Boulez conducts Schoenberg, Berio, Carter, Kurtág, Xenakis
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Artist | Pierre Boulez |
Bewertung | |
Epoche | Modern (1910-1949) |
Label | Erato |
Erschienen |
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Pelleas und Melisande, symphonic poem, Op. 5 | 40:20 | ||
1 | Pelleas und Melisande, symphonic poem, Op. 5 | 40:20 | ||
2 | Variations for Orchestra, Op. 31 - Introduction | 1:36 | ||
2 | Variations for Orchestra, Op. 31 - Introduction | 1:36 | ||
3 | Variations for Orchestra, Op. 31 - Theme | 1:04 | ||
3 | Variations for Orchestra, Op. 31 - Theme | 1:04 | ||
4 | Variations for Orchestra, Op. 31 - Variation 1 | 1:12 | ||
4 | Variations for Orchestra, Op. 31 - Variation 1 | 1:12 | ||
5 | Variations for Orchestra, Op. 31 - Variation 2 | 1:31 | ||
5 | Variations for Orchestra, Op. 31 - Variation 2 | 1:31 | ||
6 | Variations for Orchestra, Op. 31 - Variation 3 | :42 | ||
6 | Variations for Orchestra, Op. 31 - Variation 3 | :42 | ||
7 | Variations for Orchestra, Op. 31 - Variation 4 | 1:27 | ||
7 | Variations for Orchestra, Op. 31 - Variation 4 | 1:27 | ||
8 | Variations for Orchestra, Op. 31 - Variation 5 | 1:47 | ||
8 | Variations for Orchestra, Op. 31 - Variation 5 | 1:47 | ||
9 | Variations for Orchestra, Op. 31 - Variation 6 | 1:27 | ||
9 | Variations for Orchestra, Op. 31 - Variation 6 | 1:27 | ||
10 | Variations for Orchestra, Op. 31 - Variation 7 | 2:09 | ||
10 | Variations for Orchestra, Op. 31 - Variation 7 | 2:09 | ||
11 | Variations for Orchestra, Op. 31 - Variation 8 | :34 | ||
11 | Variations for Orchestra, Op. 31 - Variation 8 | :34 | ||
12 | Variations for Orchestra, Op. 31 - Variation 9 | 1:02 | ||
12 | Variations for Orchestra, Op. 31 - Variation 9 | 1:02 | ||
13 | Variations for Orchestra, Op. 31 - Final | 5:26 | ||
13 | Variations for Orchestra, Op. 31 - Final | 5:26 | ||
14 | Sinfonia, for 8 amplified voices & orchestra - Movement 1 | 6:20 | ||
14 | Sinfonia, for 8 amplified voices & orchestra - Movement 1 | 6:20 | ||
15 | Sinfonia, for 8 amplified voices & orchestra - Movement 2, O King | 5:01 | ||
15 | Sinfonia, for 8 amplified voices & orchestra - Movement 2, O King | 5:01 | ||
16 | Sinfonia, for 8 amplified voices & orchestra - Movement 3, In ruhig fließender Bewegung | 12:26 | ||
16 | Sinfonia, for 8 amplified voices & orchestra - Movement 3, In ruhig fließender Bewegung | 12:26 | ||
17 | Sinfonia, for 8 amplified voices & orchestra - Movement 4 | 3:25 | ||
17 | Sinfonia, for 8 amplified voices & orchestra - Movement 4 | 3:25 | ||
18 | Sinfonia, for 8 amplified voices & orchestra - Movement 5 | 7:19 | ||
18 | Sinfonia, for 8 amplified voices & orchestra - Movement 5 | 7:19 | ||
19 | Eindrücke, for orchestra | 10:15 | ||
19 | Eindrücke, for orchestra | 10:15 | ||
20 | Oboe Concerto | 19:57 | ||
20 | Oboe Concerto | 19:57 | ||
21 | Esprit Rude / Esprit Doux, for flute & clarinet | 4:52 | ||
21 | Esprit Rude / Esprit Doux, for flute & clarinet | 4:52 | ||
22 | A Mirror on Which to Dwell, for soprano & chamber orchestra - Anaphora | 3:40 | ||
22 | A Mirror on Which to Dwell, for soprano & chamber orchestra - Anaphora | 3:40 | ||
23 | A Mirror on Which to Dwell, for soprano & chamber orchestra - Argument | 2:24 | ||
23 | A Mirror on Which to Dwell, for soprano & chamber orchestra - Argument | 2:24 | ||
24 | A Mirror on Which to Dwell, for soprano & chamber orchestra - Sandpiper | 2:22 | ||
24 | A Mirror on Which to Dwell, for soprano & chamber orchestra - Sandpiper | 2:22 | ||
25 | A Mirror on Which to Dwell, for soprano & chamber orchestra - Insomnia | 3:04 | ||
25 | A Mirror on Which to Dwell, for soprano & chamber orchestra - Insomnia | 3:04 | ||
26 | A Mirror on Which to Dwell, for soprano & chamber orchestra - View Of The Capitol From The Library of Congress | 3:03 | ||
26 | A Mirror on Which to Dwell, for soprano & chamber orchestra - View Of The Capitol From The Library of Congress | 3:03 | ||
27 | A Mirror on Which to Dwell, for soprano & chamber orchestra - O Breath | 4:07 | ||
27 | A Mirror on Which to Dwell, for soprano & chamber orchestra - O Breath | 4:07 | ||
28 | Penthode, for 5 groups of 4 instruments | 19:23 | ||
28 | Penthode, for 5 groups of 4 instruments | 19:23 | ||
29 | Messages of the late R. V. Troussova, 21 Poems by Rimma Dalos for soprano & chamber ensemble, Op 17 | 25:52 | ||
29 | Messages of the late R. V. Troussova, 21 Poems by Rimma Dalos for soprano & chamber ensemble, Op 17 | 25:52 | ||
30 | . . . agm. . ., for 16 voices & 3 instrumental groups | 27:10 | ||
30 | . . . agm. . ., for 16 voices & 3 instrumental groups | 27:10 | ||
31 | Modulations for 33 musicians | 18:36 | ||
31 | Modulations for 33 musicians | 18:36 | ||
32 | Jalons, for 15 musicians | 14:39 | ||
32 | Jalons, for 15 musicians | 14:39 | ||
33 | Antiphysis | 18:14 | ||
33 | Antiphysis | 18:14 | ||
34 | Funérailles (Version 1) for string sextet, double bass, and harp | 11:10 | ||
34 | Funérailles (Version 1) for string sextet, double bass, and harp | 11:10 | ||
35 | Funérailles (Version 2) for 7 strings & harp | 13:31 | ||
35 | Funérailles (Version 2) for 7 strings & harp | 13:31 |
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