Matthew Locke: Consorts in Two Parts
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Artist | Les Masques |
Bewertung | ![]() |
Epoche | Barock (1600-1749) |
Label | Dorian |
Erschienen | 2001 |
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Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | Simphonia (from 't Uitnement Kabinet, 1646) | ![]() | 1:22 |
1 | ![]() | Simphonia (from 't Uitnement Kabinet, 1646) | ![]() | 1:22 |
2 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | ![]() | 1:36 |
2 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | ![]() | 1:36 |
3 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | ![]() | 3:25 |
3 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | ![]() | 3:25 |
4 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | :59 |
4 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | :59 |
5 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | ![]() | :56 |
5 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | ![]() | :56 |
6 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | ![]() | - |
6 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | ![]() | - |
7 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg | ![]() | - |
7 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg | ![]() | - |
8 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | 1:05 |
8 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | 1:05 |
9 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | ![]() | :42 |
9 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | ![]() | :42 |
10 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | ![]() | :46 |
10 | ![]() | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | ![]() | :46 |
11 | ![]() | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Fantazie | ![]() | 1:06 |
11 | ![]() | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Fantazie | ![]() | 1:06 |
12 | ![]() | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Pavan | ![]() | 3:07 |
12 | ![]() | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Pavan | ![]() | 3:07 |
13 | ![]() | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Ayre | ![]() | :58 |
13 | ![]() | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Ayre | ![]() | :58 |
14 | ![]() | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Courante | ![]() | :45 |
14 | ![]() | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Courante | ![]() | :45 |
15 | ![]() | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Saraband | ![]() | :34 |
15 | ![]() | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Saraband | ![]() | :34 |
16 | ![]() | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Jigg | ![]() | 1:08 |
16 | ![]() | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Jigg | ![]() | 1:08 |
17 | ![]() | Gallarde Faraboscho (from 't Uitnement Kabinet, 1646) | ![]() | 1:06 |
17 | ![]() | Gallarde Faraboscho (from 't Uitnement Kabinet, 1646) | ![]() | 1:06 |
18 | ![]() | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | ![]() | 1:07 |
18 | ![]() | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | ![]() | 1:07 |
19 | ![]() | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | ![]() | 3:09 |
19 | ![]() | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | ![]() | 3:09 |
20 | ![]() | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | :58 |
20 | ![]() | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | :58 |
21 | ![]() | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | ![]() | :48 |
21 | ![]() | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | ![]() | :48 |
22 | ![]() | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | 1:12 |
22 | ![]() | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | 1:12 |
23 | ![]() | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | ![]() | :48 |
23 | ![]() | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | ![]() | :48 |
24 | ![]() | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | ![]() | :33 |
24 | ![]() | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | ![]() | :33 |
25 | ![]() | Suite, for consort No. 4 in E minor - Pavan | ![]() | 4:30 |
25 | ![]() | Suite, for consort No. 4 in E minor - Pavan | ![]() | 4:30 |
26 | ![]() | Suite, for consort No. 4 in E minor - Almand | ![]() | 1:31 |
26 | ![]() | Suite, for consort No. 4 in E minor - Almand | ![]() | 1:31 |
27 | ![]() | Suite, for consort No. 4 in E minor - Courante | ![]() | 1:00 |
27 | ![]() | Suite, for consort No. 4 in E minor - Courante | ![]() | 1:00 |
28 | ![]() | Suite, for consort No. 4 in E minor - Ayre | ![]() | 1:19 |
28 | ![]() | Suite, for consort No. 4 in E minor - Ayre | ![]() | 1:19 |
29 | ![]() | Suite, for consort No. 4 in E minor - Saraband | ![]() | - |
29 | ![]() | Suite, for consort No. 4 in E minor - Saraband | ![]() | - |
30 | ![]() | Suite, for consort No. 4 in E minor - Jigg | ![]() | :53 |
30 | ![]() | Suite, for consort No. 4 in E minor - Jigg | ![]() | :53 |
31 | ![]() | La Pertenisse (from 't Uitnement Kabinet, 1646) | ![]() | :59 |
31 | ![]() | La Pertenisse (from 't Uitnement Kabinet, 1646) | ![]() | :59 |
32 | ![]() | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | ![]() | 1:18 |
32 | ![]() | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | ![]() | 1:18 |
33 | ![]() | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | ![]() | 2:38 |
33 | ![]() | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | ![]() | 2:38 |
34 | ![]() | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | 1:08 |
34 | ![]() | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | 1:08 |
35 | ![]() | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | ![]() | :52 |
35 | ![]() | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | ![]() | :52 |
36 | ![]() | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Almande | ![]() | 1:51 |
36 | ![]() | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Almande | ![]() | 1:51 |
37 | ![]() | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | ![]() | - |
37 | ![]() | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | ![]() | - |
38 | ![]() | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg; Conclude thus | ![]() | 1:08 |
38 | ![]() | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg; Conclude thus | ![]() | 1:08 |
39 | ![]() | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | ![]() | 3:36 |
39 | ![]() | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | ![]() | 3:36 |
40 | ![]() | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | :45 |
40 | ![]() | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | :45 |
41 | ![]() | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - [Courante] | ![]() | :46 |
41 | ![]() | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - [Courante] | ![]() | :46 |
42 | ![]() | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | ![]() | 22:41 |
42 | ![]() | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | ![]() | 22:41 |
43 | ![]() | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | :00 |
43 | ![]() | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | :00 |
44 | ![]() | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | ![]() | - |
44 | ![]() | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | ![]() | - |
45 | ![]() | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg; Conclude thus | ![]() | :00 |
45 | ![]() | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg; Conclude thus | ![]() | :00 |
46 | ![]() | Almande Maschera (from 't Uitnement Kabinet, 1646) | ![]() | :00 |
46 | ![]() | Almande Maschera (from 't Uitnement Kabinet, 1646) | ![]() | :00 |
47 | ![]() | Trio Suite in G major/minor No 7 - Fantazie | ![]() | :00 |
47 | ![]() | Trio Suite in G major/minor No 7 - Fantazie | ![]() | :00 |
48 | ![]() | Trio Suite in G major/minor No 7 - Pavan | ![]() | :00 |
48 | ![]() | Trio Suite in G major/minor No 7 - Pavan | ![]() | :00 |
49 | ![]() | Trio Suite in G major/minor No 7 - Ayre | ![]() | :00 |
49 | ![]() | Trio Suite in G major/minor No 7 - Ayre | ![]() | :00 |
50 | ![]() | Trio Suite in G major/minor No 7 - Courante | ![]() | :00 |
50 | ![]() | Trio Suite in G major/minor No 7 - Courante | ![]() | :00 |
51 | ![]() | Trio Suite in G major/minor No 7 - Saraband | ![]() | - |
51 | ![]() | Trio Suite in G major/minor No 7 - Saraband | ![]() | - |
52 | ![]() | Trio Suite in G major/minor No 7 - Ayre | ![]() | :00 |
52 | ![]() | Trio Suite in G major/minor No 7 - Ayre | ![]() | :00 |
53 | ![]() | Trio Suite in G major/minor No 7 - Courante | ![]() | :00 |
53 | ![]() | Trio Suite in G major/minor No 7 - Courante | ![]() | :00 |
54 | ![]() | Trio Suite in G major/minor No 7 - Saraband | ![]() | :00 |
54 | ![]() | Trio Suite in G major/minor No 7 - Saraband | ![]() | :00 |
55 | ![]() | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | ![]() | :00 |
55 | ![]() | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | ![]() | :00 |
56 | ![]() | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | :00 |
56 | ![]() | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | ![]() | :00 |
57 | ![]() | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | ![]() | :00 |
57 | ![]() | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | ![]() | :00 |
58 | ![]() | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | ![]() | :00 |
58 | ![]() | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | ![]() | :00 |
59 | ![]() | Modulatio (from 't Uitnement Kabinet, 1646) | ![]() | :00 |
59 | ![]() | Modulatio (from 't Uitnement Kabinet, 1646) | ![]() | :00 |
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