The Secular Songs of Henry Purcell, Vol. 3
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Artist | King's Consort |
Bewertung | ![]() |
Epoche | Barock (1600-1749) |
Label | Hyperion |
Erschienen | 1994 |
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Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | She loves and she confesses too, song, Z. 413 | ![]() | 2:24 |
1 | ![]() | She loves and she confesses too, song, Z. 413 | ![]() | 2:24 |
2 | ![]() | Amintas, to my grief I see, for soprano & continuo, Z. 356 | ![]() | 1:35 |
2 | ![]() | Amintas, to my grief I see, for soprano & continuo, Z. 356 | ![]() | 1:35 |
3 | ![]() | Corinna is divinely fair, song, Z. 365 | ![]() | 1:47 |
3 | ![]() | Corinna is divinely fair, song, Z. 365 | ![]() | 1:47 |
4 | ![]() | Amintor, heedless of his flocks, for soprano & continuo, Z. 357 | ![]() | 2:26 |
4 | ![]() | Amintor, heedless of his flocks, for soprano & continuo, Z. 357 | ![]() | 2:26 |
5 | ![]() | He himself courts his own ruin, song, Z. 372 | ![]() | 1:12 |
5 | ![]() | He himself courts his own ruin, song, Z. 372 | ![]() | 1:12 |
6 | ![]() | No, to what purpose should I speak, song, Z. 468 | ![]() | 4:25 |
6 | ![]() | No, to what purpose should I speak, song, Z. 468 | ![]() | 4:25 |
7 | ![]() | Sylvia, 'tis true you're fair, song, Z. 512 | ![]() | 1:42 |
7 | ![]() | Sylvia, 'tis true you're fair, song, Z. 512 | ![]() | 1:42 |
8 | ![]() | Lovely Albina's come ashore, song, Z. 394 | ![]() | 2:28 |
8 | ![]() | Lovely Albina's come ashore, song, Z. 394 | ![]() | 2:28 |
9 | ![]() | Spite of the godhead, pow'rful love, song, Z. 417 | ![]() | 1:01 |
9 | ![]() | Spite of the godhead, pow'rful love, song, Z. 417 | ![]() | 1:01 |
10 | ![]() | If music be the food of love, song, Z. 379 (3 settings) | ![]() | 3:51 |
10 | ![]() | If music be the food of love, song, Z. 379 (3 settings) | ![]() | 3:51 |
11 | ![]() | Phyllis, I can ne'er forgive it, song, Z. 408 | ![]() | :37 |
11 | ![]() | Phyllis, I can ne'er forgive it, song, Z. 408 | ![]() | :37 |
12 | ![]() | Bacchus is a power divine, song, Z. 360 | ![]() | 3:04 |
12 | ![]() | Bacchus is a power divine, song, Z. 360 | ![]() | 3:04 |
13 | ![]() | From silent shades and the Elysian groves (Bess of Bedlam), song, Z. 370 | ![]() | 4:18 |
13 | ![]() | From silent shades and the Elysian groves (Bess of Bedlam), song, Z. 370 | ![]() | 4:18 |
14 | ![]() | Let formal lovers still pursue, song, Z. 391 | ![]() | 1:10 |
14 | ![]() | Let formal lovers still pursue, song, Z. 391 | ![]() | 1:10 |
15 | ![]() | I came, I saw, and was undone, song, Z. 375 | ![]() | 4:38 |
15 | ![]() | I came, I saw, and was undone, song, Z. 375 | ![]() | 4:38 |
16 | ![]() | Who can behold Florella's charms?, song, Z. 441 | ![]() | 2:09 |
16 | ![]() | Who can behold Florella's charms?, song, Z. 441 | ![]() | 2:09 |
17 | ![]() | Cupid, the slyest rogue alive, song, Z. 367 | ![]() | 2:34 |
17 | ![]() | Cupid, the slyest rogue alive, song, Z. 367 | ![]() | 2:34 |
18 | ![]() | If prayers and tears, song, Z. 380 | ![]() | 7:44 |
18 | ![]() | If prayers and tears, song, Z. 380 | ![]() | 7:44 |
19 | ![]() | In Cloris all soft charms, song, Z. 384 | ![]() | 2:31 |
19 | ![]() | In Cloris all soft charms, song, Z. 384 | ![]() | 2:31 |
20 | ![]() | Let us, kind Lesbia, give away, song, Z. 466 | ![]() | 1:26 |
20 | ![]() | Let us, kind Lesbia, give away, song, Z. 466 | ![]() | 1:26 |
21 | ![]() | Love is now become a trade, song, Z. 393 | ![]() | 1:08 |
21 | ![]() | Love is now become a trade, song, Z. 393 | ![]() | 1:08 |
22 | ![]() | Ask me to love no more, song, for soprano & continuo, Z. 358 | ![]() | 1:38 |
22 | ![]() | Ask me to love no more, song, for soprano & continuo, Z. 358 | ![]() | 1:38 |
23 | ![]() | O solitude, my sweetest choice, song, Z. 406 | ![]() | 5:36 |
23 | ![]() | O solitude, my sweetest choice, song, Z. 406 | ![]() | 5:36 |
24 | ![]() | Olinda in the shades unseen, song, Z. 404 | ![]() | 1:05 |
24 | ![]() | Olinda in the shades unseen, song, Z. 404 | ![]() | 1:05 |
25 | ![]() | Pious Celinda goes to prayers, song, Z. 410 | ![]() | 1:02 |
25 | ![]() | Pious Celinda goes to prayers, song, Z. 410 | ![]() | 1:02 |
26 | ![]() | When Strephon found his passion vain, song, Z. 435 | ![]() | 1:11 |
26 | ![]() | When Strephon found his passion vain, song, Z. 435 | ![]() | 1:11 |
27 | ![]() | The fatal hour comes on apace, song, Z. 421 | ![]() | 3:51 |
27 | ![]() | The fatal hour comes on apace, song, Z. 421 | ![]() | 3:51 |
28 | ![]() | Sawney is a bonny lad, song, Z. 412 | ![]() | 1:54 |
28 | ![]() | Sawney is a bonny lad, song, Z. 412 | ![]() | 1:54 |
29 | ![]() | Young Thyrsis' fate, ye hills and groves, deplore (On the death of Thomas Farmer), song for soprano, bass & continuo, Z. 473 | ![]() | 5:49 |
29 | ![]() | Young Thyrsis' fate, ye hills and groves, deplore (On the death of Thomas Farmer), song for soprano, bass & continuo, Z. 473 | ![]() | 5:49 |
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