Robin Holloway: Gilded Goldbergs

0
TickIt!
Artist Micallef-Inanga Piano Duo
Bewertung  von 5
Epoche Contemporary (1950-200X)
Label Hyperion
Erschienen 2002



Klassik-Werke auf diesem Album

# Werk/Besetzung Dauer
1 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 97:50

Tracks auf diesem Album

# Titel Dauer
1 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Aria: G major 3:42
1 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Aria: G major 3:42
2 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 1: expanding the theme: G 2:27
2 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 1: expanding the theme: G 2:27
3 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 2: simple tonal cubism G-D 1:35
3 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 2: simple tonal cubism G-D 1:35
4 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 3: canon at the unison: G 2:45
4 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 3: canon at the unison: G 2:45
5 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 4: Simply through some keys: G-G 1:55
5 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 4: Simply through some keys: G-G 1:55
6 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 5: vivace à la Scarlatti: C :49
6 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 5: vivace à la Scarlatti: C :49
7 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 6: canon at the second: C-A flat 2:23
7 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 6: canon at the second: C-A flat 2:23
8 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 7: Gigue in antiphony: A flat/C 1:35
8 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 7: Gigue in antiphony: A flat/C 1:35
9 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 8: enhanced replay of Variation 1: G 3:43
9 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 8: enhanced replay of Variation 1: G 3:43
10 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 9: canon at the third: homage to Grainger: E flat 2:15
10 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 9: canon at the third: homage to Grainger: E flat 2:15
11 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 10: 'robust and a bit gormless' (wrong-note music): B 1:31
11 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 10: 'robust and a bit gormless' (wrong-note music): B 1:31
12 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 11: dreaming: homage to Schubert and Brahms: G 3:00
12 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 11: dreaming: homage to Schubert and Brahms: G 3:00
13 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 12: canon at the fourth: E 3:01
13 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 12: canon at the fourth: E 3:01
14 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 13: Cantilena I: double variation with homage to Dowland: G/E flat min 9:02
14 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 13: Cantilena I: double variation with homage to Dowland: G/E flat min 9:02
15 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 14: energico: A flat minor 2:04
15 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 14: energico: A flat minor 2:04
16 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 15: canon at the fifth: G minor 4:24
16 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 15: canon at the fifth: G minor 4:24
17 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 16: French Overture and homage to Nancarrow: G sharp minor 6:22
17 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 16: French Overture and homage to Nancarrow: G sharp minor 6:22
18 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 17: Hungarian cymbalom: homage to Bartók, Ligeti, Kurtág: E minor 3:55
18 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 17: Hungarian cymbalom: homage to Bartók, Ligeti, Kurtág: E minor 3:55
19 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 18: canon in sixths: D flat 4:25
19 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 18: canon in sixths: D flat 4:25
20 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 19: Ländler and trio (brief history of Austro-German music in triple 4:36
20 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 19: Ländler and trio (brief history of Austro-German music in triple 4:36
21 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 20: vivace con brio: D 1:44
21 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 20: vivace con brio: D 1:44
22 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 21: canon at the seventh: G minor 2:31
22 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 21: canon at the seventh: G minor 2:31
23 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 22: churchy counterpoint in antiphony: A flat 2:06
23 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 22: churchy counterpoint in antiphony: A flat 2:06
24 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 23: diatonic scrunches (homage to Tippett): F 2:20
24 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 23: diatonic scrunches (homage to Tippett): F 2:20
25 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 24: canon at the octave: complex journey through some keys: G/G minor- 2:51
25 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 24: canon at the octave: complex journey through some keys: G/G minor- 2:51
26 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 25: Cantilena II: G minor 5:40
26 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 25: Cantilena II: G minor 5:40
27 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 26a: Sarabande: G 1:14
27 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 26a: Sarabande: G 1:14
28 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 27: 'Trio' - canon at the ninth: F :46
28 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 27: 'Trio' - canon at the ninth: F :46
29 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 26b: Sarabande resumed: A major/A minor 2:14
29 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 26b: Sarabande resumed: A major/A minor 2:14
30 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 28: 'Summer afternoon' - hazy trills and tremolos: G 1:35
30 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 28: 'Summer afternoon' - hazy trills and tremolos: G 1:35
31 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 29: Toccata with clusters: F sharp 3:24
31 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 29: Toccata with clusters: F sharp 3:24
32 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 30: Quodlibet: traversing all twelve keys, ending D 3:15
32 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 30: Quodlibet: traversing all twelve keys, ending D 3:15
33 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Aria da capo: G 2:41
33 Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Aria da capo: G 2:41

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