Variations in F Sharp Minor, for trombone, Op. 24 | - | ||
12 | Variations in F Sharp Minor, for trombone, Op. 24 | - | ||
13 | Three Gershwin Melodies, for solo trombone & piano | - | ||
13 | Three Gershwin Melodies, for solo trombone & piano | - | ||
14 | Hungarian Dance No. 5, for trombone octet (after Brahms) | - | ||
14 | Hungarian Dance No. 5, for trombone octet (after Brahms) | - |
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