Maria Lindal plays Heinrich Ignaz Franz Biber
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Artist | Maria Lindal |
Bewertung | |
Epoche | Barock (1600-1749) |
Label | BIS |
Erschienen |
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Partia, for 2 violins & continuo No. 3 in A major (Harmonia Artificiosa-Ariosa No. 3), C. 64 - Movement 1: Praeludium | 1:26 | ||
2 | Partia, for 2 violins & continuo No. 3 in A major (Harmonia Artificiosa-Ariosa No. 3), C. 64 - Movement 2: Allemande | 2:09 | ||
3 | Partia, for 2 violins & continuo No. 3 in A major (Harmonia Artificiosa-Ariosa No. 3), C. 64 - Movement 3: Amener | 1:10 | ||
4 | Partia, for 2 violins & continuo No. 3 in A major (Harmonia Artificiosa-Ariosa No. 3), C. 64 - Movement 4: Balletto | :55 | ||
5 | Partia, for 2 violins & continuo No. 3 in A major (Harmonia Artificiosa-Ariosa No. 3), C. 64 - Movement 5: Gigue | :35 | ||
6 | Partia, for 2 violins & continuo No. 3 in A major (Harmonia Artificiosa-Ariosa No. 3), C. 64 - Movement 6: Ciacona | 4:21 | ||
7 | Sonata for violin & continuo No. 6 in C minor (Sonatae Violino Solo No. 6), C. 143 | 10:46 | ||
8 | Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) | 9:36 | ||
9 | Partia, for 2 violins & continuo No. 5 in G minor (Harmonia Artificiosa-Ariosa No. 5), C. 66 - Movement 1: Intrada | 1:30 | ||
10 | Partia, for 2 violins & continuo No. 5 in G minor (Harmonia Artificiosa-Ariosa No. 5), C. 66 - Movement 2: Aria | 1:28 | ||
11 | Partia, for 2 violins & continuo No. 5 in G minor (Harmonia Artificiosa-Ariosa No. 5), C. 66 - Movement 3: Balletto | :36 | ||
12 | Partia, for 2 violins & continuo No. 5 in G minor (Harmonia Artificiosa-Ariosa No. 5), C. 66 - Movement 4: Gigue | 1:02 | ||
13 | Partia, for 2 violins & continuo No. 5 in G minor (Harmonia Artificiosa-Ariosa No. 5), C. 66 - Movement 5: Passacaglia | 5:50 | ||
14 | Mystery Sonata, for violin & continuo No. 10 in G minor ("The Crucifixion"), C. 99 | 9:20 | ||
15 | Passacaglia (Mystery Sonata), for violin solo in G minor, C. 105 | 8:50 |
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