Liszt: Arabesques - Russian and Hungarian Transcriptions
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Artist | Leslie Howard |
Bewertung | |
Epoche | Romantische Musik (1820-1869) |
Label | Hyperion |
Erschienen | 1995 |
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Melodies Russes (2), arabesques for piano, S. 250 (LW A86) - [Solovei] - Le rossignol [Alyabiev] (2nd version) | 4:09 | ||
1 | Melodies Russes (2), arabesques for piano, S. 250 (LW A86) - [Solovei] - Le rossignol [Alyabiev] (2nd version) | 4:09 | ||
2 | Melodies Russes (2), arabesques for piano, S. 250 (LW A86) - Chanson bohémienne [Bulakhov] | 8:01 | ||
2 | Melodies Russes (2), arabesques for piano, S. 250 (LW A86) - Chanson bohémienne [Bulakhov] | 8:01 | ||
3 | Autrefois (Lyubila ya; II), romance for piano (after Wielhorski), S. 577ii (LW A87) | 2:44 | ||
3 | Autrefois (Lyubila ya; II), romance for piano (after Wielhorski), S. 577ii (LW A87) | 2:44 | ||
4 | Tarentelle, transcription for piano (after Dargomizhsky), S. 483 (LW A291) | 5:35 | ||
4 | Tarentelle, transcription for piano (after Dargomizhsky), S. 483 (LW A291) | 5:35 | ||
5 | Galop russe, transcription for piano (after Bulhakov), S. 478ii | 3:08 | ||
5 | Galop russe, transcription for piano (after Bulhakov), S. 478ii | 3:08 | ||
6 | Mazurka composée par un amateur de St Petersbourg, transcription for piano (after Wilehorsky), S. 384 (LW A93) | 2:54 | ||
6 | Mazurka composée par un amateur de St Petersbourg, transcription for piano (after Wilehorsky), S. 384 (LW A93) | 2:54 | ||
7 | Prélude à la Polka de Borodin, for piano, S. 207a (LW A296) | :32 | ||
7 | Prélude à la Polka de Borodin, for piano, S. 207a (LW A296) | :32 | ||
8 | Polka for piano, 3 hands (from collaborative Paraphrases for piano, with Lyadov, Rimsky-Korsakov, & Cui) | 1:21 | ||
8 | Polka for piano, 3 hands (from collaborative Paraphrases for piano, with Lyadov, Rimsky-Korsakov, & Cui) | 1:21 | ||
9 | Tarantelle, transcription for piano (after Cui, Op. 12), S. 482 (LW A327) | 9:16 | ||
9 | Tarantelle, transcription for piano (after Cui, Op. 12), S. 482 (LW A327) | 9:16 | ||
10 | Rákóczi-Marsch, for piano in A minor (Version 5, "édition populaire"), S. 244c (LW 132/15a) | 3:52 | ||
10 | Rákóczi-Marsch, for piano in A minor (Version 5, "édition populaire"), S. 244c (LW 132/15a) | 3:52 | ||
11 | Virag Dál (Chant des Fleurs), elaboration for piano (after Kornél Ábrányi Sr.), S. 383a (LW V12) | 6:16 | ||
11 | Virag Dál (Chant des Fleurs), elaboration for piano (after Kornél Ábrányi Sr.), S. 383a (LW V12) | 6:16 | ||
12 | Spanishches Ständchen, for piano (after Festetics), S. 487 (LW A110) | 4:39 | ||
12 | Spanishches Ständchen, for piano (after Festetics), S. 487 (LW A110) | 4:39 | ||
13 | Valse d'Adèle, transcription brillante for piano (after Géza Zichy), S. 456 (LW A281) | 3:31 | ||
13 | Valse d'Adèle, transcription brillante for piano (after Géza Zichy), S. 456 (LW A281) | 3:31 | ||
14 | Revive Szegedin!, hungarian march for piano (after Szabady & Massenet) , S. 572 (LW A292) | 3:47 | ||
14 | Revive Szegedin!, hungarian march for piano (after Szabady & Massenet) , S. 572 (LW A292) | 3:47 | ||
15 | Valse de concert d'apres la Suite en forme de valse pour quatre mains, for piano (after János Végh), S. 430 (LW A318) | 9:07 | ||
15 | Valse de concert d'apres la Suite en forme de valse pour quatre mains, for piano (after János Végh), S. 430 (LW A318) | 9:07 | ||
16 | Bevezetés És Magyar Induló: Einleitung & Ungarischer Marsch, transcription for piano, S. 573 (LW A258) | 8:08 | ||
16 | Bevezetés És Magyar Induló: Einleitung & Ungarischer Marsch, transcription for piano, S. 573 (LW A258) | 8:08 |
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