Robin Holloway: Gilded Goldbergs
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Artist | Micallef-Inanga Piano Duo |
Bewertung | ![]() |
Epoche | Contemporary (1950-200X) |
Label | Hyperion |
Erschienen | 2002 |
Klassik-Werke auf diesem Album
# | ![]() | Werk/Besetzung | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 | ![]() | 97:50 |
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Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Aria: G major | ![]() | 3:42 |
1 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Aria: G major | ![]() | 3:42 |
2 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 1: expanding the theme: G | ![]() | 2:27 |
2 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 1: expanding the theme: G | ![]() | 2:27 |
3 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 2: simple tonal cubism G-D | ![]() | 1:35 |
3 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 2: simple tonal cubism G-D | ![]() | 1:35 |
4 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 3: canon at the unison: G | ![]() | 2:45 |
4 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 3: canon at the unison: G | ![]() | 2:45 |
5 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 4: Simply through some keys: G-G | ![]() | 1:55 |
5 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 4: Simply through some keys: G-G | ![]() | 1:55 |
6 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 5: vivace à la Scarlatti: C | ![]() | :49 |
6 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 5: vivace à la Scarlatti: C | ![]() | :49 |
7 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 6: canon at the second: C-A flat | ![]() | 2:23 |
7 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 6: canon at the second: C-A flat | ![]() | 2:23 |
8 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 7: Gigue in antiphony: A flat/C | ![]() | 1:35 |
8 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 7: Gigue in antiphony: A flat/C | ![]() | 1:35 |
9 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 8: enhanced replay of Variation 1: G | ![]() | 3:43 |
9 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 8: enhanced replay of Variation 1: G | ![]() | 3:43 |
10 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 9: canon at the third: homage to Grainger: E flat | ![]() | 2:15 |
10 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 9: canon at the third: homage to Grainger: E flat | ![]() | 2:15 |
11 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 10: 'robust and a bit gormless' (wrong-note music): B | ![]() | 1:31 |
11 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 10: 'robust and a bit gormless' (wrong-note music): B | ![]() | 1:31 |
12 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 11: dreaming: homage to Schubert and Brahms: G | ![]() | 3:00 |
12 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 11: dreaming: homage to Schubert and Brahms: G | ![]() | 3:00 |
13 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 12: canon at the fourth: E | ![]() | 3:01 |
13 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 12: canon at the fourth: E | ![]() | 3:01 |
14 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 13: Cantilena I: double variation with homage to Dowland: G/E flat min | ![]() | 9:02 |
14 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 13: Cantilena I: double variation with homage to Dowland: G/E flat min | ![]() | 9:02 |
15 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 14: energico: A flat minor | ![]() | 2:04 |
15 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 14: energico: A flat minor | ![]() | 2:04 |
16 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 15: canon at the fifth: G minor | ![]() | 4:24 |
16 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 15: canon at the fifth: G minor | ![]() | 4:24 |
17 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 16: French Overture and homage to Nancarrow: G sharp minor | ![]() | 6:22 |
17 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 16: French Overture and homage to Nancarrow: G sharp minor | ![]() | 6:22 |
18 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 17: Hungarian cymbalom: homage to Bartók, Ligeti, Kurtág: E minor | ![]() | 3:55 |
18 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 17: Hungarian cymbalom: homage to Bartók, Ligeti, Kurtág: E minor | ![]() | 3:55 |
19 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 18: canon in sixths: D flat | ![]() | 4:25 |
19 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 18: canon in sixths: D flat | ![]() | 4:25 |
20 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 19: Ländler and trio (brief history of Austro-German music in triple | ![]() | 4:36 |
20 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 19: Ländler and trio (brief history of Austro-German music in triple | ![]() | 4:36 |
21 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 20: vivace con brio: D | ![]() | 1:44 |
21 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 20: vivace con brio: D | ![]() | 1:44 |
22 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 21: canon at the seventh: G minor | ![]() | 2:31 |
22 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 21: canon at the seventh: G minor | ![]() | 2:31 |
23 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 22: churchy counterpoint in antiphony: A flat | ![]() | 2:06 |
23 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 22: churchy counterpoint in antiphony: A flat | ![]() | 2:06 |
24 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 23: diatonic scrunches (homage to Tippett): F | ![]() | 2:20 |
24 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 23: diatonic scrunches (homage to Tippett): F | ![]() | 2:20 |
25 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 24: canon at the octave: complex journey through some keys: G/G minor- | ![]() | 2:51 |
25 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 24: canon at the octave: complex journey through some keys: G/G minor- | ![]() | 2:51 |
26 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 25: Cantilena II: G minor | ![]() | 5:40 |
26 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 25: Cantilena II: G minor | ![]() | 5:40 |
27 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 26a: Sarabande: G | ![]() | 1:14 |
27 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 26a: Sarabande: G | ![]() | 1:14 |
28 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 27: 'Trio' - canon at the ninth: F | ![]() | :46 |
28 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 27: 'Trio' - canon at the ninth: F | ![]() | :46 |
29 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 26b: Sarabande resumed: A major/A minor | ![]() | 2:14 |
29 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 26b: Sarabande resumed: A major/A minor | ![]() | 2:14 |
30 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 28: 'Summer afternoon' - hazy trills and tremolos: G | ![]() | 1:35 |
30 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 28: 'Summer afternoon' - hazy trills and tremolos: G | ![]() | 1:35 |
31 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 29: Toccata with clusters: F sharp | ![]() | 3:24 |
31 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 29: Toccata with clusters: F sharp | ![]() | 3:24 |
32 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 30: Quodlibet: traversing all twelve keys, ending D | ![]() | 3:15 |
32 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 30: Quodlibet: traversing all twelve keys, ending D | ![]() | 3:15 |
33 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Aria da capo: G | ![]() | 2:41 |
33 | ![]() | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Aria da capo: G | ![]() | 2:41 |
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