Kun Woo Paik plays Liszt, Debussy, Poulenc & Satie
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Artist | Kun Woo Paik |
Bewertung | ![]() |
Epoche | Modern (1910-1949) |
Label | Virgin |
Erschienen | 2000 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | Mephisto Waltz (I & II), for piano No. 1 (Der Tanz in der Dorfschenke), S. 514 (LW A189) | ![]() | 11:24 |
1 | ![]() | Mephisto Waltz (I & II), for piano No. 1 (Der Tanz in der Dorfschenke), S. 514 (LW A189) | ![]() | 11:24 |
2 | ![]() | Au lac de Wallenstadt, for piano (Années I/2), S.160/2 (LW A159/2) | ![]() | 3:42 |
2 | ![]() | Au lac de Wallenstadt, for piano (Années I/2), S.160/2 (LW A159/2) | ![]() | 3:42 |
3 | ![]() | Au bord d'une source (II & III), for piano (Années I/4), S. 160/4 & S. 160/4bis (LW A159/4) | ![]() | 3:51 |
3 | ![]() | Au bord d'une source (II & III), for piano (Années I/4), S. 160/4 & S. 160/4bis (LW A159/4) | ![]() | 3:51 |
4 | ![]() | Variationen über das Motiv von Bach: Weinen, Klagen, for piano, S. 180 (LW A214) | ![]() | 11:46 |
4 | ![]() | Variationen über das Motiv von Bach: Weinen, Klagen, for piano, S. 180 (LW A214) | ![]() | 11:46 |
5 | ![]() | Liebesträume, notturno for piano No. 3 in A flat major ("O Lieb, so lang du lieben kannst"), S. 541/3 (LW A103/3) | ![]() | 5:37 |
5 | ![]() | Liebesträume, notturno for piano No. 3 in A flat major ("O Lieb, so lang du lieben kannst"), S. 541/3 (LW A103/3) | ![]() | 5:37 |
6 | ![]() | Hungarian Rhapsody, for piano No. 12 in C sharp minor (aka "No. 2"), S. 244/12 (LW A132/12) | ![]() | 10:52 |
6 | ![]() | Hungarian Rhapsody, for piano No. 12 in C sharp minor (aka "No. 2"), S. 244/12 (LW A132/12) | ![]() | 10:52 |
7 | ![]() | Les jeux d'eaux à la Ville d'Este, for piano (Années III/4), S. 163/4 (LW A283/4) | ![]() | 8:24 |
7 | ![]() | Les jeux d'eaux à la Ville d'Este, for piano (Années III/4), S. 163/4 (LW A283/4) | ![]() | 8:24 |
8 | ![]() | Bénédiction de Dieu dans la solitude, for piano (Harmonies poétiques No. 3), S. 173/3 (LW A158/3) | ![]() | 22:24 |
8 | ![]() | Bénédiction de Dieu dans la solitude, for piano (Harmonies poétiques No. 3), S. 173/3 (LW A158/3) | ![]() | 22:24 |
9 | ![]() | Nocturne No. 1 for piano in C major, FP 56/1 | ![]() | 3:22 |
9 | ![]() | Nocturne No. 1 for piano in C major, FP 56/1 | ![]() | 3:22 |
10 | ![]() | Nocturne No. 5 for piano in D minor ("Phalènes"), FP 56/5 | ![]() | 1:30 |
10 | ![]() | Nocturne No. 5 for piano in D minor ("Phalènes"), FP 56/5 | ![]() | 1:30 |
11 | ![]() | Nocturne No. 6 for piano in G major, FP 56/6 | ![]() | 1:40 |
11 | ![]() | Nocturne No. 6 for piano in G major, FP 56/6 | ![]() | 1:40 |
12 | ![]() | Presto for piano in B flat major, FP 70 | ![]() | 1:38 |
12 | ![]() | Presto for piano in B flat major, FP 70 | ![]() | 1:38 |
13 | ![]() | Improvisation No. 10 for piano in F major ("Eloge des gammes"), FP 63/10 | ![]() | 1:23 |
13 | ![]() | Improvisation No. 10 for piano in F major ("Eloge des gammes"), FP 63/10 | ![]() | 1:23 |
14 | ![]() | Improvisation No. 12 for piano in E flat major ("Hommage à Schubert"), FP 113/2 | ![]() | 2:16 |
14 | ![]() | Improvisation No. 12 for piano in E flat major ("Hommage à Schubert"), FP 113/2 | ![]() | 2:16 |
15 | ![]() | Improvisation No. 15 for piano in C minor ("Hommage à Édith Piaf"), FP 176 | ![]() | 3:30 |
15 | ![]() | Improvisation No. 15 for piano in C minor ("Hommage à Édith Piaf"), FP 176 | ![]() | 3:30 |
16 | ![]() | Intermezzo No. 2 for piano in D flat major, FP 71/2 | ![]() | 4:01 |
16 | ![]() | Intermezzo No. 2 for piano in D flat major, FP 71/2 | ![]() | 4:01 |
17 | ![]() | Pour le piano, suite for piano, L. 95 - No. 1, Prelude | ![]() | 3:58 |
17 | ![]() | Pour le piano, suite for piano, L. 95 - No. 1, Prelude | ![]() | 3:58 |
18 | ![]() | Pour le piano, suite for piano, L. 95 - No. 2, Sarabande | ![]() | 5:06 |
18 | ![]() | Pour le piano, suite for piano, L. 95 - No. 2, Sarabande | ![]() | 5:06 |
19 | ![]() | Pour le piano, suite for piano, L. 95 - No. 3, Toccata | ![]() | 3:51 |
19 | ![]() | Pour le piano, suite for piano, L. 95 - No. 3, Toccata | ![]() | 3:51 |
20 | ![]() | Gnossienne for piano No. 4 | ![]() | 3:02 |
20 | ![]() | Gnossienne for piano No. 4 | ![]() | 3:02 |
21 | ![]() | Gnossienne for piano No. 5 | ![]() | 3:40 |
21 | ![]() | Gnossienne for piano No. 5 | ![]() | 3:40 |
22 | ![]() | Ogives (4), for piano - No. 1, "à J. P. Contamine de Latour" | ![]() | 3:06 |
22 | ![]() | Ogives (4), for piano - No. 1, "à J. P. Contamine de Latour" | ![]() | 3:06 |
23 | ![]() | Ogives (4), for piano - No. 2, "à Charles Levade" | ![]() | 2:52 |
23 | ![]() | Ogives (4), for piano - No. 2, "à Charles Levade" | ![]() | 2:52 |
24 | ![]() | Descriptions automatiques, for piano - 1, Sur un vaisseau | ![]() | 1:36 |
24 | ![]() | Descriptions automatiques, for piano - 1, Sur un vaisseau | ![]() | 1:36 |
25 | ![]() | Descriptions automatiques, for piano - 2, Sur un casque | ![]() | :58 |
25 | ![]() | Descriptions automatiques, for piano - 2, Sur un casque | ![]() | :58 |
26 | ![]() | Chapitres tournés en tous sens (Chapters turned every which way), for piano - 1, Celle qui parle de trop | ![]() | 1:01 |
26 | ![]() | Chapitres tournés en tous sens (Chapters turned every which way), for piano - 1, Celle qui parle de trop | ![]() | 1:01 |
27 | ![]() | Croquis et agaceries d'un gros bonhomme en bois (3 sketches and exasperations of a big wooden fellow), for piano - No. 3, Españaña | ![]() | 1:22 |
27 | ![]() | Croquis et agaceries d'un gros bonhomme en bois (3 sketches and exasperations of a big wooden fellow), for piano - No. 3, Españaña | ![]() | 1:22 |
28 | ![]() | Embryons desséchés (3 dried-up embryos), for piano - No. 2, D'Edriophtalma | ![]() | 2:06 |
28 | ![]() | Embryons desséchés (3 dried-up embryos), for piano - No. 2, D'Edriophtalma | ![]() | 2:06 |
29 | ![]() | Embryons desséchés (3 dried-up embryos), for piano - No. 3, De Podophtalma | ![]() | 1:42 |
29 | ![]() | Embryons desséchés (3 dried-up embryos), for piano - No. 3, De Podophtalma | ![]() | 1:42 |
30 | ![]() | Clair de lune, for piano (Suite Bergamasque No. 3), L. 75/3 | ![]() | 5:45 |
30 | ![]() | Clair de lune, for piano (Suite Bergamasque No. 3), L. 75/3 | ![]() | 5:45 |
31 | ![]() | Trois mouvements perpétuels, for piano, FP 14 - 1, Assez modéré | ![]() | 1:19 |
31 | ![]() | Trois mouvements perpétuels, for piano, FP 14 - 1, Assez modéré | ![]() | 1:19 |
32 | ![]() | Trois mouvements perpétuels, for piano, FP 14 - 2, Très modéré | ![]() | 1:43 |
32 | ![]() | Trois mouvements perpétuels, for piano, FP 14 - 2, Très modéré | ![]() | 1:43 |
33 | ![]() | Trois mouvements perpétuels, for piano, FP 14 - 3, Alerte | ![]() | 2:50 |
33 | ![]() | Trois mouvements perpétuels, for piano, FP 14 - 3, Alerte | ![]() | 2:50 |
34 | ![]() | Gymnopédies (3), for piano (also orchestrated by Debussy) - 1, Lent et douloureux | ![]() | 3:54 |
34 | ![]() | Gymnopédies (3), for piano (also orchestrated by Debussy) - 1, Lent et douloureux | ![]() | 3:54 |
35 | ![]() | Gymnopédies (3), for piano (also orchestrated by Debussy) - 2, Lent et triste | ![]() | 3:09 |
35 | ![]() | Gymnopédies (3), for piano (also orchestrated by Debussy) - 2, Lent et triste | ![]() | 3:09 |
36 | ![]() | Gymnopédies (3), for piano (also orchestrated by Debussy) - 3, Lent et grave | ![]() | 3:00 |
36 | ![]() | Gymnopédies (3), for piano (also orchestrated by Debussy) - 3, Lent et grave | ![]() | 3:00 |
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