Prairie: Tone Poems by Leo Sowerby
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Artist | Paul Freeman |
Bewertung | |
Epoche | Modern (1910-1949) |
Label | Cedille Records |
Erschienen | 1997 |
Klassik-Werke auf diesem Album
# | Werk/Besetzung | Dauer | ||
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1 | Comes Autumn Time, overture for orchestra | 4:48 | ||
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2 | Prairie, poem for Orchestra after Carl Sandburg | 16:49 | ||
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3 | Theme in Yellow, poem for Orchestra after Carl Sandburg | 20:10 | ||
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4 | From the Northland: Impressions of Lake Superior Country, for piano, H. 167 | 20:44 | ||
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Comes Autumn Time, overture for orchestra | 4:48 | ||
1 | Comes Autumn Time, overture for orchestra | 4:48 | ||
2 | Prairie, poem for Orchestra after Carl Sandburg | 16:49 | ||
2 | Prairie, poem for Orchestra after Carl Sandburg | 16:49 | ||
3 | Theme in Yellow, poem for Orchestra after Carl Sandburg | 20:10 | ||
3 | Theme in Yellow, poem for Orchestra after Carl Sandburg | 20:10 | ||
4 | From the Northland: Impressions of Lake Superior Country, for piano, H. 167 - I. Forest Voices | 7:33 | ||
4 | From the Northland: Impressions of Lake Superior Country, for piano, H. 167 - I. Forest Voices | 7:33 | ||
5 | From the Northland: Impressions of Lake Superior Country, for piano, H. 167 - II. Cascades | 3:11 | ||
5 | From the Northland: Impressions of Lake Superior Country, for piano, H. 167 - II. Cascades | 3:11 | ||
6 | From the Northland: Impressions of Lake Superior Country, for piano, H. 167 - III. Burnt Rock Pool | 4:50 | ||
6 | From the Northland: Impressions of Lake Superior Country, for piano, H. 167 - III. Burnt Rock Pool | 4:50 | ||
7 | From the Northland: Impressions of Lake Superior Country, for piano, H. 167 - IV. The Shining Big-Sea Water | 5:10 | ||
7 | From the Northland: Impressions of Lake Superior Country, for piano, H. 167 - IV. The Shining Big-Sea Water | 5:10 |
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