Robert Tear Sings Handel, Arne & Boyce
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Artist | Robert Tear |
Bewertung | |
Epoche | Barock (1600-1749) |
Label | Argo |
Erschienen | 2007 |
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Look Down, Harmonious Saint, cantata for tenor, strings & continuo, HWV 124 - Recitative: Look down, look down | 1:20 | ||
2 | Look Down, Harmonious Saint, cantata for tenor, strings & continuo, HWV 124 - Aria: Sweet accents all your numbers grace | 9:59 | ||
3 | Meine Seele hört im Sehen (German Aria No.6), hymn for soprano & continuo, HWV 207 | 4:10 | ||
4 | Süsse Stille, sanfte Quelle (German Aria No.4), hymn for soprano & continuo, HWV 205 | 3:52 | ||
5 | Bacchus and Ariadne, solo cantata for voice, 2 flutes, 2 oboes, 2 horns, strings & continuo (Six Cantatas No. 4) - Recitative: The faithless Theseus... | 1:15 | ||
6 | Bacchus and Ariadne, solo cantata for voice, 2 flutes, 2 oboes, 2 horns, strings & continuo (Six Cantatas No. 4) - Aria: Ah Theseus, Theseus stay | 2:10 | ||
7 | Bacchus and Ariadne, solo cantata for voice, 2 flutes, 2 oboes, 2 horns, strings & continuo (Six Cantatas No. 4) - Recit: The jolly God who rules | :41 | ||
8 | Bacchus and Ariadne, solo cantata for voice, 2 flutes, 2 oboes, 2 horns, strings & continuo (Six Cantatas No. 4) - Aria: Cease lovely Nymph to weep | 2:04 | ||
9 | Bacchus and Ariadne, solo cantata for voice, 2 flutes, 2 oboes, 2 horns, strings & continuo (Six Cantatas No. 4) - Recitative: With soft reluctance | 1:30 | ||
10 | Bacchus and Ariadne, solo cantata for voice, 2 flutes, 2 oboes, 2 horns, strings & continuo (Six Cantatas No. 4) - Aria: Learn hence ye fond maidens | 2:53 | ||
11 | Fair Celia love pretended, solo cantata for voice, violins & continuo - Recit: Fair Caelia love pretented | :44 | ||
12 | Fair Celia love pretended, solo cantata for voice, violins & continuo - Aria: To all the sex deceitfull | 1:45 | ||
13 | Fair Celia love pretended, solo cantata for voice, violins & continuo - Recit: But Caelia now repenting | :42 | ||
14 | Fair Celia love pretended, solo cantata for voice, violins & continuo - Aria: How engaging, how endearing | 2:12 | ||
15 | Song of Momus to Mars | 2:46 | ||
16 | The Lass of Richmond Hill | 2:36 |
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