1
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 1. Chorus. Kommt, ihr Töchter, helft mir klagen | |
6:48
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Baß: John Bernays
- Tenor, Tenorstimme: Simon Berridge
- Violine, Geige: Adrian Butterfield
- Sopranist: Alicia Carroll
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Sopranist: Helen Groves
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Sopranist: Philippa Hyde
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Tenor, Tenorstimme: David Lowe
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Baß: Robert Rice
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Sopranist: Katey Tansey
- Baß: Edward Wickham
- Cello: Daniel Yeadon
- Altstimme, Kontratenor: Ricard Bordas
- Sopranist: Temime Bowling
- Viola, Bratsche: Rachel Byrt
- Baß: Alastair Hamilton
- Altstimme, Kontratenor: Charles Humphries
- Baß: Martin Oxenham
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Altstimme, Kontratenor: Stephen Wallace
- Baß: Thomas Guthrie
- Flöte: Andrew Crawford
- Tenor, Tenorstimme: Darren Fox
- Flöte: Christine Garratt
- Altstimme, Kontratenor: Jacqueline Connell
- Altstimme, Kontratenor: Nicholas Hariades
- Oboe: Caroline Kershaw
- Tenor, Tenorstimme: Paul Phoenix
- Tenor, Tenorstimme: Alan Preston
- Sopranist: Carys Lloyd Roberts
- Tenor, Tenorstimme: Julian Stocker
- Altstimme, Kontratenor: Suzanne Joyes
|
2
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 2. Recitative. Da Jesus diese Rede vollendet hatte | |
0:34
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Violine, Geige: Adrian Butterfield
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Bariton: Richard Jackson
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Tenor, Tenorstimme: Rufus Müller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Cello: Daniel Yeadon
- Viola, Bratsche: Rachel Byrt
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Flöte: Andrew Crawford
- Flöte: Christine Garratt
- Oboe: Caroline Kershaw
|
3
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 3. Chorale. Herzliebster Jesu, was hast du verbrochen | |
0:38
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Baß: John Bernays
- Tenor, Tenorstimme: Simon Berridge
- Violine, Geige: Adrian Butterfield
- Sopranist: Alicia Carroll
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Sopranist: Helen Groves
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Sopranist: Philippa Hyde
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Tenor, Tenorstimme: David Lowe
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Baß: Robert Rice
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Sopranist: Katey Tansey
- Baß: Edward Wickham
- Cello: Daniel Yeadon
- Altstimme, Kontratenor: Ricard Bordas
- Sopranist: Temime Bowling
- Viola, Bratsche: Rachel Byrt
- Baß: Alastair Hamilton
- Altstimme, Kontratenor: Charles Humphries
- Baß: Martin Oxenham
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Altstimme, Kontratenor: Stephen Wallace
- Baß: Thomas Guthrie
- Flöte: Andrew Crawford
- Tenor, Tenorstimme: Darren Fox
- Flöte: Christine Garratt
- Altstimme, Kontratenor: Jacqueline Connell
- Altstimme, Kontratenor: Nicholas Hariades
- Oboe: Caroline Kershaw
- Tenor, Tenorstimme: Paul Phoenix
- Tenor, Tenorstimme: Alan Preston
- Sopranist: Carys Lloyd Roberts
- Tenor, Tenorstimme: Julian Stocker
- Altstimme, Kontratenor: Suzanne Joyes
|
4
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 4a. Recitative. Da versammelten sich die Hohenpriester...4e. Recitative. Da das Jesus m | |
2:48
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Baß: John Bernays
- Tenor, Tenorstimme: Simon Berridge
- Violine, Geige: Adrian Butterfield
- Sopranist: Alicia Carroll
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Sopranist: Helen Groves
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Sopranist: Philippa Hyde
- Bariton: Richard Jackson
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Tenor, Tenorstimme: David Lowe
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Tenor, Tenorstimme: Rufus Müller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Baß: Robert Rice
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Sopranist: Katey Tansey
- Baß: Edward Wickham
- Cello: Daniel Yeadon
- Altstimme, Kontratenor: Ricard Bordas
- Sopranist: Temime Bowling
- Viola, Bratsche: Rachel Byrt
- Baß: Alastair Hamilton
- Altstimme, Kontratenor: Charles Humphries
- Baß: Martin Oxenham
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Altstimme, Kontratenor: Stephen Wallace
- Baß: Thomas Guthrie
- Flöte: Andrew Crawford
- Tenor, Tenorstimme: Darren Fox
- Flöte: Christine Garratt
- Altstimme, Kontratenor: Jacqueline Connell
- Altstimme, Kontratenor: Nicholas Hariades
- Oboe: Caroline Kershaw
- Tenor, Tenorstimme: Paul Phoenix
- Tenor, Tenorstimme: Alan Preston
- Sopranist: Carys Lloyd Roberts
- Tenor, Tenorstimme: Julian Stocker
- Altstimme, Kontratenor: Suzanne Joyes
|
5
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 12. Recitative. Wie wohl mein Herze schenken | |
1:09
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Violine, Geige: Adrian Butterfield
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Cello: Daniel Yeadon
- Viola, Bratsche: Rachel Byrt
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Flöte: Andrew Crawford
- Flöte: Christine Garratt
- Oboe: Caroline Kershaw
|
6
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 13. Aria. Ich will dir mein Herze schenken | |
3:15
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Violine, Geige: Adrian Butterfield
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Cello: Daniel Yeadon
- Viola, Bratsche: Rachel Byrt
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Flöte: Andrew Crawford
- Flöte: Christine Garratt
- Oboe: Caroline Kershaw
|
7
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 22. Recitative. Der Heiland fällt vor seinem Vater nieder | |
0:47
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Violine, Geige: Adrian Butterfield
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Bariton: Stephen Varcoe
- Cello: Daniel Yeadon
- Viola, Bratsche: Rachel Byrt
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Flöte: Andrew Crawford
- Flöte: Christine Garratt
- Oboe: Caroline Kershaw
|
8
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 23. Aria. Gerne will ich mich bequemen | |
3:55
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Violine, Geige: Adrian Butterfield
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Bariton: Stephen Varcoe
- Cello: Daniel Yeadon
- Viola, Bratsche: Rachel Byrt
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Flöte: Andrew Crawford
- Flöte: Christine Garratt
- Oboe: Caroline Kershaw
|
9
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 27a. Aria (Duet) with Chorus. So ist mein Jesus nun gefangen | |
3:13
|
- Komponist: Johann Sebastian Bach
- Sopranist: Nancy Argenta
- Flöte: Rachel Beckett
- Baß: John Bernays
- Tenor, Tenorstimme: Simon Berridge
- Violine, Geige: Adrian Butterfield
- Sopranist: Alicia Carroll
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Sopranist: Helen Groves
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Sopranist: Philippa Hyde
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Kontratenor, Falsettstimme: Jonathan Peter Kenny
- Oboe: Catherine Latham
- Tenor, Tenorstimme: David Lowe
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Baß: Robert Rice
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Sopranist: Katey Tansey
- Baß: Edward Wickham
- Cello: Daniel Yeadon
- Altstimme, Kontratenor: Ricard Bordas
- Sopranist: Temime Bowling
- Viola, Bratsche: Rachel Byrt
- Baß: Alastair Hamilton
- Altstimme, Kontratenor: Charles Humphries
- Baß: Martin Oxenham
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Altstimme, Kontratenor: Stephen Wallace
- Baß: Thomas Guthrie
- Flöte: Andrew Crawford
- Tenor, Tenorstimme: Darren Fox
- Flöte: Christine Garratt
- Altstimme, Kontratenor: Jacqueline Connell
- Altstimme, Kontratenor: Nicholas Hariades
- Oboe: Caroline Kershaw
- Tenor, Tenorstimme: Paul Phoenix
- Tenor, Tenorstimme: Alan Preston
- Sopranist: Carys Lloyd Roberts
- Tenor, Tenorstimme: Julian Stocker
- Altstimme, Kontratenor: Suzanne Joyes
|
10
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 27b. Chorus. Sind Blitze, sind Donner in Wolken verschwunden? | |
1:05
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Baß: John Bernays
- Tenor, Tenorstimme: Simon Berridge
- Violine, Geige: Adrian Butterfield
- Sopranist: Alicia Carroll
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Sopranist: Helen Groves
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Sopranist: Philippa Hyde
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Tenor, Tenorstimme: David Lowe
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Baß: Robert Rice
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Sopranist: Katey Tansey
- Baß: Edward Wickham
- Cello: Daniel Yeadon
- Altstimme, Kontratenor: Ricard Bordas
- Sopranist: Temime Bowling
- Viola, Bratsche: Rachel Byrt
- Baß: Alastair Hamilton
- Altstimme, Kontratenor: Charles Humphries
- Baß: Martin Oxenham
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Altstimme, Kontratenor: Stephen Wallace
- Baß: Thomas Guthrie
- Flöte: Andrew Crawford
- Tenor, Tenorstimme: Darren Fox
- Flöte: Christine Garratt
- Altstimme, Kontratenor: Jacqueline Connell
- Altstimme, Kontratenor: Nicholas Hariades
- Oboe: Caroline Kershaw
- Tenor, Tenorstimme: Paul Phoenix
- Tenor, Tenorstimme: Alan Preston
- Sopranist: Carys Lloyd Roberts
- Tenor, Tenorstimme: Julian Stocker
- Altstimme, Kontratenor: Suzanne Joyes
|
11
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 29. Chorale. O Mensch, bewein dein Sünde groß | |
5:35
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Baß: John Bernays
- Tenor, Tenorstimme: Simon Berridge
- Violine, Geige: Adrian Butterfield
- Sopranist: Alicia Carroll
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Sopranist: Helen Groves
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Sopranist: Philippa Hyde
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Tenor, Tenorstimme: David Lowe
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Baß: Robert Rice
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Sopranist: Katey Tansey
- Baß: Edward Wickham
- Cello: Daniel Yeadon
- Altstimme, Kontratenor: Ricard Bordas
- Sopranist: Temime Bowling
- Viola, Bratsche: Rachel Byrt
- Baß: Alastair Hamilton
- Altstimme, Kontratenor: Charles Humphries
- Baß: Martin Oxenham
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Altstimme, Kontratenor: Stephen Wallace
- Baß: Thomas Guthrie
- Flöte: Andrew Crawford
- Tenor, Tenorstimme: Darren Fox
- Flöte: Christine Garratt
- Altstimme, Kontratenor: Jacqueline Connell
- Altstimme, Kontratenor: Nicholas Hariades
- Oboe: Caroline Kershaw
- Tenor, Tenorstimme: Paul Phoenix
- Tenor, Tenorstimme: Alan Preston
- Sopranist: Carys Lloyd Roberts
- Tenor, Tenorstimme: Julian Stocker
- Altstimme, Kontratenor: Suzanne Joyes
|
12
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. Aria/Chorus. Ach! nun ist mein Jesus hin! | |
3:36
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Baß: John Bernays
- Tenor, Tenorstimme: Simon Berridge
- Violine, Geige: Adrian Butterfield
- Sopranist: Alicia Carroll
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Sopranist: Helen Groves
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Sopranist: Philippa Hyde
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Mezzosopran: Lynda Lee
- Tenor, Tenorstimme: David Lowe
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Baß: Robert Rice
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Sopranist: Katey Tansey
- Baß: Edward Wickham
- Cello: Daniel Yeadon
- Altstimme, Kontratenor: Ricard Bordas
- Sopranist: Temime Bowling
- Viola, Bratsche: Rachel Byrt
- Baß: Alastair Hamilton
- Altstimme, Kontratenor: Charles Humphries
- Baß: Martin Oxenham
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Altstimme, Kontratenor: Stephen Wallace
- Baß: Thomas Guthrie
- Flöte: Andrew Crawford
- Tenor, Tenorstimme: Darren Fox
- Flöte: Christine Garratt
- Altstimme, Kontratenor: Jacqueline Connell
- Altstimme, Kontratenor: Nicholas Hariades
- Oboe: Caroline Kershaw
- Tenor, Tenorstimme: Paul Phoenix
- Tenor, Tenorstimme: Alan Preston
- Sopranist: Carys Lloyd Roberts
- Tenor, Tenorstimme: Julian Stocker
- Altstimme, Kontratenor: Suzanne Joyes
|
13
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 34. Recitative. Mein Jesus schweigt | |
1:08
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Violine, Geige: Adrian Butterfield
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Tenor, Tenorstimme: Jamie MacDougall
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Cello: Daniel Yeadon
- Viola, Bratsche: Rachel Byrt
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Flöte: Andrew Crawford
- Flöte: Christine Garratt
- Oboe: Caroline Kershaw
|
14
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 35. Aria. Geduld! Wenn mich falsche Zungen stechen | |
3:12
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Violine, Geige: Adrian Butterfield
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Tenor, Tenorstimme: Jamie MacDougall
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Cello: Daniel Yeadon
- Viola, Bratsche: Rachel Byrt
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Flöte: Andrew Crawford
- Flöte: Christine Garratt
- Oboe: Caroline Kershaw
|
15
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 39. Aria. Erbarme dich, mein Gott, um meiner Zähren willen! | |
6:04
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Violine, Geige: Adrian Butterfield
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Kontratenor, Falsettstimme: Jonathan Peter Kenny
- Oboe: Catherine Latham
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Cello: Daniel Yeadon
- Viola, Bratsche: Rachel Byrt
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Flöte: Andrew Crawford
- Flöte: Christine Garratt
- Oboe: Caroline Kershaw
|
16
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 40. Chorale. Bin ich gleich von dir gewichen | |
1:12
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Baß: John Bernays
- Tenor, Tenorstimme: Simon Berridge
- Violine, Geige: Adrian Butterfield
- Sopranist: Alicia Carroll
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Sopranist: Helen Groves
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Sopranist: Philippa Hyde
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Tenor, Tenorstimme: David Lowe
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Baß: Robert Rice
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Sopranist: Katey Tansey
- Baß: Edward Wickham
- Cello: Daniel Yeadon
- Altstimme, Kontratenor: Ricard Bordas
- Sopranist: Temime Bowling
- Viola, Bratsche: Rachel Byrt
- Baß: Alastair Hamilton
- Altstimme, Kontratenor: Charles Humphries
- Baß: Martin Oxenham
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Altstimme, Kontratenor: Stephen Wallace
- Baß: Thomas Guthrie
- Flöte: Andrew Crawford
- Tenor, Tenorstimme: Darren Fox
- Flöte: Christine Garratt
- Altstimme, Kontratenor: Jacqueline Connell
- Altstimme, Kontratenor: Nicholas Hariades
- Oboe: Caroline Kershaw
- Tenor, Tenorstimme: Paul Phoenix
- Tenor, Tenorstimme: Alan Preston
- Sopranist: Carys Lloyd Roberts
- Tenor, Tenorstimme: Julian Stocker
- Altstimme, Kontratenor: Suzanne Joyes
|
17
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 42. Aria. Gebt mir meinen Jesum wieder! | |
2:42
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Violine, Geige: Adrian Butterfield
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Bariton: Stephen Varcoe
- Cello: Daniel Yeadon
- Viola, Bratsche: Rachel Byrt
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Flöte: Andrew Crawford
- Flöte: Christine Garratt
- Oboe: Caroline Kershaw
|
18
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 58a. Recitative. Und da wurden zween Morder...No. 58e. Recitative. Desgleichen schmähet | |
1:48
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Baß: John Bernays
- Tenor, Tenorstimme: Simon Berridge
- Violine, Geige: Adrian Butterfield
- Sopranist: Alicia Carroll
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Sopranist: Helen Groves
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Sopranist: Philippa Hyde
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Tenor, Tenorstimme: David Lowe
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Tenor, Tenorstimme: Rufus Müller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Baß: Robert Rice
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Sopranist: Katey Tansey
- Baß: Edward Wickham
- Cello: Daniel Yeadon
- Altstimme, Kontratenor: Ricard Bordas
- Sopranist: Temime Bowling
- Viola, Bratsche: Rachel Byrt
- Baß: Alastair Hamilton
- Altstimme, Kontratenor: Charles Humphries
- Baß: Martin Oxenham
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Altstimme, Kontratenor: Stephen Wallace
- Baß: Thomas Guthrie
- Flöte: Andrew Crawford
- Tenor, Tenorstimme: Darren Fox
- Flöte: Christine Garratt
- Altstimme, Kontratenor: Jacqueline Connell
- Altstimme, Kontratenor: Nicholas Hariades
- Oboe: Caroline Kershaw
- Tenor, Tenorstimme: Paul Phoenix
- Tenor, Tenorstimme: Alan Preston
- Sopranist: Carys Lloyd Roberts
- Tenor, Tenorstimme: Julian Stocker
- Altstimme, Kontratenor: Suzanne Joyes
|
19
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 59. Recitative. Ach Golgatha, unselges Golgatha! | |
1:10
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Violine, Geige: Adrian Butterfield
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Kontratenor, Falsettstimme: Jonathan Peter Kenny
- Oboe: Catherine Latham
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Cello: Daniel Yeadon
- Viola, Bratsche: Rachel Byrt
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Flöte: Andrew Crawford
- Flöte: Christine Garratt
- Oboe: Caroline Kershaw
|
20
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 60. Aria with Chorus. Sehet, Jesus hat die Hand | |
2:57
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Violine, Geige: Adrian Butterfield
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Kontratenor, Falsettstimme: Jonathan Peter Kenny
- Oboe: Catherine Latham
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Cello: Daniel Yeadon
- Viola, Bratsche: Rachel Byrt
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Flöte: Andrew Crawford
- Flöte: Christine Garratt
- Oboe: Caroline Kershaw
|
21
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 61a. Recitative. Und von der sechsten Stunden...No. 61e. Recitative. Aber Jesus schriee | |
2:04
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Baß: John Bernays
- Tenor, Tenorstimme: Simon Berridge
- Violine, Geige: Adrian Butterfield
- Sopranist: Alicia Carroll
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Sopranist: Helen Groves
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Sopranist: Philippa Hyde
- Bariton: Richard Jackson
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Tenor, Tenorstimme: David Lowe
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Tenor, Tenorstimme: Rufus Müller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Baß: Robert Rice
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Sopranist: Katey Tansey
- Baß: Edward Wickham
- Cello: Daniel Yeadon
- Altstimme, Kontratenor: Ricard Bordas
- Sopranist: Temime Bowling
- Viola, Bratsche: Rachel Byrt
- Baß: Alastair Hamilton
- Altstimme, Kontratenor: Charles Humphries
- Baß: Martin Oxenham
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Altstimme, Kontratenor: Stephen Wallace
- Baß: Thomas Guthrie
- Flöte: Andrew Crawford
- Tenor, Tenorstimme: Darren Fox
- Flöte: Christine Garratt
- Altstimme, Kontratenor: Jacqueline Connell
- Altstimme, Kontratenor: Nicholas Hariades
- Oboe: Caroline Kershaw
- Tenor, Tenorstimme: Paul Phoenix
- Tenor, Tenorstimme: Alan Preston
- Sopranist: Carys Lloyd Roberts
- Tenor, Tenorstimme: Julian Stocker
- Altstimme, Kontratenor: Suzanne Joyes
|
22
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 62. Chorale. Wenn ich einmal soll scheiden | |
1:38
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Baß: John Bernays
- Tenor, Tenorstimme: Simon Berridge
- Violine, Geige: Adrian Butterfield
- Sopranist: Alicia Carroll
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Sopranist: Helen Groves
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Sopranist: Philippa Hyde
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Tenor, Tenorstimme: David Lowe
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Baß: Robert Rice
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Sopranist: Katey Tansey
- Baß: Edward Wickham
- Cello: Daniel Yeadon
- Altstimme, Kontratenor: Ricard Bordas
- Sopranist: Temime Bowling
- Viola, Bratsche: Rachel Byrt
- Baß: Alastair Hamilton
- Altstimme, Kontratenor: Charles Humphries
- Baß: Martin Oxenham
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Altstimme, Kontratenor: Stephen Wallace
- Baß: Thomas Guthrie
- Flöte: Andrew Crawford
- Tenor, Tenorstimme: Darren Fox
- Flöte: Christine Garratt
- Altstimme, Kontratenor: Jacqueline Connell
- Altstimme, Kontratenor: Nicholas Hariades
- Oboe: Caroline Kershaw
- Tenor, Tenorstimme: Paul Phoenix
- Tenor, Tenorstimme: Alan Preston
- Sopranist: Carys Lloyd Roberts
- Tenor, Tenorstimme: Julian Stocker
- Altstimme, Kontratenor: Suzanne Joyes
|
23
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 64. Recitative. Am Abend, da es kühle war | |
1:43
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Violine, Geige: Adrian Butterfield
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Bariton: Stephen Varcoe
- Cello: Daniel Yeadon
- Viola, Bratsche: Rachel Byrt
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Flöte: Andrew Crawford
- Flöte: Christine Garratt
- Oboe: Caroline Kershaw
|
24
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 65. Aria. Mache dich, mein Herze, rein | |
6:08
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Violine, Geige: Adrian Butterfield
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Bariton: Stephen Varcoe
- Cello: Daniel Yeadon
- Viola, Bratsche: Rachel Byrt
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Flöte: Andrew Crawford
- Flöte: Christine Garratt
- Oboe: Caroline Kershaw
|
25
| | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 68. Chorus. Wir setzen uns mit Tränen nieder | |
5:16
|
- Komponist: Johann Sebastian Bach
- Flöte: Rachel Beckett
- Baß: John Bernays
- Tenor, Tenorstimme: Simon Berridge
- Violine, Geige: Adrian Butterfield
- Sopranist: Alicia Carroll
- Violine, Geige: Iona Davies
- Dirigent: Paul Goodwin
- Cello: Helen Gough
- Sopranist: Helen Groves
- Oboe: Gail Hennessey
- Violine, Geige: Fiona Huggett
- Viola, Bratsche: William Hunt
- Viola da gamba, Gambe: William Hunt
- Violone, Baßviole: William Hunt
- Sopranist: Philippa Hyde
- Orgel: James Johnstone
- Violine, Geige: Jonathan Kahan
- Oboe: Catherine Latham
- Tenor, Tenorstimme: David Lowe
- Violine, Geige: Anna McDonald
- Violine, Geige: Rebecca Miles
- Blockflöte: Rebecca Miles
- Regisseur: Jonathan Miller
- Violine, Geige: Helen Orsler
- Violine, Geige: Rachel Podger
- Orchesterleiter: Rachel Podger
- Baß: Robert Rice
- Orgel: Timothy Roberts
- Viola, Bratsche: Jane Rogers
- Violine, Geige: Clare Salaman
- Orchesterleiter: Clare Salaman
- Flöte: Ashley Solomon
- Blockflöte: Ashley Solomon
- Sopranist: Katey Tansey
- Baß: Edward Wickham
- Cello: Daniel Yeadon
- Altstimme, Kontratenor: Ricard Bordas
- Sopranist: Temime Bowling
- Viola, Bratsche: Rachel Byrt
- Baß: Alastair Hamilton
- Altstimme, Kontratenor: Charles Humphries
- Baß: Martin Oxenham
- Violine, Geige: Joanna Parker
- Oboe: Mark Radcliffe
- Altstimme, Kontratenor: Stephen Wallace
- Baß: Thomas Guthrie
- Flöte: Andrew Crawford
- Tenor, Tenorstimme: Darren Fox
- Flöte: Christine Garratt
- Altstimme, Kontratenor: Jacqueline Connell
- Altstimme, Kontratenor: Nicholas Hariades
- Oboe: Caroline Kershaw
- Tenor, Tenorstimme: Paul Phoenix
- Tenor, Tenorstimme: Alan Preston
- Sopranist: Carys Lloyd Roberts
- Tenor, Tenorstimme: Julian Stocker
- Altstimme, Kontratenor: Suzanne Joyes
|