Liszt: Rarities, Curiosities, Album Leaves and Fragments
0
TickIt!
Artist | Leslie Howard |
Bewertung | |
Epoche | Romantische Musik (1820-1869) |
Label | Hyperion |
Erschienen | 1999 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Orpheus, symphonic poem for piano, S. 511b | 10:53 | ||
1 | Orpheus, symphonic poem for piano, S. 511b | 10:53 | ||
2 | Orgel-Fantasie & Fuge (I & II), for piano in G minor (after J.S. Bach: BWV 542), S. 463 (LW A244) - Fantasia | 5:53 | ||
2 | Orgel-Fantasie & Fuge (I & II), for piano in G minor (after J.S. Bach: BWV 542), S. 463 (LW A244) - Fantasia | 5:53 | ||
3 | Orgel-Fantasie & Fuge (I & II), for piano in G minor (after J.S. Bach: BWV 542), S. 463 (LW A244) - Fugue | 5:35 | ||
3 | Orgel-Fantasie & Fuge (I & II), for piano in G minor (after J.S. Bach: BWV 542), S. 463 (LW A244) - Fugue | 5:35 | ||
4 | Mes Joies, transcription for piano (after Chopin Op. 74/12), S. 480/5bis | 4:59 | ||
4 | Mes Joies, transcription for piano (after Chopin Op. 74/12), S. 480/5bis | 4:59 | ||
5 | Widmung (Liebeslied), transcription for piano (after Schumann, I & II), S. 566 (LW A133) | 2:37 | ||
5 | Widmung (Liebeslied), transcription for piano (after Schumann, I & II), S. 566 (LW A133) | 2:37 | ||
6 | Grand Paraphrase de la Marche composée pour le Sultan Abdul Médjid-Khan (I & II), for piano (after Donizetti), S. 403 (LW A137) | 6:26 | ||
6 | Grand Paraphrase de la Marche composée pour le Sultan Abdul Médjid-Khan (I & II), for piano (after Donizetti), S. 403 (LW A137) | 6:26 | ||
7 | Caritas (I), for piano (after Rossini, La charité), S. 552a | 9:58 | ||
7 | Caritas (I), for piano (after Rossini, La charité), S. 552a | 9:58 | ||
8 | Il penseroso I, for piano, S. 157b - First version, S157b | 4:09 | ||
8 | Il penseroso I, for piano, S. 157b - First version, S157b | 4:09 | ||
9 | Canzonetta del Salvator Rosa I, for harpsichord, S. 157c - Firts Version, S. 157c | 2:22 | ||
9 | Canzonetta del Salvator Rosa I, for harpsichord, S. 157c - Firts Version, S. 157c | 2:22 | ||
10 | En mémoire de Maximilian I (Marcia funèbre), for piano, S. 162d | 5:57 | ||
10 | En mémoire de Maximilian I (Marcia funèbre), for piano, S. 162d | 5:57 | ||
11 | Album-Leaf: Portugal, for piano in A flat major, S. 166b | 1:04 | ||
11 | Album-Leaf: Portugal, for piano in A flat major, S. 166b | 1:04 | ||
12 | Album-Leaf: Consolation No. 1, for piano, S. 171b | :41 | ||
12 | Album-Leaf: Consolation No. 1, for piano, S. 171b | :41 | ||
13 | Schnitterchor aus den entfesseltem Prometheus, for piano, S. 507a - preliminary sketches, unfinished (S. 507a) | 5:32 | ||
13 | Schnitterchor aus den entfesseltem Prometheus, for piano, S. 507a - preliminary sketches, unfinished (S. 507a) | 5:32 | ||
14 | Künstlerfestzug zur Schillerfeier (I & II), transcription for piano, S. 520 (LW A201) - First version | 10:01 | ||
14 | Künstlerfestzug zur Schillerfeier (I & II), transcription for piano, S. 520 (LW A201) - First version | 10:01 | ||
15 | Festklänge (I & II), symphonic poem for orchestra, S. 101, (LW G10) | 19:59 | ||
15 | Festklänge (I & II), symphonic poem for orchestra, S. 101, (LW G10) | 19:59 | ||
16 | Caritas (II), for piano (after Rossini, La charité), S. 552b - First version, 1847, S. 552b | 3:34 | ||
16 | Caritas (II), for piano (after Rossini, La charité), S. 552b - First version, 1847, S. 552b | 3:34 | ||
17 | La serenata et L'orgia (I & II), grande fantaisie sur des motifs Soirées Musicales (after Rossini), S. 422 (LW A25) | 11:09 | ||
17 | La serenata et L'orgia (I & II), grande fantaisie sur des motifs Soirées Musicales (after Rossini), S. 422 (LW A25) | 11:09 | ||
18 | Introduction et variations sur une marche du Siège de Corinthe, for piano (after Rossini), S. 421a (LW A13) | 4:12 | ||
18 | Introduction et variations sur une marche du Siège de Corinthe, for piano (after Rossini), S. 421a (LW A13) | 4:12 | ||
19 | Klavierstück, for piano in F major, S. 695 (LW A100 & Q10) | 8:57 | ||
19 | Klavierstück, for piano in F major, S. 695 (LW A100 & Q10) | 8:57 | ||
20 | Fantasie uber englische Themen, for piano (performing edition by Leslie Howard), S. 694 (LQ 8) | 14:29 | ||
20 | Fantasie uber englische Themen, for piano (performing edition by Leslie Howard), S. 694 (LQ 8) | 14:29 | ||
21 | Anfang einer Jugendsonate, for piano in C minor, S. 692b (LW S22) | :36 | ||
21 | Anfang einer Jugendsonate, for piano in C minor, S. 692b (LW S22) | :36 | ||
22 | Album-Leaf: Andantino in E flat major, for piano, S. 163a/2 | 1:22 | ||
22 | Album-Leaf: Andantino in E flat major, for piano, S. 163a/2 | 1:22 | ||
23 | Album-Leaf: Ah! vous dirai-je, Maman, for piano, S. 163b | - | ||
23 | Album-Leaf: Ah! vous dirai-je, Maman, for piano, S. 163b | - | ||
24 | Album-Leaf: Pressburg, for piano in C minor, S. 163c | - | ||
24 | Album-Leaf: Pressburg, for piano in C minor, S. 163c | - | ||
25 | Album-Leaf: Vienna, for piano in E major, S. 164a | :31 | ||
25 | Album-Leaf: Vienna, for piano in E major, S. 164a | :31 | ||
26 | Album-Leaf: Leipzig II, for piano in E flat major, S. 164b | :38 | ||
26 | Album-Leaf: Leipzig II, for piano in E flat major, S. 164b | :38 | ||
27 | Album-Leaf: Exeter Preludio, for piano, S. 164c | - | ||
27 | Album-Leaf: Exeter Preludio, for piano, S. 164c | - | ||
28 | Album-Leaf: Detmold, for piano in E major, S. 164d | :34 | ||
28 | Album-Leaf: Detmold, for piano in E major, S. 164d | :34 | ||
29 | Album-Leaf: Magyar II in B flat minor, for piano, S. 164e/2 | - | ||
29 | Album-Leaf: Magyar II in B flat minor, for piano, S. 164e/2 | - | ||
30 | Album-Leaf: Rákóczi-Marsch, for piano in A minor, S. 164f | - | ||
30 | Album-Leaf: Rákóczi-Marsch, for piano in A minor, S. 164f | - | ||
31 | Album-Leaf, for piano in E major, S. 166a | - | ||
31 | Album-Leaf, for piano in E major, S. 166a | - | ||
32 | Album-Leaf, for piano in A flat major, S. 166c | 1:04 | ||
32 | Album-Leaf, for piano in A flat major, S. 166c | 1:04 | ||
33 | Album-Leaf: Lyon Prelude, for piano, S. 166d | - | ||
33 | Album-Leaf: Lyon Prelude, for piano, S. 166d | - | ||
34 | Album-Leaf: Prelude omnitonique, for piano, S. 166e | - | ||
34 | Album-Leaf: Prelude omnitonique, for piano, S. 166e | - | ||
35 | Album-Leaf: Leipzig I, for piano in E major, S. 163d | - | ||
35 | Album-Leaf: Leipzig I, for piano in E major, S. 163d | - | ||
36 | Album-Leaf: Berlin Preludio, for piano, S.164g | - | ||
36 | Album-Leaf: Berlin Preludio, for piano, S.164g | - | ||
37 | Album-Leaf: Braunschweig Preludio, for piano, S. 166f/1 | - | ||
37 | Album-Leaf: Braunschweig Preludio, for piano, S. 166f/1 | - | ||
38 | Album-Leaf: Serenade, for piano in A minor, S. 166g | - | ||
38 | Album-Leaf: Serenade, for piano in A minor, S. 166g | - | ||
39 | Album-Leaf: Andante religioso, for piano in G major, S. 166h | 2:21 | ||
39 | Album-Leaf: Andante religioso, for piano in G major, S. 166h | 2:21 | ||
40 | Mazurka, for piano in F minor (spurious), S. 221a | 2:51 | ||
40 | Mazurka, for piano in F minor (spurious), S. 221a | 2:51 | ||
41 | Gaudeamus igitur (I & II), concert paraphrase for piano, S. 240 (LW A96) | 7:25 | ||
41 | Gaudeamus igitur (I & II), concert paraphrase for piano, S. 240 (LW A96) | 7:25 | ||
42 | Hungarian Rhapsody, for piano No. 2 (the "original" No. 2) in C sharp minor (I & II), S. 244/2 (LW A132/2) | 10:29 | ||
42 | Hungarian Rhapsody, for piano No. 2 (the "original" No. 2) in C sharp minor (I & II), S. 244/2 (LW A132/2) | 10:29 | ||
43 | Hungarian Rhapsody, for piano No. 10 in E major (I & II), S.244/10 (LW A132/10) | 6:04 | ||
43 | Hungarian Rhapsody, for piano No. 10 in E major (I & II), S.244/10 (LW A132/10) | 6:04 | ||
44 | Hungarian Rhapsody, for piano No. 15 in A minor (Rákóczi-Marsch III), S. 244/15 (LW A132/15) | 6:02 | ||
44 | Hungarian Rhapsody, for piano No. 15 in A minor (Rákóczi-Marsch III), S. 244/15 (LW A132/15) | 6:02 | ||
45 | Hungarian Rhapsody, for piano No. 16 in A minor (I & II), S. 244/16 (LW A132/16) | 4:29 | ||
45 | Hungarian Rhapsody, for piano No. 16 in A minor (I & II), S. 244/16 (LW A132/16) | 4:29 | ||
46 | Hungarian Rhapsody, for piano No. 18 in F sharp minor (3 versions), S. 244/18 (LW A132/18) | 3:14 | ||
46 | Hungarian Rhapsody, for piano No. 18 in F sharp minor (3 versions), S. 244/18 (LW A132/18) | 3:14 | ||
47 | Mephisto-Polka (I & II), for piano, S. 217 (LW A317) | 4:12 | ||
47 | Mephisto-Polka (I & II), for piano, S. 217 (LW A317) | 4:12 | ||
48 | Hungarian Rhapsody, for piano No. 18 in F sharp minor (3 versions), S. 244/18 (LW A132/18) | 3:25 | ||
48 | Hungarian Rhapsody, for piano No. 18 in F sharp minor (3 versions), S. 244/18 (LW A132/18) | 3:25 | ||
49 | Un sospiro, for piano in D flat major (Grande études de concert No. 3), S. 144/3 (LW A118/3) - Two further Cadenzas to Un sospiro, S144/3bis | :35 | ||
49 | Un sospiro, for piano in D flat major (Grande études de concert No. 3), S. 144/3 (LW A118/3) - Two further Cadenzas to Un sospiro, S144/3bis | :35 | ||
50 | Album-Leaf: Poco adagio, for piano (after Beethoven op. 123), S. 167c | 1:11 | ||
50 | Album-Leaf: Poco adagio, for piano (after Beethoven op. 123), S. 167c | 1:11 | ||
51 | Album-Leaf: from the symphonic poem Orpheus, for piano, S. 167d | 1:30 | ||
51 | Album-Leaf: from the symphonic poem Orpheus, for piano, S. 167d | 1:30 | ||
52 | Album-Leaf: from Künstlerfestzug zur Schillerfeier, for piano, S. 167e | 1:07 | ||
52 | Album-Leaf: from Künstlerfestzug zur Schillerfeier, for piano, S. 167e | 1:07 | ||
53 | St. Stanislaus fragment, for piano, S. 688a - St. Stanislaus fragment, for piano, S688a | :50 | ||
53 | St. Stanislaus fragment, for piano, S. 688a - St. Stanislaus fragment, for piano, S688a | :50 | ||
54 | Winzerchor aus den entfesselten Prometheus, for piano (incomplete), S. 692e | :48 | ||
54 | Winzerchor aus den entfesselten Prometheus, for piano (incomplete), S. 692e | :48 | ||
55 | La mandragore, ballade de l'opera Jean de Nivelle, transcription for piano (after Delibes; incomplete), S. 698 (LW Q19) | 1:53 | ||
55 | La mandragore, ballade de l'opera Jean de Nivelle, transcription for piano (after Delibes; incomplete), S. 698 (LW Q19) | 1:53 | ||
56 | Glasgow Fragment, for piano, S. 701f | 1:27 | ||
56 | Glasgow Fragment, for piano, S. 701f | 1:27 | ||
57 | Valse infernale and Operatic Aria, for piano (two fragments, after Meyerbeer), S. 701h/1-2 | :57 | ||
57 | Valse infernale and Operatic Aria, for piano (two fragments, after Meyerbeer), S. 701h/1-2 | :57 | ||
58 | Valse infernale and Operatic Aria, for piano (two fragments, after Meyerbeer), S. 701h/1-2 | - | ||
58 | Valse infernale and Operatic Aria, for piano (two fragments, after Meyerbeer), S. 701h/1-2 | - | ||
59 | Allegro maestoso (Etude No. 13 in F sharp major?, I & II), for piano (incomplete), S. 692c (LW A8/13) | :34 | ||
59 | Allegro maestoso (Etude No. 13 in F sharp major?, I & II), for piano (incomplete), S. 692c (LW A8/13) | :34 | ||
60 | Rakoczi-Marsch Ia, for piano (first simplification, incomplete) S. 692d | 1:49 | ||
60 | Rakoczi-Marsch Ia, for piano (first simplification, incomplete) S. 692d | 1:49 | ||
61 | Harmonie nach Rossini's Carita, for piano, S. 701j | 1:33 | ||
61 | Harmonie nach Rossini's Carita, for piano, S. 701j | 1:33 | ||
62 | Marie-Poeme, for piano (& chamber ensemble; incomplete), S. 701b (LW Q5) | 1:00 | ||
62 | Marie-Poeme, for piano (& chamber ensemble; incomplete), S. 701b (LW Q5) | 1:00 | ||
63 | Andante sensibilissimo, for piano, S. 701c | - | ||
63 | Andante sensibilissimo, for piano, S. 701c | - | ||
64 | Melodie in Dorische Tonart (Prose des Morts), for piano, S. 701d | :59 | ||
64 | Melodie in Dorische Tonart (Prose des Morts), for piano, S. 701d | :59 | ||
65 | Dante fragment, for piano, S. 701e | :57 | ||
65 | Dante fragment, for piano, S. 701e | :57 | ||
66 | Polnisch, sketch for piano (unfinished), S. 701g (LW A253) | 1:26 | ||
66 | Polnisch, sketch for piano (unfinished), S. 701g (LW A253) | 1:26 | ||
67 | Korrekturblatt (to La Lugubre Gondola I), for piano, S. 701k | :54 | ||
67 | Korrekturblatt (to La Lugubre Gondola I), for piano, S. 701k | :54 | ||
68 | Mazeppa, symphonic poem for piano, S. 511c | 17:44 | ||
68 | Mazeppa, symphonic poem for piano, S. 511c | 17:44 | ||
69 | Valse, for piano in A major, S. 210b (LW A28) | 1:03 | ||
69 | Valse, for piano in A major, S. 210b (LW A28) | 1:03 | ||
70 | Ländler, for piano in D major, S. 211a (LW A289) | 1:21 | ||
70 | Ländler, for piano in D major, S. 211a (LW A289) | 1:21 | ||
71 | Dumka, for piano, S. 249b | 1:57 | ||
71 | Dumka, for piano, S. 249b | 1:57 | ||
72 | Air cosaque, for piano, S. 249c | :51 | ||
72 | Air cosaque, for piano, S. 249c | :51 | ||
73 | Marche funèbre, for piano, S. 226a (LW A10) | 1:58 | ||
73 | Marche funèbre, for piano, S. 226a (LW A10) | 1:58 | ||
74 | Magyar Tempo, for piano, S.241b - Magyar tempo, S241b (sketch for No. 1) | 1:12 | ||
74 | Magyar Tempo, for piano, S.241b - Magyar tempo, S241b (sketch for No. 1) | 1:12 | ||
75 | Pásztor Lakodalmas, Melodies hongroises, elaboration for piano, S. 405a | 7:59 | ||
75 | Pásztor Lakodalmas, Melodies hongroises, elaboration for piano, S. 405a | 7:59 | ||
76 | Einleitung & Coda zu Raff's Walzer in D flat major, elaboration for piano (after Raff, Op. 54/1) S. 551a (LW V3) | 3:51 | ||
76 | Einleitung & Coda zu Raff's Walzer in D flat major, elaboration for piano (after Raff, Op. 54/1) S. 551a (LW V3) | 3:51 | ||
77 | Einleitung & Coda sur des notes fausses zu Anton Rubinsteins Etude in C major, elaboration for piano, S. 554a (LW V5) | 5:53 | ||
77 | Einleitung & Coda sur des notes fausses zu Anton Rubinsteins Etude in C major, elaboration for piano, S. 554a (LW V5) | 5:53 | ||
78 | Einleitung & Coda zu Smetana's Polka, elaboration for piano (after Op. 7/1) S. 570a (LW V16) | 5:34 | ||
78 | Einleitung & Coda zu Smetana's Polka, elaboration for piano (after Op. 7/1) S. 570a (LW V16) | 5:34 | ||
79 | Einleitung & Schlußtakte zu Tausigs 3. Valse-Caprice, elaboration for piano (after J. Strauss II, op. 250), S. 571a, LW V15 | 9:53 | ||
79 | Einleitung & Schlußtakte zu Tausigs 3. Valse-Caprice, elaboration for piano (after J. Strauss II, op. 250), S. 571a, LW V15 | 9:53 | ||
80 | Mephisto Waltz, for piano No. 3 (I & II), S. 216 (LW A325) - First Draft, S215a | 6:00 | ||
80 | Mephisto Waltz, for piano No. 3 (I & II), S. 216 (LW A325) - First Draft, S215a | 6:00 | ||
81 | Petite Valse (Nachspiel zu den drei vergessenen Walzer), for piano, S. 695d or 251a (LW Q21) | 2:15 | ||
81 | Petite Valse (Nachspiel zu den drei vergessenen Walzer), for piano, S. 695d or 251a (LW Q21) | 2:15 | ||
82 | Grande valse di bravura, for piano ("Le bal de Berne"), S. 209 (LW A32a) | 7:33 | ||
82 | Grande valse di bravura, for piano ("Le bal de Berne"), S. 209 (LW A32a) | 7:33 |
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