George Antheil: Capital of the World; William Schuman: Undertow; Raffaello de Banfield: The Combat
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Artist | Joseph Levine |
Bewertung | ![]() |
Epoche | Modern (1910-1949) |
Label | EMI |
Erschienen | 1997 |
Klassik-Werke auf diesem Album
# | ![]() | Werk/Besetzung | ![]() | Dauer |
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1 | ![]() | Capital of the World, ballet for orchestra, W. 249 | ![]() | 25:57 |
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2 | ![]() | Undertow, ballet (choreographic episodes) | ![]() | 24:13 |
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3 | ![]() | The Combat, ballet for orchestra | ![]() | 21:16 |
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Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | Capital of the World, ballet for orchestra, W. 249 - Part 1. The Street; Paco into Shop; Imaginary Bullfight; Owner; Enrique; The Seamstresses | ![]() | 6:09 |
2 | ![]() | Capital of the World, ballet for orchestra, W. 249 - Part 2. The Pompous Bullfighter; Tubercular Bullfighter; The Bullfighter Assistants; Cowardly Bullf | ![]() | 11:59 |
3 | ![]() | Capital of the World, ballet for orchestra, W. 249 - Part 3. Paco Back in Ship; Paco Practices Bullfighting; The Knives Fight & Paco's Death | ![]() | 7:49 |
4 | ![]() | Undertow, ballet (choreographic episodes) - Opening - The Transgressor is born | ![]() | 2:38 |
5 | ![]() | Undertow, ballet (choreographic episodes) - The Transgressor approaches manhood | ![]() | 2:19 |
6 | ![]() | Undertow, ballet (choreographic episodes) - A group of hoodlums rush past | ![]() | 1:59 |
7 | ![]() | Undertow, ballet (choreographic episodes) - Entrance of Volupia | ![]() | 2:02 |
8 | ![]() | Undertow, ballet (choreographic episodes) - Polyhymnia urges salvation | ![]() | 2:18 |
9 | ![]() | Undertow, ballet (choreographic episodes) - Entrance of Ate - Flirting with the Transgressor | ![]() | 2:31 |
10 | ![]() | Undertow, ballet (choreographic episodes) - Drunken women mock the bridal couple | ![]() | 1:14 |
11 | ![]() | Undertow, ballet (choreographic episodes) - Ate returns with the hoodlums | ![]() | 1:27 |
12 | ![]() | Undertow, ballet (choreographic episodes) - The drunken women interrupt - Ate escapes | ![]() | 1:29 |
13 | ![]() | Undertow, ballet (choreographic episodes) - The Transgressor & Medusa - Love & Death | ![]() | 1:54 |
14 | ![]() | Undertow, ballet (choreographic episodes) - Alone, the Transgressor writhes with fear | ![]() | 1:39 |
15 | ![]() | Undertow, ballet (choreographic episodes) - Finale - The Transgressor for his fatal act | ![]() | 2:43 |
16 | ![]() | The Combat, ballet for orchestra - Opening - Entrance of Clorinda | ![]() | 4:02 |
17 | ![]() | The Combat, ballet for orchestra - Tancred's dance - Prince of the Christian warriors | ![]() | 3:55 |
18 | ![]() | The Combat, ballet for orchestra - Clorinda and two Christian warriors engage in combat | ![]() | 2:40 |
19 | ![]() | The Combat, ballet for orchestra - Clorinda's plea for peace | ![]() | 1:42 |
20 | ![]() | The Combat, ballet for orchestra - Return of Tancred | ![]() | 1:22 |
21 | ![]() | The Combat, ballet for orchestra - The Combat - Tancred & Clorinda | ![]() | 1:00 |
22 | ![]() | The Combat, ballet for orchestra - Tancred's victory - Clorinda's identity is revealed | ![]() | 1:18 |
23 | ![]() | The Combat, ballet for orchestra - Love scene - Tancred & Clorinda | ![]() | 4:36 |
24 | ![]() | The Combat, ballet for orchestra - Finale - Tancred returns to combat | ![]() | :41 |
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