Bassano: Mottetti, Madrigali et Canzoni francese
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Artist | Musica Figurata |
Bewertung | |
Epoche | () |
Label | Brilliant Classics |
Erschienen |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Introduxit me rex, diminution after Palestrina for cornet & continuo | 3:35 | ||
2 | Io canterei d'amor, for soloists & chamber ensemble (after Cipriano de Rore) | 4:23 | ||
3 | Signor mio caro, diminution after Cipriano de Rore for chamber ensemble | 3:07 | ||
4 | Signor mio caro, diminution after Cipriano de Rore for chamber ensemble | 3:07 | ||
5 | Ancor che col partire, for voice & chamber ensemble (after Cipriano de Rore) | 3:30 | ||
6 | La rose, diminution after Adriano Willaert for chamber ensemble | 4:26 | ||
7 | Pulchra es, for soloists & chamber ensemble (after Palestrina) | 3:59 | ||
8 | Tota pulchra es, diminution after Palestrina for chamber ensemble | 3:41 | ||
9 | Fuit homo missus, for voice & chamber ensemble (after Palestrina) | 5:51 | ||
10 | Ma poichè vostra altezza, diminution after Cipriano de Rore for chamber ensemble | 3:18 | ||
11 | Caro dolce ben mio, for voice & chamber ensemble (after Andrea Gabrieli) | 3:36 | ||
12 | Benedicta sit sancta Trinitas, for voice & chamber ensemble (after Palestrina) | 6:39 | ||
13 | Susanne un jour, diminution after Lassus for chamber ensemble | 3:45 | ||
14 | Ave Maria, for voice & chamber ensemble (after Palestrina) | 5:36 | ||
15 | Dissi a l'amata mia, for soloists & chamber ensemble (after Luca Marenzio) | 3:33 |
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