Bach: Musikalisches Opfer
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Artist | Netherlands Bach Society |
Bewertung | |
Epoche | Barock (1600-1749) |
Label | Brilliant |
Erschienen |
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Musical Offering. Ricercare a 3 | 6:16 | ||
2 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Musical Offering. Ricercare a 6 | 7:22 | ||
3 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Largo | 4:11 | ||
4 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Allegro | 6:20 | ||
5 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Andante | 3:09 | ||
6 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Allegro | 3:09 | ||
7 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Thematis Regii, Elaborationes Canonicae. Canon a 2 cancrizans | :37 | ||
8 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Thematis Regii, Elaborationes Canonicae. Canon a 2 in unisono | :51 | ||
9 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Thematis Regii, Elaborationes Canonicae. Canon a 2 motum contrarium | :59 | ||
10 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Thematis Regii, Elaborationes Canonicae. Canon a 2 per augmentationum, contrario motu | 1:14 | ||
11 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Thematis Regii, Elaborationes Canonicae. Canon a 2 per tonos | 2:24 | ||
12 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Thematis Regii, Elaborationes Canonicae. Fuga canonica in Epidiapente | 2:17 | ||
13 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Thematis Regii, Elaborationes Canonicae. Canon perpetuus super Thema Regium | 1:11 | ||
14 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Thematis Regii, Elaborationes Canonicae. Canon a 2 | 1:08 | ||
15 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Thematis Regii, Elaborationes Canonicae. Canon a 4 | 2:46 | ||
16 | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Thematis Regii, Elaborationes Canonicae. Canon perpetuus | 2:06 | ||
17 | Canon trias harmonica, for 8 unspecified instruments (or keyboard) in D major, BWV 1072 | :19 | ||
18 | Canon á 4 perpetuus, for 4 unspecified instruments (or keyboard) in A minor, BWV 1073 | :48 | ||
19 | Canon á 4, for 4 unspecified instruments (or keyboard) in A minor, BWV 1074 - [part 1] | :34 | ||
20 | Canon á 4, for 4 unspecified instruments (or keyboard) in A minor, BWV 1074 - [part 2] | :30 | ||
21 | Canon á 2 perpetuus, for 2 unspecified instruments (or keyboard) in D major, BWV 1075 | :25 | ||
22 | Canon triplex á 6, for 4 unspecified instruments (or keyboard) in G major ("Portrait Canon"), BWV 1076 | :29 | ||
23 | Canone doppio sopr' il soggetto, canon for 3 unspecified instruments (or keyboard) in G major, BWV 1077 | :36 | ||
24 | Canon super fa mi á 7 post tempus musicum, for 7 unspecified instruments (or keyboard) in F major, BWV 1078 | 1:13 | ||
25 | Canon concordia discors, for 2 unspecified instruments (or keyboard) in D major, BWV 1086 | :32 | ||
26 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - Canon simplex | :37 | ||
27 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - All'roverscio | :27 | ||
28 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - Beide sugleich, motu recto e contrario | :32 | ||
29 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - Motu contrario e recto | :37 | ||
30 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - Canon duplex a 4 | :39 | ||
31 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - Canon simplex über besagtes | :28 | ||
32 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - Idem a 3 | :48 | ||
33 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - Canon simplex a 3 | :25 | ||
34 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - Canon in unisono post semi fugam a 3 | :28 | ||
35 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - Alio modo | :30 | ||
36 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - Evolutio | :27 | ||
37 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - Canon duplex a 5 | :35 | ||
38 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - Canon duplex a 5 | :41 | ||
39 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - Canon duplex a 6 | :25 | ||
40 | Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087 - Canon a 4 augmentationem et diminutionem | :43 |
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