Liszt at the Opera, Vol 4
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Artist | Leslie Howard |
Bewertung | ![]() |
Epoche | Romantische Musik (1820-1869) |
Label | Hyperion |
Erschienen | 1996 |
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Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | Réminiscences de Puritains de Bellini, transcription for piano (after I Puritani; 2 versions), S. 390 (LW A34) | ![]() | 20:02 |
1 | ![]() | Réminiscences de Puritains de Bellini, transcription for piano (after I Puritani; 2 versions), S. 390 (LW A34) | ![]() | 20:02 |
2 | ![]() | Salve Maria de Jérusalem (I & II), transcription for piano (after Verdi, I Lombardi), S. 431 (LW A149) - Version 1 | ![]() | 6:59 |
2 | ![]() | Salve Maria de Jérusalem (I & II), transcription for piano (after Verdi, I Lombardi), S. 431 (LW A149) - Version 1 | ![]() | 6:59 |
3 | ![]() | Don Carlos: Coro di festa e Marcia funebre, transcription for piano (after Verdi), S. 435 (LW A240) | ![]() | 8:25 |
3 | ![]() | Don Carlos: Coro di festa e Marcia funebre, transcription for piano (after Verdi), S. 435 (LW A240) | ![]() | 8:25 |
4 | ![]() | Pilgerchor aus Tannhäuser (I & II), transcription for piano (after Wagner), S. 443 (LW A210) - Version 2 | ![]() | 7:25 |
4 | ![]() | Pilgerchor aus Tannhäuser (I & II), transcription for piano (after Wagner), S. 443 (LW A210) - Version 2 | ![]() | 7:25 |
5 | ![]() | Am stillen Herd, transcription for piano (after Wagner: Die Meistersinger), S. 448 (LW A254) | ![]() | 9:55 |
5 | ![]() | Am stillen Herd, transcription for piano (after Wagner: Die Meistersinger), S. 448 (LW A254) | ![]() | 9:55 |
6 | ![]() | Réminiscences de Lucrezia Borgia, Trio du seconde Acte, for piano (after Donizetti), S. 400/1 (LW A71b/1) | ![]() | 11:19 |
6 | ![]() | Réminiscences de Lucrezia Borgia, Trio du seconde Acte, for piano (after Donizetti), S. 400/1 (LW A71b/1) | ![]() | 11:19 |
7 | ![]() | Réminiscences de Lucrezia Borgia, Chanson à boire, for piano (after Donizetti), S. 400/2 (LW 71b/2) - Version 2 | ![]() | 14:31 |
7 | ![]() | Réminiscences de Lucrezia Borgia, Chanson à boire, for piano (after Donizetti), S. 400/2 (LW 71b/2) - Version 2 | ![]() | 14:31 |
8 | ![]() | Réminiscences des Huguenots, "Grande Fantaisie dramatique" for piano (after Meyerbeer; 3 versions), S. 412 (LW A35) - Version 2 | ![]() | 16:03 |
8 | ![]() | Réminiscences des Huguenots, "Grande Fantaisie dramatique" for piano (after Meyerbeer; 3 versions), S. 412 (LW A35) - Version 2 | ![]() | 16:03 |
9 | ![]() | Andante finale aus der Oper König Alfred, transcription for piano (after Raff), S. 421/1 (LW A183/1) | ![]() | 8:17 |
9 | ![]() | Andante finale aus der Oper König Alfred, transcription for piano (after Raff), S. 421/1 (LW A183/1) | ![]() | 8:17 |
10 | ![]() | Marsch aus der Oper König Alfred, transcription for piano (after Raff), S. 421/2 (LW A183/2) | ![]() | 7:57 |
10 | ![]() | Marsch aus der Oper König Alfred, transcription for piano (after Raff), S. 421/2 (LW A183/2) | ![]() | 7:57 |
11 | ![]() | Song of the Two Armed Men (Die welcher wandelt), for piano, 4 hands (after Mozart: Zauberflöte), S. 634a (LW B47) | ![]() | 3:23 |
11 | ![]() | Song of the Two Armed Men (Die welcher wandelt), for piano, 4 hands (after Mozart: Zauberflöte), S. 634a (LW B47) | ![]() | 3:23 |
12 | ![]() | Tyrolienne, for piano, S. 385a | ![]() | 1:28 |
12 | ![]() | Tyrolienne, for piano, S. 385a | ![]() | 1:28 |
13 | ![]() | Tarantelle di bravura d'aprés la tarantella de La Muette de Portici, for piano (after Auber; 3 versions), S. 386 (LW A125) - 1869 version for Sophie Menter | ![]() | 10:54 |
13 | ![]() | Tarantelle di bravura d'aprés la tarantella de La Muette de Portici, for piano (after Auber; 3 versions), S. 386 (LW A125) - 1869 version for Sophie Menter | ![]() | 10:54 |
14 | ![]() | Salve Maria de Jérusalem (I & II), transcription for piano (after Verdi, I Lombardi), S. 431 (LW A149) - Version 2 | ![]() | 5:08 |
14 | ![]() | Salve Maria de Jérusalem (I & II), transcription for piano (after Verdi, I Lombardi), S. 431 (LW A149) - Version 2 | ![]() | 5:08 |
15 | ![]() | I Puritani, introduction et polonaise, transcription for piano (after Bellini), S. 391 (LW A74) | ![]() | 5:30 |
15 | ![]() | I Puritani, introduction et polonaise, transcription for piano (after Bellini), S. 391 (LW A74) | ![]() | 5:30 |
16 | ![]() | Fantasie sur des motifs favoris de La Sonnambula, for piano (after Bellini; 3 versions), S. 393 (LW A56) - Version 3 | ![]() | 15:25 |
16 | ![]() | Fantasie sur des motifs favoris de La Sonnambula, for piano (after Bellini; 3 versions), S. 393 (LW A56) - Version 3 | ![]() | 15:25 |
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