Dmitri Shostakovich: Film Music
0
TickIt!
| Artist | Michail Jurowski |
| Bewertung | |
| Epoche | Modern (1910-1949) |
| Label | Capriccio Records |
| Erschienen | 2006 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Hamlet, suite from the film score, Op.116a (assembled by Atovmyan) - 1. Introduktion | 2:48 | ||
| 2 | Hamlet, suite from the film score, Op.116a (assembled by Atovmyan) - 2. Ball Im Schloss | 3:15 | ||
| 3 | Hamlet, suite from the film score, Op.116a (assembled by Atovmyan) - 3. Der Geist | 5:28 | ||
| 4 | Hamlet, suite from the film score, Op.116a (assembled by Atovmyan) - 4. Im Garten | 1:38 | ||
| 5 | Hamlet, suite from the film score, Op.116a (assembled by Atovmyan) - 5. Vergiftungs-Szene | 8:15 | ||
| 6 | Hamlet, suite from the film score, Op.116a (assembled by Atovmyan) - 6. Ankunft Und Auftritt Der Schauspieler | 2:05 | ||
| 7 | Hamlet, suite from the film score, Op.116a (assembled by Atovmyan) - 7. Ophelia | 4:22 | ||
| 8 | Hamlet, suite from the film score, Op.116a (assembled by Atovmyan) - 8. Duell Und Hamlets Tod | 6:57 | ||
| 9 | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - 1. Ouvertüre | 3:21 | ||
| 10 | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - 2. Contredanse | 2:53 | ||
| 11 | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - 3. Volksfest | 2:38 | ||
| 12 | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - 4. Zwischenspiel | 3:18 | ||
| 13 | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - 5. Drehorgel | 1:42 | ||
| 14 | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - 6. Galopp | 2:03 | ||
| 15 | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - 7. Vorspiel | 6:28 | ||
| 16 | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - 8. Romanze | 5:52 | ||
| 17 | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - 9. Intermezzo | 6:34 | ||
| 18 | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - 10. Nocturne | 4:09 | ||
| 19 | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - 11. Scena | 2:09 | ||
| 20 | The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - 12. Finale | 3:36 | ||
| 21 | New Babylon, suite from the film score, Op. 18a (restored by Rozhdestvensky) - 1. (Ohne Satzbezeichnung)- | 9:05 | ||
| 22 | New Babylon, suite from the film score, Op. 18a (restored by Rozhdestvensky) - 2. Paris | 10:02 | ||
| 23 | New Babylon, suite from the film score, Op. 18a (restored by Rozhdestvensky) - 3. Largo | 8:57 | ||
| 24 | New Babylon, suite from the film score, Op. 18a (restored by Rozhdestvensky) - 4. Andante | 14:24 | ||
| 25 | New Babylon, suite from the film score, Op. 18a (restored by Rozhdestvensky) - 5. Allegretto-Allegro Moderato | 10:25 | ||
| 26 | New Babylon, suite from the film score, Op. 18a (restored by Rozhdestvensky) - 6. Adagio-Allegro Marcato-Allegretto-Scherzando-Andante | 12:34 | ||
| 27 | New Babylon, suite from the film score, Op. 18a (restored by Rozhdestvensky) - 7.Andante-Allegro-Andante-Adagio-Allegro-Andante- | 10:46 | ||
| 28 | New Babylon, suite from the film score, Op. 18a (restored by Rozhdestvensky) - 8. (Ohne Satzbezeichnung) | 7:34 | ||
| 29 | Five Days - Five Nights, suite from the film score, Op. 111a (assembled by Atovmyan) - 1. Introduktion | 5:09 | ||
| 30 | Five Days - Five Nights, suite from the film score, Op. 111a (assembled by Atovmyan) - 2. Dresden In Ruinen | 5:42 | ||
| 31 | Five Days - Five Nights, suite from the film score, Op. 111a (assembled by Atovmyan) - 3. Befreites Dresden | 6:30 | ||
| 32 | Five Days - Five Nights, suite from the film score, Op. 111a (assembled by Atovmyan) - 4. Zwischenspiel | 5:39 | ||
| 33 | Five Days - Five Nights, suite from the film score, Op. 111a (assembled by Atovmyan) - 5. Finale | 7:39 | ||
| 34 | King Lear, incidental music, Op. 58a - Fanfare 1 | :23 | ||
| 35 | King Lear, incidental music, Op. 58a - Introduktion Und Cordelias Ballade | 4:39 | ||
| 36 | King Lear, incidental music, Op. 58a - Fanfare 2 | :17 | ||
| 37 | King Lear, incidental music, Op. 58a - Rückkehr Von Der Jagd | :48 | ||
| 38 | King Lear, incidental music, Op. 58a - Fanfare 3 | :10 | ||
| 39 | King Lear, incidental music, Op. 58a - Zehn Lieder Des Narren | 8:54 | ||
| 40 | King Lear, incidental music, Op. 58a - Fanfare 4 | :13 | ||
| 41 | King Lear, incidental music, Op. 58a - Finale Des Ersten Aktes | 1:45 | ||
| 42 | King Lear, incidental music, Op. 58a - Der Sturm Nähert Sich | 1:47 | ||
| 43 | King Lear, incidental music, Op. 58a - Steppenszene | 1:54 | ||
| 44 | King Lear, incidental music, Op. 58a - Gloster Blendung | 1:18 | ||
| 45 | King Lear, incidental music, Op. 58a - Militärlager | 2:04 | ||
| 46 | King Lear, incidental music, Op. 58a - Fanfare 5 | :16 | ||
| 47 | King Lear, incidental music, Op. 58a - Marsch | 1:40 | ||
| 48 | King Lear, film score, Op. 137 - 1. Singnal 1-5 | :58 | ||
| 49 | King Lear, film score, Op. 137 - 2. Introduktion (Der Lauf Der Zeit) | 2:42 | ||
| 50 | King Lear, film score, Op. 137 - 3. Erstes Sichten Von Lears Schloss | 2:47 | ||
| 51 | King Lear, film score, Op. 137 - 4. Moderato | :26 | ||
| 52 | King Lear, film score, Op. 137 - 5. Beginn Der Katastrophe | 2:59 | ||
| 53 | King Lear, film score, Op. 137 - 6. Signal 6-9 | 1:41 | ||
| 54 | King Lear, film score, Op. 137 - 7. Die Stimme Der Wahrheit | 3:23 | ||
| 55 | King Lear, film score, Op. 137 - 8. Der Sturm | 2:11 | ||
| 56 | King Lear, film score, Op. 137 - 9. Klage | 4:12 | ||
| 57 | King Lear, film score, Op. 137 - 10. Der Sturm | 2:51 | ||
| 58 | King Lear, film score, Op. 137 - 11. Gastmahl Mit Gonerill | 2:03 | ||
| 59 | King Lear, film score, Op. 137 - 12. Letztes Bild | 1:06 | ||
| 60 | King Lear, film score, Op. 137 - 13. Finale | :28 | ||
| 61 | Zoya (Who Is She?), film score, Op. 64 (part lost) - 1. Vorpiel: Lied Über Soja | 6:12 | ||
| 62 | Zoya (Who Is She?), film score, Op. 64 (part lost) - 2. Militärisches Problem | 6:50 | ||
| 63 | Zoya (Who Is She?), film score, Op. 64 (part lost) - 3. Tragödie Eines Verlustes | 6:55 | ||
| 64 | Zoya (Who Is She?), film score, Op. 64 (part lost) - 4. Des Helden Sieg | 3:26 | ||
| 65 | Zoya (Who Is She?), film score, Op. 64 (part lost) - 5. Der Heldin Unsterblichkeit | 7:22 | ||
| 66 | The Fall of Berlin, suite from the film score, Op. 82a (assembled by Atovmyan) - 1. Vorspiel | 2:35 | ||
| 67 | The Fall of Berlin, suite from the film score, Op. 82a (assembled by Atovmyan) - 2. Szene Am Fluss | 4:04 | ||
| 68 | The Fall of Berlin, suite from the film score, Op. 82a (assembled by Atovmyan) - 3. Angriff | 1:22 | ||
| 69 | The Fall of Berlin, suite from the film score, Op. 82a (assembled by Atovmyan) - 4. Im Garten | 2:24 | ||
| 70 | The Fall of Berlin, suite from the film score, Op. 82a (assembled by Atovmyan) - 5. Die Erstürmung Der Seelower Höhen | 7:53 | ||
| 71 | The Fall of Berlin, suite from the film score, Op. 82a (assembled by Atovmyan) - 6. Im Zerstörten Dorf | 4:40 | ||
| 72 | The Fall of Berlin, suite from the film score, Op. 82a (assembled by Atovmyan) - 7. Szene In Der U-Bahn | 2:12 | ||
| 73 | The Fall of Berlin, suite from the film score, Op. 82a (assembled by Atovmyan) - 8. Finale | 5:51 | ||
| 74 | The Golden Hills (The Golden Mountains; Happy Street), suite from the film score, Op. 30a - 1. Introduktion | 1:56 | ||
| 75 | The Golden Hills (The Golden Mountains; Happy Street), suite from the film score, Op. 30a - 2. Walzer | 5:17 | ||
| 76 | The Golden Hills (The Golden Mountains; Happy Street), suite from the film score, Op. 30a - 3. Fuge | 7:28 | ||
| 77 | The Golden Hills (The Golden Mountains; Happy Street), suite from the film score, Op. 30a - 4. Intermezzo | 4:02 | ||
| 78 | The Golden Hills (The Golden Mountains; Happy Street), suite from the film score, Op. 30a - 5. Trauermarsch | 2:19 | ||
| 79 | The Golden Hills (The Golden Mountains; Happy Street), suite from the film score, Op. 30a - 6. Finale | 2:34 | ||
| 80 | Work(s) - Maxims Jugend Op.41: Ouvertüre | 2:28 | ||
| 81 | Maxim, suite (from film scores Opp.45 & 89), Op. 50a (assembled by Atovmyan) - 1. Vorspiel | 4:17 | ||
| 82 | Maxim, suite (from film scores Opp.45 & 89), Op. 50a (assembled by Atovmyan) - 2. Angriffsszene | 2:03 | ||
| 83 | Maxim, suite (from film scores Opp.45 & 89), Op. 50a (assembled by Atovmyan) - 3. Tod Des Alten Arbeiters | 6:02 | ||
| 84 | Maxim, suite (from film scores Opp.45 & 89), Op. 50a (assembled by Atovmyan) - 4. Walzer | 3:12 | ||
| 85 | Maxim, suite (from film scores Opp.45 & 89), Op. 50a (assembled by Atovmyan) - 5. Demontration "Varshavyanka" | 2:38 | ||
| 86 | Maxim, suite (from film scores Opp.45 & 89), Op. 50a (assembled by Atovmyan) - 6. Kampf Auf Den Barrikaden | 5:29 | ||
| 87 | Maxim, suite (from film scores Opp.45 & 89), Op. 50a (assembled by Atovmyan) - 7. Trauermarsch | 4:40 | ||
| 88 | The Vyborg District (Maxim Trilogy III), film score, Op. 50 - Ouvertüre | 1:52 | ||
| 89 | Alone (All Alone), film score, Op. 26 (part lost) - Die Straße | :37 | ||
| 90 | Alone (All Alone), film score, Op. 26 (part lost) - Wie Gutes Leben Wird | 3:47 | ||
| 91 | Alone (All Alone), film score, Op. 26 (part lost) - Ostansya | 4:51 | ||
| 92 | Alone (All Alone), film score, Op. 26 (part lost) - Marsch | 1:21 | ||
| 93 | Alone (All Alone), film score, Op. 26 (part lost) - Altai | 5:42 | ||
| 94 | Alone (All Alone), film score, Op. 26 (part lost) - Die Steppe Von Altai | 1:00 | ||
| 95 | Alone (All Alone), film score, Op. 26 (part lost) - The Altai | 3:16 | ||
| 96 | Alone (All Alone), film score, Op. 26 (part lost) - Kuzmina In Der Hütte | 4:40 | ||
| 97 | Alone (All Alone), film score, Op. 26 (part lost) - Drehorgel | 1:25 | ||
| 98 | Alone (All Alone), film score, Op. 26 (part lost) - Allegro | 1:39 | ||
| 99 | Alone (All Alone), film score, Op. 26 (part lost) - Der Bey Nimmt Die Kinder Zu Den Schafweiden Mit | 4:37 | ||
| 100 | Alone (All Alone), film score, Op. 26 (part lost) - Largo | 4:14 | ||
| 101 | Alone (All Alone), film score, Op. 26 (part lost) - Der Dorfälteste Schläft Und Erwacht | 3:43 | ||
| 102 | Alone (All Alone), film score, Op. 26 (part lost) - Kusmina Kommt Gerannt | 1:42 | ||
| 103 | Alone (All Alone), film score, Op. 26 (part lost) - Der Dorfälteste Trinkt Tee Mit Seiner Frau | :48 | ||
| 104 | Alone (All Alone), film score, Op. 26 (part lost) - Adagio | 2:32 | ||
| 105 | Alone (All Alone), film score, Op. 26 (part lost) - Adagio | 3:04 | ||
| 106 | Alone (All Alone), film score, Op. 26 (part lost) - Allegro | 2:34 | ||
| 107 | Alone (All Alone), film score, Op. 26 (part lost) - Moderato | 1:50 | ||
| 108 | Alone (All Alone), film score, Op. 26 (part lost) - Allegretto | 2:50 | ||
| 109 | Alone (All Alone), film score, Op. 26 (part lost) - Storm In Der Steppe | 1:09 | ||
| 110 | Alone (All Alone), film score, Op. 26 (part lost) - Schneesturm | 2:37 | ||
| 111 | Alone (All Alone), film score, Op. 26 (part lost) - Largo | 1:23 | ||
| 112 | Alone (All Alone), film score, Op. 26 (part lost) - Largo | 5:15 | ||
| 113 | Alone (All Alone), film score, Op. 26 (part lost) - The Aeroplane | :28 | ||
| 114 | Alone (All Alone), film score, Op. 26 (part lost) - Adagio | 2:09 | ||
| 115 | Alone (All Alone), film score, Op. 26 (part lost) - Traum | 3:28 | ||
| 116 | Alone (All Alone), film score, Op. 26 (part lost) - Allegro | 1:49 |
Bewertungen zu Dmitri Shostakovich: Film Music
Es wurde noch kein Kommentar zu diesem Album abgegeben