Robin Holloway: Gilded Goldbergs
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Artist | Micallef-Inanga Piano Duo |
Bewertung | |
Epoche | Contemporary (1950-200X) |
Label | Hyperion |
Erschienen | 2002 |
Klassik-Werke auf diesem Album
# | Werk/Besetzung | Dauer | ||
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1 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 | 97:50 | ||
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Tracks auf diesem Album
# | Titel | Dauer | ||
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1 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Aria: G major | 3:42 | ||
1 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Aria: G major | 3:42 | ||
2 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 1: expanding the theme: G | 2:27 | ||
2 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 1: expanding the theme: G | 2:27 | ||
3 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 2: simple tonal cubism G-D | 1:35 | ||
3 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 2: simple tonal cubism G-D | 1:35 | ||
4 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 3: canon at the unison: G | 2:45 | ||
4 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 3: canon at the unison: G | 2:45 | ||
5 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 4: Simply through some keys: G-G | 1:55 | ||
5 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. First Set. Variation 4: Simply through some keys: G-G | 1:55 | ||
6 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 5: vivace à la Scarlatti: C | :49 | ||
6 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 5: vivace à la Scarlatti: C | :49 | ||
7 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 6: canon at the second: C-A flat | 2:23 | ||
7 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 6: canon at the second: C-A flat | 2:23 | ||
8 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 7: Gigue in antiphony: A flat/C | 1:35 | ||
8 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 7: Gigue in antiphony: A flat/C | 1:35 | ||
9 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 8: enhanced replay of Variation 1: G | 3:43 | ||
9 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 8: enhanced replay of Variation 1: G | 3:43 | ||
10 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 9: canon at the third: homage to Grainger: E flat | 2:15 | ||
10 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 9: canon at the third: homage to Grainger: E flat | 2:15 | ||
11 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 10: 'robust and a bit gormless' (wrong-note music): B | 1:31 | ||
11 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 10: 'robust and a bit gormless' (wrong-note music): B | 1:31 | ||
12 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 11: dreaming: homage to Schubert and Brahms: G | 3:00 | ||
12 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Second Set. Variation 11: dreaming: homage to Schubert and Brahms: G | 3:00 | ||
13 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 12: canon at the fourth: E | 3:01 | ||
13 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 12: canon at the fourth: E | 3:01 | ||
14 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 13: Cantilena I: double variation with homage to Dowland: G/E flat min | 9:02 | ||
14 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 13: Cantilena I: double variation with homage to Dowland: G/E flat min | 9:02 | ||
15 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 14: energico: A flat minor | 2:04 | ||
15 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 14: energico: A flat minor | 2:04 | ||
16 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 15: canon at the fifth: G minor | 4:24 | ||
16 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 1. Third Set. Variation 15: canon at the fifth: G minor | 4:24 | ||
17 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 16: French Overture and homage to Nancarrow: G sharp minor | 6:22 | ||
17 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 16: French Overture and homage to Nancarrow: G sharp minor | 6:22 | ||
18 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 17: Hungarian cymbalom: homage to Bartók, Ligeti, Kurtág: E minor | 3:55 | ||
18 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 17: Hungarian cymbalom: homage to Bartók, Ligeti, Kurtág: E minor | 3:55 | ||
19 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 18: canon in sixths: D flat | 4:25 | ||
19 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 18: canon in sixths: D flat | 4:25 | ||
20 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 19: Ländler and trio (brief history of Austro-German music in triple | 4:36 | ||
20 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 19: Ländler and trio (brief history of Austro-German music in triple | 4:36 | ||
21 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 20: vivace con brio: D | 1:44 | ||
21 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 20: vivace con brio: D | 1:44 | ||
22 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 21: canon at the seventh: G minor | 2:31 | ||
22 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 21: canon at the seventh: G minor | 2:31 | ||
23 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 22: churchy counterpoint in antiphony: A flat | 2:06 | ||
23 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 22: churchy counterpoint in antiphony: A flat | 2:06 | ||
24 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 23: diatonic scrunches (homage to Tippett): F | 2:20 | ||
24 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fourth Set. Variation 23: diatonic scrunches (homage to Tippett): F | 2:20 | ||
25 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 24: canon at the octave: complex journey through some keys: G/G minor- | 2:51 | ||
25 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 24: canon at the octave: complex journey through some keys: G/G minor- | 2:51 | ||
26 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 25: Cantilena II: G minor | 5:40 | ||
26 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 25: Cantilena II: G minor | 5:40 | ||
27 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 26a: Sarabande: G | 1:14 | ||
27 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 26a: Sarabande: G | 1:14 | ||
28 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 27: 'Trio' - canon at the ninth: F | :46 | ||
28 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 27: 'Trio' - canon at the ninth: F | :46 | ||
29 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 26b: Sarabande resumed: A major/A minor | 2:14 | ||
29 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 26b: Sarabande resumed: A major/A minor | 2:14 | ||
30 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 28: 'Summer afternoon' - hazy trills and tremolos: G | 1:35 | ||
30 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 28: 'Summer afternoon' - hazy trills and tremolos: G | 1:35 | ||
31 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 29: Toccata with clusters: F sharp | 3:24 | ||
31 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 29: Toccata with clusters: F sharp | 3:24 | ||
32 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 30: Quodlibet: traversing all twelve keys, ending D | 3:15 | ||
32 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Variation 30: Quodlibet: traversing all twelve keys, ending D | 3:15 | ||
33 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Aria da capo: G | 2:41 | ||
33 | Gilded Goldbergs (after Bach), for 2 pianos, Op. 86 - Part 2. Fifth Set. Aria da capo: G | 2:41 |
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