Kathleen Ferrier [Box Set]
0
TickIt!
Artist | Kathleen Ferrier |
Bewertung | |
Epoche | Romantische Musik (1820-1869) |
Label | Decca |
Erschienen | 2004 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Ah! se intorno a quest'urna funesta | 5:58 | ||
1 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Ah! se intorno a quest'urna funesta | 5:58 | ||
2 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Euridice! Euridice! Ah! questo nome sanno le spiaggie | 1:18 | ||
2 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Euridice! Euridice! Ah! questo nome sanno le spiaggie | 1:18 | ||
3 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Piango il mio ben così | 2:12 | ||
3 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Piango il mio ben così | 2:12 | ||
4 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Dalla cetra tua a' dolci suoni | 1:42 | ||
4 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Dalla cetra tua a' dolci suoni | 1:42 | ||
5 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Gli sguardi trattieni | 1:01 | ||
5 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Gli sguardi trattieni | 1:01 | ||
6 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Che disse! ch'ascoltai! | 1:23 | ||
6 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Che disse! ch'ascoltai! | 1:23 | ||
7 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 1. Chi mai dell'Erebo | 3:33 | ||
7 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 1. Chi mai dell'Erebo | 3:33 | ||
8 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 1. Deh! placatevi con me | 2:36 | ||
8 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 1. Deh! placatevi con me | 2:36 | ||
9 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 1. Misero giovane! | 4:27 | ||
9 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 1. Misero giovane! | 4:27 | ||
10 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 2. Che puro ciel! | 4:57 | ||
10 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 2. Che puro ciel! | 4:57 | ||
11 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 2. Vieni a' regni del riposo | 2:33 | ||
11 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 2. Vieni a' regni del riposo | 2:33 | ||
12 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! vieni o diletta | 2:35 | ||
12 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! vieni o diletta | 2:35 | ||
13 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Vieni, vieni con me, vieni, o cara | 3:46 | ||
13 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Vieni, vieni con me, vieni, o cara | 3:46 | ||
14 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! potess'io saper perché ei tace tanto! | 1:30 | ||
14 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! potess'io saper perché ei tace tanto! | 1:30 | ||
15 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Che fiero momento! | 2:44 | ||
15 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Che fiero momento! | 2:44 | ||
16 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! per me il duol ricomincia! | 1:23 | ||
16 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! per me il duol ricomincia! | 1:23 | ||
17 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Che farò senza Euridice? | 3:16 | ||
17 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Che farò senza Euridice? | 3:16 | ||
18 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! finisca e per sempre | 2:24 | ||
18 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! finisca e per sempre | 2:24 | ||
19 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Gaudio, gaudio son al core | 3:28 | ||
19 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Gaudio, gaudio son al core | 3:28 | ||
20 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 2. Trionfi Amore, e il mondo intero | 1:07 | ||
20 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 2. Trionfi Amore, e il mondo intero | 1:07 | ||
21 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 1: Come, ye daughters | 10:07 | ||
21 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 1: Come, ye daughters | 10:07 | ||
22 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 9: My Master and my Lord / No. 10: Grief for sin | 4:52 | ||
22 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 9: My Master and my Lord / No. 10: Grief for sin | 4:52 | ||
23 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 33: Behold, my Saviour now is taken | 5:05 | ||
23 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 33: Behold, my Saviour now is taken | 5:05 | ||
24 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 36: Ah! Now is my Saviour gone | 5:15 | ||
24 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 36: Ah! Now is my Saviour gone | 5:15 | ||
25 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 47: Have mercy, Lord, on me / No. 48: Lamb of God, I fall before Thee | 8:41 | ||
25 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 47: Have mercy, Lord, on me / No. 48: Lamb of God, I fall before Thee | 8:41 | ||
26 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 60: O gracious God! / No. 61: If my tears be unavailing | 9:32 | ||
26 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 60: O gracious God! / No. 61: If my tears be unavailing | 9:32 | ||
27 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 63: O sacred head surrounded | 1:18 | ||
27 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 63: O sacred head surrounded | 1:18 | ||
28 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 69: Ah, Golgotha! / No. 70: See ye! See the Saviour's outstretched hands | 5:46 | ||
28 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 69: Ah, Golgotha! / No. 70: See ye! See the Saviour's outstretched hands | 5:46 | ||
29 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 72: Be near me, Lord, when dying | 1:56 | ||
29 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 72: Be near me, Lord, when dying | 1:56 | ||
30 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 77: And now the Lord to rest is laid / No. 78: In tears of grief | 9:32 | ||
30 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 77: And now the Lord to rest is laid / No. 78: In tears of grief | 9:32 | ||
31 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - What is life to me without thee? | 4:32 | ||
31 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - What is life to me without thee? | 4:32 | ||
32 | Rodelinda, regina de' Langobardi, opera, HWV 19 - Art thou troubled? | 4:44 | ||
32 | Rodelinda, regina de' Langobardi, opera, HWV 19 - Art thou troubled? | 4:44 | ||
33 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Have mercy, Lord, on me | 8:15 | ||
33 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Have mercy, Lord, on me | 8:15 | ||
34 | Himmelfahrts-Oratorium, "Lobet Gott in seinen Reichen," (Ascension Oratorio), BWV 11 (BC D9) - Ah, tarry yet, my dearest Saviour | 7:41 | ||
34 | Himmelfahrts-Oratorium, "Lobet Gott in seinen Reichen," (Ascension Oratorio), BWV 11 (BC D9) - Ah, tarry yet, my dearest Saviour | 7:41 | ||
35 | Serse (Xerxes), opera, HWV 40 - Frondi tenere ... Ombra mai fu | 4:43 | ||
35 | Serse (Xerxes), opera, HWV 40 - Frondi tenere ... Ombra mai fu | 4:43 | ||
36 | Elijah (Elias), oratorio, Op. 70 - Woe unto them | 3:15 | ||
36 | Elijah (Elias), oratorio, Op. 70 - Woe unto them | 3:15 | ||
37 | Elijah (Elias), oratorio, Op. 70 - O rest in the Lord | 3:50 | ||
37 | Elijah (Elias), oratorio, Op. 70 - O rest in the Lord | 3:50 | ||
38 | Stabat mater, for soprano, alto, strings & organ in F major - Stabat Mater dolorosa | 4:28 | ||
38 | Stabat mater, for soprano, alto, strings & organ in F major - Stabat Mater dolorosa | 4:28 | ||
39 | Stabat mater, for soprano, alto, strings & organ in F major - Cujus animam gementem | 2:16 | ||
39 | Stabat mater, for soprano, alto, strings & organ in F major - Cujus animam gementem | 2:16 | ||
40 | Stabat mater, for soprano, alto, strings & organ in F major - O quam tristis et afflicta | 2:06 | ||
40 | Stabat mater, for soprano, alto, strings & organ in F major - O quam tristis et afflicta | 2:06 | ||
41 | Stabat mater, for soprano, alto, strings & organ in F major - Quae moerabat et dolebat | 2:54 | ||
41 | Stabat mater, for soprano, alto, strings & organ in F major - Quae moerabat et dolebat | 2:54 | ||
42 | Stabat mater, for soprano, alto, strings & organ in F major - Quis est homo, qui non fleret | 2:44 | ||
42 | Stabat mater, for soprano, alto, strings & organ in F major - Quis est homo, qui non fleret | 2:44 | ||
43 | Stabat mater, for soprano, alto, strings & organ in F major - Vidit suum dulcem Natum | 3:39 | ||
43 | Stabat mater, for soprano, alto, strings & organ in F major - Vidit suum dulcem Natum | 3:39 | ||
44 | Stabat mater, for soprano, alto, strings & organ in F major - Eja Mater, fons amoris | 2:15 | ||
44 | Stabat mater, for soprano, alto, strings & organ in F major - Eja Mater, fons amoris | 2:15 | ||
45 | Stabat mater, for soprano, alto, strings & organ in F major - Fac ut ardeat cor meum | 2:11 | ||
45 | Stabat mater, for soprano, alto, strings & organ in F major - Fac ut ardeat cor meum | 2:11 | ||
46 | Stabat mater, for soprano, alto, strings & organ in F major - Sancta Mater istud agas | 5:44 | ||
46 | Stabat mater, for soprano, alto, strings & organ in F major - Sancta Mater istud agas | 5:44 | ||
47 | Stabat mater, for soprano, alto, strings & organ in F major - Fac ut portem Christi mortem | 2:55 | ||
47 | Stabat mater, for soprano, alto, strings & organ in F major - Fac ut portem Christi mortem | 2:55 | ||
48 | Stabat mater, for soprano, alto, strings & organ in F major - Inflammatus et accensus | 2:51 | ||
48 | Stabat mater, for soprano, alto, strings & organ in F major - Inflammatus et accensus | 2:51 | ||
49 | Stabat mater, for soprano, alto, strings & organ in F major - Quando corpus morietur | 4:14 | ||
49 | Stabat mater, for soprano, alto, strings & organ in F major - Quando corpus morietur | 4:14 | ||
50 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 1. Seit ich ihn gesehen | 2:40 | ||
50 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 1. Seit ich ihn gesehen | 2:40 | ||
51 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 2. Er, der Herrlichste von allen | 3:18 | ||
51 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 2. Er, der Herrlichste von allen | 3:18 | ||
52 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 3. Ich kann's nicht fassen, nicht glauben | 1:57 | ||
52 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 3. Ich kann's nicht fassen, nicht glauben | 1:57 | ||
53 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 4. Du Ring an meinem Finger | 2:58 | ||
53 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 4. Du Ring an meinem Finger | 2:58 | ||
54 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 5. Helft mir, ihr Schwestern | 2:04 | ||
54 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 5. Helft mir, ihr Schwestern | 2:04 | ||
55 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 6. Süßer Freund, du blickest | 3:49 | ||
55 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 6. Süßer Freund, du blickest | 3:49 | ||
56 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 7. An meinem Herzen, an meiner Brust | 1:21 | ||
56 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 7. An meinem Herzen, an meiner Brust | 1:21 | ||
57 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 8. Nun hast du mir den ersten Schmerz getan | 3:56 | ||
57 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 8. Nun hast du mir den ersten Schmerz getan | 3:56 | ||
58 | Volksliedchen ("Wenn ich früh in den Garten geh"), song for voice & piano, Op. 51/2 | 1:20 | ||
58 | Volksliedchen ("Wenn ich früh in den Garten geh"), song for voice & piano, Op. 51/2 | 1:20 | ||
59 | Widmung ("Du meine Seele, du mein Herz"), song for voice & piano (Myrthen), Op. 25/1 | 2:29 | ||
59 | Widmung ("Du meine Seele, du mein Herz"), song for voice & piano (Myrthen), Op. 25/1 | 2:29 | ||
60 | Sapphische Ode ("Rosen brach ich Nachts mir am dunklen Hage"), song for voice & piano, Op. 94/4 | 2:49 | ||
60 | Sapphische Ode ("Rosen brach ich Nachts mir am dunklen Hage"), song for voice & piano, Op. 94/4 | 2:49 | ||
61 | Botschaft ("Wehe, Lüftchen, lind und lieblich"), song for voice & piano, Op. 47/1 | 2:11 | ||
61 | Botschaft ("Wehe, Lüftchen, lind und lieblich"), song for voice & piano, Op. 47/1 | 2:11 | ||
62 | Gretchen am Spinnrade ("Meine Ruh'..."), song for voice & piano, D. 118 (Op. 2) | 3:13 | ||
62 | Gretchen am Spinnrade ("Meine Ruh'..."), song for voice & piano, D. 118 (Op. 2) | 3:13 | ||
63 | Die junge Nonne ("Wie braust durch die Wipfel"), song for voice & piano, D. 828 (Op. 43/1) | 4:49 | ||
63 | Die junge Nonne ("Wie braust durch die Wipfel"), song for voice & piano, D. 828 (Op. 43/1) | 4:49 | ||
64 | An die Musik ("Du holde Kunst..."), song for voice & piano, D. 547 (Op. 88/4) | 3:09 | ||
64 | An die Musik ("Du holde Kunst..."), song for voice & piano, D. 547 (Op. 88/4) | 3:09 | ||
65 | Der Musensohn ("Durch Feld und Wald zu schweifen"), song for voice & piano, D. 764 (Op. 92/1) | 2:18 | ||
65 | Der Musensohn ("Durch Feld und Wald zu schweifen"), song for voice & piano, D. 764 (Op. 92/1) | 2:18 | ||
66 | Ganymed ("Wie im Morgenglanze"), song for voice & piano, D. 544 (Op. 19/3) | 4:21 | ||
66 | Ganymed ("Wie im Morgenglanze"), song for voice & piano, D. 544 (Op. 19/3) | 4:21 | ||
67 | Du liebst mich nicht ("Mein Herz ist zerrissen"), song for voice & piano, D. 756 (Op. 59/1) | 2:52 | ||
67 | Du liebst mich nicht ("Mein Herz ist zerrissen"), song for voice & piano, D. 756 (Op. 59/1) | 2:52 | ||
68 | Lachen und Weinen, song for voice & piano, D. 777 (Op. 59/4) | 2:12 | ||
68 | Lachen und Weinen, song for voice & piano, D. 777 (Op. 59/4) | 2:12 | ||
69 | Stille Nacht, heilige Nacht (Silent Night) | 3:28 | ||
69 | Stille Nacht, heilige Nacht (Silent Night) | 3:28 | ||
70 | O Come, All Ye Faithful (Adeste fidelis) | 3:18 | ||
70 | O Come, All Ye Faithful (Adeste fidelis) | 3:18 | ||
71 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 1. One thing befalleth the beasts and the sons of men | 4:45 | ||
71 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 1. One thing befalleth the beasts and the sons of men | 4:45 | ||
72 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 2. So I returned and did consider | 4:03 | ||
72 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 2. So I returned and did consider | 4:03 | ||
73 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 3. O death, how bitter art thou | 3:54 | ||
73 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 3. O death, how bitter art thou | 3:54 | ||
74 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 4. Though I speak with tongues of men | 6:06 | ||
74 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 4. Though I speak with tongues of men | 6:06 | ||
75 | Poème de l'amour et de la mer, for voice & orchestra, Op. 19 - 1. La Fleur des eaux | 10:54 | ||
75 | Poème de l'amour et de la mer, for voice & orchestra, Op. 19 - 1. La Fleur des eaux | 10:54 | ||
76 | Poème de l'amour et de la mer, for voice & orchestra, Op. 19 - 2. Interlude | 2:42 | ||
76 | Poème de l'amour et de la mer, for voice & orchestra, Op. 19 - 2. Interlude | 2:42 | ||
77 | Poème de l'amour et de la mer, for voice & orchestra, Op. 19 - 3. La Mort de l'amour | 14:28 | ||
77 | Poème de l'amour et de la mer, for voice & orchestra, Op. 19 - 3. La Mort de l'amour | 14:28 | ||
78 | Discovery for voice & piano, Op 13 - The Freedom of the City / Babylon / Jane Allen / Discovery / Dreams Melting | 7:47 | ||
78 | Discovery for voice & piano, Op 13 - The Freedom of the City / Babylon / Jane Allen / Discovery / Dreams Melting | 7:47 | ||
79 | Songs (3) for voice & piano, Op. 5 - Red Skies | 2:01 | ||
79 | Songs (3) for voice & piano, Op. 5 - Red Skies | 2:01 | ||
80 | Songs (3) for voice & piano, Op. 5 - The Wind | 1:08 | ||
80 | Songs (3) for voice & piano, Op. 5 - The Wind | 1:08 | ||
81 | Songs (3) for voice & piano, Op. 5 - Clouds | 3:30 | ||
81 | Songs (3) for voice & piano, Op. 5 - Clouds | 3:30 | ||
82 | Psalms (3) for voice & piano, Op 61 - Psalm 6: O Lord, rebuke me not | 5:19 | ||
82 | Psalms (3) for voice & piano, Op 61 - Psalm 6: O Lord, rebuke me not | 5:19 | ||
83 | Psalms (3) for voice & piano, Op 61 - Psalm 23: The Lord is my shepherd | 3:39 | ||
83 | Psalms (3) for voice & piano, Op 61 - Psalm 23: The Lord is my shepherd | 3:39 | ||
84 | Psalms (3) for voice & piano, Op 61 - Psalm 150: Praise ye the Lord | 1:38 | ||
84 | Psalms (3) for voice & piano, Op 61 - Psalm 150: Praise ye the Lord | 1:38 | ||
85 | An Irish Idyll in Six Miniatures for voice & piano, No 2, Op. 77/2 ("The Fairy Lough") | 3:42 | ||
85 | An Irish Idyll in Six Miniatures for voice & piano, No 2, Op. 77/2 ("The Fairy Lough") | 3:42 | ||
86 | A Sheaf of Songs from Leinster, for voice & piano, No. 3, "A Soft Day" Op. 140/3 | 2:56 | ||
86 | A Sheaf of Songs from Leinster, for voice & piano, No. 3, "A Soft Day" Op. 140/3 | 2:56 | ||
87 | Love is a bable, song | 1:42 | ||
87 | Love is a bable, song | 1:42 | ||
88 | Silent Noon ("Your hands lie open in the long fresh grass"), song for voice & piano (The House of Life No. 2) | 5:00 | ||
88 | Silent Noon ("Your hands lie open in the long fresh grass"), song for voice & piano (The House of Life No. 2) | 5:00 | ||
89 | Go Not, Happy Day, for voice & piano, H 34 | 1:36 | ||
89 | Go Not, Happy Day, for voice & piano, H 34 | 1:36 | ||
90 | Sleep, for voice & piano | 2:49 | ||
90 | Sleep, for voice & piano | 2:49 | ||
91 | Pretty Ring Time, for voice & piano | 1:19 | ||
91 | Pretty Ring Time, for voice & piano | 1:19 | ||
92 | O Waly, Waly, folk song | 4:16 | ||
92 | O Waly, Waly, folk song | 4:16 | ||
93 | Come You Not From Newcastle? | 1:35 | ||
93 | Come You Not From Newcastle? | 1:35 | ||
94 | Kitty My Love, Will You Marry Me?, folk song | 1:27 | ||
94 | Kitty My Love, Will You Marry Me?, folk song | 1:27 | ||
95 | From silent shades and the Elysian groves (Bess of Bedlam), song, Z. 370 | 7:03 | ||
95 | From silent shades and the Elysian groves (Bess of Bedlam), song, Z. 370 | 7:03 | ||
96 | Hark! now the echoing air (from "The Fairy Queen"), soprano aria and chorus, Z. 629/48 | 3:12 | ||
96 | Hark! now the echoing air (from "The Fairy Queen"), soprano aria and chorus, Z. 629/48 | 3:12 | ||
97 | Atalanta, opera, HWV 35 - Like as the love-lorn turtle | 7:12 | ||
97 | Atalanta, opera, HWV 35 - Like as the love-lorn turtle | 7:12 | ||
98 | Admeto, Rè di Tessaglia, opera, HWV 22 - How changed the vision | 4:58 | ||
98 | Admeto, Rè di Tessaglia, opera, HWV 22 - How changed the vision | 4:58 | ||
99 | Verborgenheit ("Lass, o Welt, o lass mich sein"), song for voice & piano (Mörike Lieder) | 3:46 | ||
99 | Verborgenheit ("Lass, o Welt, o lass mich sein"), song for voice & piano (Mörike Lieder) | 3:46 | ||
100 | Der Gärtner ("Auf ihrem Leibrösslein"), song for voice & piano (Mörike Lieder) | 1:47 | ||
100 | Der Gärtner ("Auf ihrem Leibrösslein"), song for voice & piano (Mörike Lieder) | 1:47 | ||
101 | Auf ein altes Bild ("In grüner Landschaft Sommerflor"), song for voice & piano (Mörike Lieder) | 3:19 | ||
101 | Auf ein altes Bild ("In grüner Landschaft Sommerflor"), song for voice & piano (Mörike Lieder) | 3:19 | ||
102 | Auf einer Wanderung ("In ein freudliches Städtchen"), song for voice & piano (Mörike Lieder) | 3:41 | ||
102 | Auf einer Wanderung ("In ein freudliches Städtchen"), song for voice & piano (Mörike Lieder) | 3:41 | ||
103 | Altar for voice & piano | 4:16 | ||
103 | Altar for voice & piano | 4:16 | ||
104 | Vergiss mein nicht, sacred song for voice & continuo (Schemelli Gesangbuch No. 627), BWV 505 (BC F262) | 2:24 | ||
104 | Vergiss mein nicht, sacred song for voice & continuo (Schemelli Gesangbuch No. 627), BWV 505 (BC F262) | 2:24 | ||
105 | Ach, dass nicht die letzte Stunde, sacred song for voice & continuo (Schemelli Gesangbuch No. 831), BWV 439 (BC F274) | 2:01 | ||
105 | Ach, dass nicht die letzte Stunde, sacred song for voice & continuo (Schemelli Gesangbuch No. 831), BWV 439 (BC F274) | 2:01 | ||
106 | Bist du bei mir, aria arranged for voice & continuo (after Gottfried Stölzel), BWV 508 | 3:31 | ||
106 | Bist du bei mir, aria arranged for voice & continuo (after Gottfried Stölzel), BWV 508 | 3:31 | ||
107 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Qui sedes | 5:51 | ||
107 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Qui sedes | 5:51 | ||
108 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Grief for sin | 6:07 | ||
108 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Grief for sin | 6:07 | ||
109 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Agnus Dei | 5:23 | ||
109 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Agnus Dei | 5:23 | ||
110 | St. John Passion (Johannespassion), BWV 245 (BC D2) - All is fulfilled | 5:46 | ||
110 | St. John Passion (Johannespassion), BWV 245 (BC D2) - All is fulfilled | 5:46 | ||
111 | Samson, oratorio, HWV 57 - Return, O God of Hosts! | 4:32 | ||
111 | Samson, oratorio, HWV 57 - Return, O God of Hosts! | 4:32 | ||
112 | Messiah, oratorio, HWV 56 - O thou that tellest good tidings to Zion | 5:43 | ||
112 | Messiah, oratorio, HWV 56 - O thou that tellest good tidings to Zion | 5:43 | ||
113 | Judas Maccabaeus, oratorio, HWV 63 - Father of Heaven | 7:56 | ||
113 | Judas Maccabaeus, oratorio, HWV 63 - Father of Heaven | 7:56 | ||
114 | Messiah, oratorio, HWV 56 - He was despised | 6:43 | ||
114 | Messiah, oratorio, HWV 56 - He was despised | 6:43 | ||
115 | Ma Bonny Lad, folk song | 1:52 | ||
115 | Ma Bonny Lad, folk song | 1:52 | ||
116 | The Keel Row | 1:46 | ||
116 | The Keel Row | 1:46 | ||
117 | Blow the Wind Southerly (Northumbrian Folk Song) | 2:24 | ||
117 | Blow the Wind Southerly (Northumbrian Folk Song) | 2:24 | ||
118 | I Have A Bonnet Trimmed With Blue | 1:14 | ||
118 | I Have A Bonnet Trimmed With Blue | 1:14 | ||
119 | My Boy Willie for voice & piano | 1:46 | ||
119 | My Boy Willie for voice & piano | 1:46 | ||
120 | I Know Where I'm Goin', folk song | 2:24 | ||
120 | I Know Where I'm Goin', folk song | 2:24 | ||
121 | The Fidgety Bairn, folk song | 2:50 | ||
121 | The Fidgety Bairn, folk song | 2:50 | ||
122 | I Will Walk With My Love for voice & piano | 2:00 | ||
122 | I Will Walk With My Love for voice & piano | 2:00 | ||
123 | Ca' the yowes | 3:28 | ||
123 | Ca' the yowes | 3:28 | ||
124 | O Waly, Waly, folk song | 3:36 | ||
124 | O Waly, Waly, folk song | 3:36 | ||
125 | Willow, Willow for voice & piano | 3:33 | ||
125 | Willow, Willow for voice & piano | 3:33 | ||
126 | The Stuttering Lovers, folksong | 1:45 | ||
126 | The Stuttering Lovers, folksong | 1:45 | ||
127 | Now Sleeps the Crimson Petal for voice & piano, Op. 3/2 | 2:32 | ||
127 | Now Sleeps the Crimson Petal for voice & piano, Op. 3/2 | 2:32 | ||
128 | Fair house of joy, for voice & piano, Op. 12/7 | 2:40 | ||
128 | Fair house of joy, for voice & piano, Op. 12/7 | 2:40 | ||
129 | To Daises, for voice & piano, Op. 8/4 | 2:15 | ||
129 | To Daises, for voice & piano, Op. 8/4 | 2:15 | ||
130 | Over the Mountains | 2:17 | ||
130 | Over the Mountains | 2:17 | ||
131 | Have You Seen But A Whyte Lilie Grow?, folk song | 2:27 | ||
131 | Have You Seen But A Whyte Lilie Grow?, folk song | 2:27 | ||
132 | Ye Banks and Braes O' Bonnie Doon, folk song | 3:12 | ||
132 | Ye Banks and Braes O' Bonnie Doon, folk song | 3:12 | ||
133 | Drink to me only with thine eyes, folk song | 3:05 | ||
133 | Drink to me only with thine eyes, folk song | 3:05 | ||
134 | Down by the Salley Gardens, folk song | 3:09 | ||
134 | Down by the Salley Gardens, folk song | 3:09 | ||
135 | The Lover's Curse, for voice & piano | 3:04 | ||
135 | The Lover's Curse, for voice & piano | 3:04 | ||
136 | What the Edinburgh Festival Has Meant to Me, spoken commentary by Kathleen Ferrier | 2:55 | ||
136 | What the Edinburgh Festival Has Meant to Me, spoken commentary by Kathleen Ferrier | 2:55 | ||
137 | Die junge Nonne ("Wie braust durch die Wipfel"), song for voice & piano, D. 828 (Op. 43/1) | 4:32 | ||
137 | Die junge Nonne ("Wie braust durch die Wipfel"), song for voice & piano, D. 828 (Op. 43/1) | 4:32 | ||
138 | Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - No. 3b. Romance | 3:54 | ||
138 | Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - No. 3b. Romance | 3:54 | ||
139 | Du liebst mich nicht ("Mein Herz ist zerrissen"), song for voice & piano, D. 756 (Op. 59/1) | 3:43 | ||
139 | Du liebst mich nicht ("Mein Herz ist zerrissen"), song for voice & piano, D. 756 (Op. 59/1) | 3:43 | ||
140 | Der Tod und das Mädchen ("Vorüber, ach vorüber"), song for voice & piano, D. 531 (Op. 7/3) | 2:39 | ||
140 | Der Tod und das Mädchen ("Vorüber, ach vorüber"), song for voice & piano, D. 531 (Op. 7/3) | 2:39 | ||
141 | Suleika I ("Was bedeutet die Bewegung"), song for voice & piano, D. 720 (Op. 14/1) | 4:49 | ||
141 | Suleika I ("Was bedeutet die Bewegung"), song for voice & piano, D. 720 (Op. 14/1) | 4:49 | ||
142 | Du bist die Ruh, song for voice & piano, D. 776 (Op. 59/3) | 4:44 | ||
142 | Du bist die Ruh, song for voice & piano, D. 776 (Op. 59/3) | 4:44 | ||
143 | Immer leiser wird mein Schlummer, song for voice & piano, Op. 105/2 | 4:03 | ||
143 | Immer leiser wird mein Schlummer, song for voice & piano, Op. 105/2 | 4:03 | ||
144 | Der Tod, das ist die kühle Nacht, song for voice & piano, Op. 96/1 | 3:27 | ||
144 | Der Tod, das ist die kühle Nacht, song for voice & piano, Op. 96/1 | 3:27 | ||
145 | Botschaft ("Wehe, Lüftchen, lind und lieblich"), song for voice & piano, Op. 47/1 | 2:13 | ||
145 | Botschaft ("Wehe, Lüftchen, lind und lieblich"), song for voice & piano, Op. 47/1 | 2:13 | ||
146 | Von ewiger Liebe ("Dunkel, wie dunkel in Wald und in Feld!"), song for voice & piano, Op. 43/1 | 5:17 | ||
146 | Von ewiger Liebe ("Dunkel, wie dunkel in Wald und in Feld!"), song for voice & piano, Op. 43/1 | 5:17 | ||
147 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 1. Seit ich ihn gesehen | 2:06 | ||
147 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 1. Seit ich ihn gesehen | 2:06 | ||
148 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 2. Er, der Herrlichste von allen | 2:59 | ||
148 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 2. Er, der Herrlichste von allen | 2:59 | ||
149 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 3. Ich kann's nicht fassen, nicht glauben | 1:42 | ||
149 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 3. Ich kann's nicht fassen, nicht glauben | 1:42 | ||
150 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 4. Du Ring an meinem Finger | 2:48 | ||
150 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 4. Du Ring an meinem Finger | 2:48 | ||
151 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 5. Helft mir, ihr Schwestern | 1:55 | ||
151 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 5. Helft mir, ihr Schwestern | 1:55 | ||
152 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 6. Súßer Freund, du blickest mich verwundert an | 3:42 | ||
152 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 6. Súßer Freund, du blickest mich verwundert an | 3:42 | ||
153 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 7. An meinem Herzen, an meiner Brust | 1:24 | ||
153 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 7. An meinem Herzen, an meiner Brust | 1:24 | ||
154 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 8. Nun hast du mir den ersten Schmerz getan | 4:06 | ||
154 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 8. Nun hast du mir den ersten Schmerz getan | 4:06 | ||
155 | Ich bin der Welt abhanden gekommen, song for voice & piano (or orchestra) (Rückert Lieder No. 3) | 5:37 | ||
155 | Ich bin der Welt abhanden gekommen, song for voice & piano (or orchestra) (Rückert Lieder No. 3) | 5:37 | ||
156 | Ich atmet' einen linden Duft, song for voice & piano (or orchestra) in D major (Rückert Lieder No. 2) | 2:50 | ||
156 | Ich atmet' einen linden Duft, song for voice & piano (or orchestra) in D major (Rückert Lieder No. 2) | 2:50 | ||
157 | Um Mitternacht, song for voice & piano (or orchestra) in B minor (Rückert Lieder No. 4) | 6:29 | ||
157 | Um Mitternacht, song for voice & piano (or orchestra) in B minor (Rückert Lieder No. 4) | 6:29 | ||
158 | Alto Rhapsody, for alto, male chorus & orchestra, Op. 53 | 16:08 | ||
158 | Alto Rhapsody, for alto, male chorus & orchestra, Op. 53 | 16:08 | ||
159 | Songs (2) for alto, viola & piano, Op. 91 - 1. Gestillte Sehnsucht | 5:11 | ||
159 | Songs (2) for alto, viola & piano, Op. 91 - 1. Gestillte Sehnsucht | 5:11 | ||
160 | Songs (2) for alto, viola & piano, Op. 91 - 2. Geistliches Wiegenlied | 5:13 | ||
160 | Songs (2) for alto, viola & piano, Op. 91 - 2. Geistliches Wiegenlied | 5:13 | ||
161 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 1. Denn es gehet dem Menschen wie dem Vieh | 4:57 | ||
161 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 1. Denn es gehet dem Menschen wie dem Vieh | 4:57 | ||
162 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 2. Ich wandte mich und sahe an alle | 4:20 | ||
162 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 2. Ich wandte mich und sahe an alle | 4:20 | ||
163 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 3. O Tod, wie bitter bist du | 4:10 | ||
163 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 3. O Tod, wie bitter bist du | 4:10 | ||
164 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 4. Wenn ich mit Menschen- und mit Engelszungen redete | 4:58 | ||
164 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 4. Wenn ich mit Menschen- und mit Engelszungen redete | 4:58 |
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