Bach: Mass in B minor
0
TickIt!
Artist | Kathleen Ferrier |
Bewertung | |
Epoche | Romantische Musik (1820-1869) |
Label | Guild Historical |
Erschienen | 2003 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Kyrie. Kyrie eleison | 12:07 | ||
1 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Kyrie. Kyrie eleison | 12:07 | ||
2 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Kyrie. Christe eleison | 5:30 | ||
2 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Kyrie. Christe eleison | 5:30 | ||
3 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Kyrie. Kyrie eleison | 3:12 | ||
3 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Kyrie. Kyrie eleison | 3:12 | ||
4 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Gloria in excelsis Deo | 5:32 | ||
4 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Gloria in excelsis Deo | 5:32 | ||
5 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Laudamus te | 4:49 | ||
5 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Laudamus te | 4:49 | ||
6 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Gratias agimus tibi | 3:38 | ||
6 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Gratias agimus tibi | 3:38 | ||
7 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Domine Deus | 5:43 | ||
7 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Domine Deus | 5:43 | ||
8 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Qui tollis peccata mundi | 3:52 | ||
8 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Qui tollis peccata mundi | 3:52 | ||
9 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Qui sedes ad dexteram Patris | 5:25 | ||
9 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Qui sedes ad dexteram Patris | 5:25 | ||
10 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Quoniam tu solus sanctus | 4:50 | ||
10 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Quoniam tu solus sanctus | 4:50 | ||
11 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Cum Sancto Spiritu | 3:30 | ||
11 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Gloria. Cum Sancto Spiritu | 3:30 | ||
12 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Credo in unum Deum | 2:32 | ||
12 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Credo in unum Deum | 2:32 | ||
13 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Patrem omnipotentem | 2:01 | ||
13 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Patrem omnipotentem | 2:01 | ||
14 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Et in unum Dominum | 4:36 | ||
14 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Et in unum Dominum | 4:36 | ||
15 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Et incarnatus est | 4:21 | ||
15 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Et incarnatus est | 4:21 | ||
16 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Crucifixus | 2:59 | ||
16 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Crucifixus | 2:59 | ||
17 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Et resurrexit | 3:49 | ||
17 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Et resurrexit | 3:49 | ||
18 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Et in Spiritum Sanctum, Dominum et vivificantem | 6:09 | ||
18 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Et in Spiritum Sanctum, Dominum et vivificantem | 6:09 | ||
19 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Confiteor unum baptisma | 7:30 | ||
19 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Credo. Confiteor unum baptisma | 7:30 | ||
20 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Sanctus and Benedictus. Sanctus | 6:13 | ||
20 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Sanctus and Benedictus. Sanctus | 6:13 | ||
21 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Sanctus and Benedictus. Osanna in excelsis | 2:41 | ||
21 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Sanctus and Benedictus. Osanna in excelsis | 2:41 | ||
22 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Sanctus and Benedictus. Benedictus | 8:02 | ||
22 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Sanctus and Benedictus. Benedictus | 8:02 | ||
23 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Agnus Dei. Agnus Dei | 7:13 | ||
23 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Agnus Dei. Agnus Dei | 7:13 | ||
24 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Agnus Dei. Dona nobis pacem | 4:06 | ||
24 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Agnus Dei. Dona nobis pacem | 4:06 | ||
25 | Broadcast Commentary on Brahms: Vier Erneste Gesænge | :20 | ||
25 | Broadcast Commentary on Brahms: Vier Erneste Gesænge | :20 | ||
26 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - One thing befalleth | 4:46 | ||
26 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - One thing befalleth | 4:46 | ||
27 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - So I returned | 4:05 | ||
27 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - So I returned | 4:05 | ||
28 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - O death, how bitter art thou | 3:56 | ||
28 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - O death, how bitter art thou | 3:56 | ||
29 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - Though I speak with the tongues of man | 6:13 | ||
29 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - Though I speak with the tongues of man | 6:13 | ||
30 | The Fairy Queen, semi-opera, Z. 629 - Hark! The echoing air | 3:18 | ||
30 | The Fairy Queen, semi-opera, Z. 629 - Hark! The echoing air | 3:18 | ||
31 | Atalanta, opera, HWV 35 - Like as the love-lorn Turtle | 7:12 | ||
31 | Atalanta, opera, HWV 35 - Like as the love-lorn Turtle | 7:12 | ||
32 | Admeto, Rè di Tessaglia, opera, HWV 22 - How changed the vision | 5:07 | ||
32 | Admeto, Rè di Tessaglia, opera, HWV 22 - How changed the vision | 5:07 | ||
33 | Verborgenheit ("Lass, o Welt, o lass mich sein"), song for voice & piano (Mörike Lieder) | 3:46 | ||
33 | Verborgenheit ("Lass, o Welt, o lass mich sein"), song for voice & piano (Mörike Lieder) | 3:46 | ||
34 | Der Gärtner ("Auf ihrem Leibrösslein"), song for voice & piano (Mörike Lieder) | 1:46 | ||
34 | Der Gärtner ("Auf ihrem Leibrösslein"), song for voice & piano (Mörike Lieder) | 1:46 | ||
35 | Auf ein altes Bild ("In grüner Landschaft Sommerflor"), song for voice & piano (Mörike Lieder) | 3:18 | ||
35 | Auf ein altes Bild ("In grüner Landschaft Sommerflor"), song for voice & piano (Mörike Lieder) | 3:18 | ||
36 | Work(s) - Travelling | 3:49 | ||
36 | Work(s) - Travelling | 3:49 | ||
37 | Kathleen Ferrier Gives Spoken Introduction to 1952 London Recital | :18 | ||
37 | Kathleen Ferrier Gives Spoken Introduction to 1952 London Recital | :18 | ||
38 | Altar for voice & piano | 4:01 | ||
38 | Altar for voice & piano | 4:01 | ||
39 | From silent shades and the Elysian groves (Bess of Bedlam), song, Z. 370 - From silent shades | 6:19 | ||
39 | From silent shades and the Elysian groves (Bess of Bedlam), song, Z. 370 - From silent shades | 6:19 | ||
40 | An Irish Idyll in Six Miniatures for voice & piano, No 2, Op. 77/2 ("The Fairy Lough") | 3:38 | ||
40 | An Irish Idyll in Six Miniatures for voice & piano, No 2, Op. 77/2 ("The Fairy Lough") | 3:38 | ||
41 | A Soft Day, for voice & piano | 2:54 | ||
41 | A Soft Day, for voice & piano | 2:54 | ||
42 | Love is a bable, song | 1:42 | ||
42 | Love is a bable, song | 1:42 | ||
43 | Silent Noon ("Your hands lie open in the long fresh grass"), song for voice & piano (The House of Life No. 2) | 4:50 | ||
43 | Silent Noon ("Your hands lie open in the long fresh grass"), song for voice & piano (The House of Life No. 2) | 4:50 | ||
44 | Go Not, Happy Day, for voice & piano, H 34 | 1:33 | ||
44 | Go Not, Happy Day, for voice & piano, H 34 | 1:33 | ||
45 | Sleep, for voice & piano | 2:34 | ||
45 | Sleep, for voice & piano | 2:34 | ||
46 | Pretty Ring Time, for voice & piano | 1:19 | ||
46 | Pretty Ring Time, for voice & piano | 1:19 | ||
47 | Come you not from Newcastle?, for voice & piano (Folk Songs, Vol. 3) | 1:34 | ||
47 | Come you not from Newcastle?, for voice & piano (Folk Songs, Vol. 3) | 1:34 | ||
48 | Kitty My Love, Will You Marry Me?, folk song | 1:13 | ||
48 | Kitty My Love, Will You Marry Me?, folk song | 1:13 |
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