Matthew Locke: Consorts in Two Parts
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Artist | Les Masques |
Bewertung | |
Epoche | Barock (1600-1749) |
Label | Dorian |
Erschienen | 2001 |
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Simphonia (from 't Uitnement Kabinet, 1646) | 1:22 | ||
1 | Simphonia (from 't Uitnement Kabinet, 1646) | 1:22 | ||
2 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 1:36 | ||
2 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 1:36 | ||
3 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 3:25 | ||
3 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 3:25 | ||
4 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :59 | ||
4 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :59 | ||
5 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :56 | ||
5 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :56 | ||
6 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | - | ||
6 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | - | ||
7 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg | - | ||
7 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg | - | ||
8 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | 1:05 | ||
8 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | 1:05 | ||
9 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :42 | ||
9 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :42 | ||
10 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | :46 | ||
10 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | :46 | ||
11 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Fantazie | 1:06 | ||
11 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Fantazie | 1:06 | ||
12 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Pavan | 3:07 | ||
12 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Pavan | 3:07 | ||
13 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Ayre | :58 | ||
13 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Ayre | :58 | ||
14 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Courante | :45 | ||
14 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Courante | :45 | ||
15 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Saraband | :34 | ||
15 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Saraband | :34 | ||
16 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Jigg | 1:08 | ||
16 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Jigg | 1:08 | ||
17 | Gallarde Faraboscho (from 't Uitnement Kabinet, 1646) | 1:06 | ||
17 | Gallarde Faraboscho (from 't Uitnement Kabinet, 1646) | 1:06 | ||
18 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 1:07 | ||
18 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 1:07 | ||
19 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 3:09 | ||
19 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 3:09 | ||
20 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :58 | ||
20 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :58 | ||
21 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :48 | ||
21 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :48 | ||
22 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | 1:12 | ||
22 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | 1:12 | ||
23 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :48 | ||
23 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :48 | ||
24 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | :33 | ||
24 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | :33 | ||
25 | Suite, for consort No. 4 in E minor - Pavan | 4:30 | ||
25 | Suite, for consort No. 4 in E minor - Pavan | 4:30 | ||
26 | Suite, for consort No. 4 in E minor - Almand | 1:31 | ||
26 | Suite, for consort No. 4 in E minor - Almand | 1:31 | ||
27 | Suite, for consort No. 4 in E minor - Courante | 1:00 | ||
27 | Suite, for consort No. 4 in E minor - Courante | 1:00 | ||
28 | Suite, for consort No. 4 in E minor - Ayre | 1:19 | ||
28 | Suite, for consort No. 4 in E minor - Ayre | 1:19 | ||
29 | Suite, for consort No. 4 in E minor - Saraband | - | ||
29 | Suite, for consort No. 4 in E minor - Saraband | - | ||
30 | Suite, for consort No. 4 in E minor - Jigg | :53 | ||
30 | Suite, for consort No. 4 in E minor - Jigg | :53 | ||
31 | La Pertenisse (from 't Uitnement Kabinet, 1646) | :59 | ||
31 | La Pertenisse (from 't Uitnement Kabinet, 1646) | :59 | ||
32 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 1:18 | ||
32 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 1:18 | ||
33 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 2:38 | ||
33 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 2:38 | ||
34 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | 1:08 | ||
34 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | 1:08 | ||
35 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :52 | ||
35 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :52 | ||
36 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Almande | 1:51 | ||
36 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Almande | 1:51 | ||
37 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | - | ||
37 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | - | ||
38 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg; Conclude thus | 1:08 | ||
38 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg; Conclude thus | 1:08 | ||
39 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 3:36 | ||
39 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 3:36 | ||
40 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :45 | ||
40 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :45 | ||
41 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - [Courante] | :46 | ||
41 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - [Courante] | :46 | ||
42 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 22:41 | ||
42 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 22:41 | ||
43 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :00 | ||
43 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :00 | ||
44 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | - | ||
44 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | - | ||
45 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg; Conclude thus | :00 | ||
45 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg; Conclude thus | :00 | ||
46 | Almande Maschera (from 't Uitnement Kabinet, 1646) | :00 | ||
46 | Almande Maschera (from 't Uitnement Kabinet, 1646) | :00 | ||
47 | Trio Suite in G major/minor No 7 - Fantazie | :00 | ||
47 | Trio Suite in G major/minor No 7 - Fantazie | :00 | ||
48 | Trio Suite in G major/minor No 7 - Pavan | :00 | ||
48 | Trio Suite in G major/minor No 7 - Pavan | :00 | ||
49 | Trio Suite in G major/minor No 7 - Ayre | :00 | ||
49 | Trio Suite in G major/minor No 7 - Ayre | :00 | ||
50 | Trio Suite in G major/minor No 7 - Courante | :00 | ||
50 | Trio Suite in G major/minor No 7 - Courante | :00 | ||
51 | Trio Suite in G major/minor No 7 - Saraband | - | ||
51 | Trio Suite in G major/minor No 7 - Saraband | - | ||
52 | Trio Suite in G major/minor No 7 - Ayre | :00 | ||
52 | Trio Suite in G major/minor No 7 - Ayre | :00 | ||
53 | Trio Suite in G major/minor No 7 - Courante | :00 | ||
53 | Trio Suite in G major/minor No 7 - Courante | :00 | ||
54 | Trio Suite in G major/minor No 7 - Saraband | :00 | ||
54 | Trio Suite in G major/minor No 7 - Saraband | :00 | ||
55 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | :00 | ||
55 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | :00 | ||
56 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :00 | ||
56 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :00 | ||
57 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :00 | ||
57 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :00 | ||
58 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | :00 | ||
58 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | :00 | ||
59 | Modulatio (from 't Uitnement Kabinet, 1646) | :00 | ||
59 | Modulatio (from 't Uitnement Kabinet, 1646) | :00 |
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