Vaughan Williams: Dona Nobis Pacem/Four Hymns/Toward The Unknown Region/O Clap Your Hands/Lord, Thou Hast Been Our Re
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Artist | Matthew Best |
Bewertung | |
Epoche | Post-Romatische Musik (1870-1909) |
Label | Hyperion |
Erschienen | 1993 |
Klassik-Werke auf diesem Album
# | Werk/Besetzung | Dauer | ||
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1 | Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra | 35:16 | ||
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2 | Hymns (4) for tenor, viola & strings | 17:04 | ||
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3 | Toward the Unknown Region, for chorus & orchestra | 12:54 | ||
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4 | O Clap Your Hands, motet for chorus, brass & organ (Psalm 47) | 3:13 | ||
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5 | Lord, Thou Hast Been Our Refuge, motet for soloists, semi-chorus & orchestra (or organ) (Psalm 90) | 7:55 | ||
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Tracks auf diesem Album
# | Titel | Dauer | ||
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1 | Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra - No. 1, Agnus Dei qui tollis peccata mundi | 3:13 | ||
1 | Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra - No. 1, Agnus Dei qui tollis peccata mundi | 3:13 | ||
2 | Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra - No. 2, "Beat! beat! drums! - blow! bugles! blow!" | 3:45 | ||
2 | Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra - No. 2, "Beat! beat! drums! - blow! bugles! blow!" | 3:45 | ||
3 | Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra - No. 3, Reconciliation | 6:34 | ||
3 | Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra - No. 3, Reconciliation | 6:34 | ||
4 | Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra - No. 4, Dirge For Two Veterans | 10:45 | ||
4 | Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra - No. 4, Dirge For Two Veterans | 10:45 | ||
5 | Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra - No. 5, "The Angel of Death has been abroad throughout the land..." | 10:59 | ||
5 | Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra - No. 5, "The Angel of Death has been abroad throughout the land..." | 10:59 | ||
6 | Hymns (4) for tenor, viola & strings - No. 1, "Lord Come Away" | 4:24 | ||
6 | Hymns (4) for tenor, viola & strings - No. 1, "Lord Come Away" | 4:24 | ||
7 | Hymns (4) for tenor, viola & strings - No. 2, "Who is that fair one?" | 4:33 | ||
7 | Hymns (4) for tenor, viola & strings - No. 2, "Who is that fair one?" | 4:33 | ||
8 | Hymns (4) for tenor, viola & strings - No. 3, "Come love, come Lord" | 3:52 | ||
8 | Hymns (4) for tenor, viola & strings - No. 3, "Come love, come Lord" | 3:52 | ||
9 | Hymns (4) for tenor, viola & strings - No. 4, "Evening hymn" | 4:15 | ||
9 | Hymns (4) for tenor, viola & strings - No. 4, "Evening hymn" | 4:15 | ||
10 | Toward the Unknown Region, for chorus & orchestra | 12:54 | ||
10 | Toward the Unknown Region, for chorus & orchestra | 12:54 | ||
11 | O Clap Your Hands, motet for chorus, brass & organ (Psalm 47) | 3:13 | ||
11 | O Clap Your Hands, motet for chorus, brass & organ (Psalm 47) | 3:13 | ||
12 | Lord, Thou Hast Been Our Refuge, motet for soloists, semi-chorus & orchestra (or organ) (Psalm 90) | 7:55 | ||
12 | Lord, Thou Hast Been Our Refuge, motet for soloists, semi-chorus & orchestra (or organ) (Psalm 90) | 7:55 |
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