Purcell: Songs and Airs
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Artist | Nancy Argenta |
Bewertung | |
Epoche | Barock (1600-1749) |
Label | Angel Records |
Erschienen | 2001 |
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | O solitude, my sweetest choice, song, Z. 406 | 5:24 | ||
1 | O solitude, my sweetest choice, song, Z. 406 | 5:24 | ||
2 | Ah! How sweet it is to love (from "Tyrannic Love"), song, Z. 613/2 | 1:51 | ||
2 | Ah! How sweet it is to love (from "Tyrannic Love"), song, Z. 613/2 | 1:51 | ||
3 | Not all my torments can your pity move, song, Z. 400 | 2:24 | ||
3 | Not all my torments can your pity move, song, Z. 400 | 2:24 | ||
4 | Stript of their green our groves appear, song, Z. 444 | 3:25 | ||
4 | Stript of their green our groves appear, song, Z. 444 | 3:25 | ||
5 | Tell me, some pitying angel, (The Blessed Virgin's Expostulation), sacred song, for soprano & continuo, Z. 196 | 7:10 | ||
5 | Tell me, some pitying angel, (The Blessed Virgin's Expostulation), sacred song, for soprano & continuo, Z. 196 | 7:10 | ||
6 | If music be the food of love, song, Z. 379 (3 settings) | 3:21 | ||
6 | If music be the food of love, song, Z. 379 (3 settings) | 3:21 | ||
7 | Hark! now the echoing air (from "The Fairy Queen"), soprano aria and chorus, Z. 629/48 | 2:11 | ||
7 | Hark! now the echoing air (from "The Fairy Queen"), soprano aria and chorus, Z. 629/48 | 2:11 | ||
8 | The fatal hour comes on apace, song, Z. 421 | 4:00 | ||
8 | The fatal hour comes on apace, song, Z. 421 | 4:00 | ||
9 | Incassum, Lesbia, incassum rogas (The Queen Epicedium), song, Z. 383 | 7:19 | ||
9 | Incassum, Lesbia, incassum rogas (The Queen Epicedium), song, Z. 383 | 7:19 | ||
10 | Sweeter than roses (from "Pausanius"), song, Z. 585/1 | 2:59 | ||
10 | Sweeter than roses (from "Pausanius"), song, Z. 585/1 | 2:59 | ||
11 | Cupid, the slyest rogue alive, song, Z. 367 | 2:35 | ||
11 | Cupid, the slyest rogue alive, song, Z. 367 | 2:35 | ||
12 | From silent shades and the Elysian groves (Bess of Bedlam), song, Z. 370 | 4:13 | ||
12 | From silent shades and the Elysian groves (Bess of Bedlam), song, Z. 370 | 4:13 | ||
13 | Dear pretty youth (from "The Tempest"), aria, Z. 631/10 | 1:58 | ||
13 | Dear pretty youth (from "The Tempest"), aria, Z. 631/10 | 1:58 | ||
14 | From rosie bow'rs (from "Don Quixote"), song, Z. 578/9 | 5:45 | ||
14 | From rosie bow'rs (from "Don Quixote"), song, Z. 578/9 | 5:45 | ||
15 | Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193 | 5:20 | ||
15 | Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193 | 5:20 | ||
16 | Beneath the poplar's shadow (from "Sophonisba or Hannibal's Overthrow") Z. 590/1 | 1:58 | ||
16 | Beneath the poplar's shadow (from "Sophonisba or Hannibal's Overthrow") Z. 590/1 | 1:58 | ||
17 | I attempt from Love's Sickness to Fly (from "The Indian Queen"), Z630/17h | 2:02 | ||
17 | I attempt from Love's Sickness to Fly (from "The Indian Queen"), Z630/17h | 2:02 | ||
18 | Let Us Dance (from "Prophetess"), aria for soprano, Z. 627/app3 | 1:28 | ||
18 | Let Us Dance (from "Prophetess"), aria for soprano, Z. 627/app3 | 1:28 | ||
19 | Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38 | 2:36 | ||
19 | Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38 | 2:36 | ||
20 | O solitude, my sweetest choice, song, Z. 406 | 6:14 | ||
20 | O solitude, my sweetest choice, song, Z. 406 | 6:14 | ||
21 | Nymphs and Shepherds (from "The Libertine"), song, Z. 600/1 | 2:12 | ||
21 | Nymphs and Shepherds (from "The Libertine"), song, Z. 600/1 | 2:12 | ||
22 | Amidst the shades and cool and refreshing streams, for soprano & continuo, Z. 355 | 3:05 | ||
22 | Amidst the shades and cool and refreshing streams, for soprano & continuo, Z. 355 | 3:05 | ||
23 | Love in their little veins inspires (from "Timon of Athens"), aria for soprano, 2 flutes and continuo, Z. 632/3 | 1:31 | ||
23 | Love in their little veins inspires (from "Timon of Athens"), aria for soprano, 2 flutes and continuo, Z. 632/3 | 1:31 | ||
24 | Fly swift, ye hours, song, Z. 369 | 5:24 | ||
24 | Fly swift, ye hours, song, Z. 369 | 5:24 | ||
25 | They tell us that you mighty powers above (from "The Indian Queen"), soprano aria, Z. 630/19 | 3:22 | ||
25 | They tell us that you mighty powers above (from "The Indian Queen"), soprano aria, Z. 630/19 | 3:22 | ||
26 | O let me weep ("The Plaint" from "The Fairy Queen"), aria, Z. 629/40 | 8:12 | ||
26 | O let me weep ("The Plaint" from "The Fairy Queen"), aria, Z. 629/40 | 8:12 | ||
27 | In the black, dismal dungeon of despair, sacred song for soprano & continuo, Z. 190 | 3:59 | ||
27 | In the black, dismal dungeon of despair, sacred song for soprano & continuo, Z. 190 | 3:59 | ||
28 | See even Night herself is here (from "The Fairy Queen"), soprano aria, Z. 629/11 | 4:52 | ||
28 | See even Night herself is here (from "The Fairy Queen"), soprano aria, Z. 629/11 | 4:52 | ||
29 | Why should men quarrel (from "The Indian Queen"), soprano aria, Z. 630/4c-4d | 1:26 | ||
29 | Why should men quarrel (from "The Indian Queen"), soprano aria, Z. 630/4c-4d | 1:26 | ||
30 | Seek not to know what must not be reveal'd (from "The Indian Queen"), aria, Z. 630/15 | 3:56 | ||
30 | Seek not to know what must not be reveal'd (from "The Indian Queen"), aria, Z. 630/15 | 3:56 | ||
31 | Retir'd from any mortal's sight (from "The History of King Richard II"), song, Z. 581/1 | 4:08 | ||
31 | Retir'd from any mortal's sight (from "The History of King Richard II"), song, Z. 581/1 | 4:08 | ||
32 | To arms, heroic prince, (from "The Libertine"), prelude & song, Z. 600/3 | 3:10 | ||
32 | To arms, heroic prince, (from "The Libertine"), prelude & song, Z. 600/3 | 3:10 | ||
33 | O lead me to some peaceful gloom (from "Bonduca"), song, Z. 574/17 | 2:51 | ||
33 | O lead me to some peaceful gloom (from "Bonduca"), song, Z. 574/17 | 2:51 | ||
34 | Halcyon days (from "The Tempest"), sopoano aria, Z. 631/15 | 2:57 | ||
34 | Halcyon days (from "The Tempest"), sopoano aria, Z. 631/15 | 2:57 | ||
35 | Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323 - No. 7, Bid the virtues | 2:57 | ||
35 | Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323 - No. 7, Bid the virtues | 2:57 | ||
36 | Lord, what is man?, sacred song for soprano & continuo, Z. 192 | 5:34 | ||
36 | Lord, what is man?, sacred song for soprano & continuo, Z. 192 | 5:34 | ||
37 | Music for a While (from "Oedipus"), song, Z. 583/2 | 3:56 | ||
37 | Music for a While (from "Oedipus"), song, Z. 583/2 | 3:56 | ||
38 | If music be the food of love, song, Z. 379 (3 settings) | 2:06 | ||
38 | If music be the food of love, song, Z. 379 (3 settings) | 2:06 | ||
39 | Sawney is a bonny lad, song, Z. 412 | 1:49 | ||
39 | Sawney is a bonny lad, song, Z. 412 | 1:49 | ||
40 | When I have often heard (from "The Fairy Queen"), soprano aria, Z. 629/23 | 3:14 | ||
40 | When I have often heard (from "The Fairy Queen"), soprano aria, Z. 629/23 | 3:14 | ||
41 | Ah cruel, bloody fate (from "Theodosius"), song, Z. 606/9 | 2:27 | ||
41 | Ah cruel, bloody fate (from "Theodosius"), song, Z. 606/9 | 2:27 | ||
42 | Thy hand, Belinda...When I am laid in Earth (from "Dido and Aeneas"), soprano aria, Z. 626/37 | 1:05 | ||
42 | Thy hand, Belinda...When I am laid in Earth (from "Dido and Aeneas"), soprano aria, Z. 626/37 | 1:05 |
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