Sacred Women: Women as Composers and Performers of Medieval Chant
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Artist | Sarband |
Bewertung | |
Epoche | Mittelalter (1-1449) |
Label | Dorian |
Erschienen | 2001 |
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | Alyâwma (Crucifixion) | 5:05 | ||
1 | Alyâwma (Crucifixion) | 5:05 | ||
2 | Alleluia-Victimae pascali laudes (Prose for Easter) | 2:06 | ||
2 | Alleluia-Victimae pascali laudes (Prose for Easter) | 2:06 | ||
3 | O magne pater, antiphon | 5:42 | ||
3 | O magne pater, antiphon | 5:42 | ||
4 | Alleluia, antiphon from the octoechoes (Athens MS 2406) | 2:26 | ||
4 | Alleluia, antiphon from the octoechoes (Athens MS 2406) | 2:26 | ||
5 | Benedicamus Virgini Matri, for men's ensemble | 1:19 | ||
5 | Benedicamus Virgini Matri, for men's ensemble | 1:19 | ||
6 | Catholicorum Concio | 3:35 | ||
6 | Catholicorum Concio | 3:35 | ||
7 | Augustus-Sticheron Idiomelon Doxastikon: Vespers of December 25 (Athens MS 883) | 4:14 | ||
7 | Augustus-Sticheron Idiomelon Doxastikon: Vespers of December 25 (Athens MS 883) | 4:14 | ||
8 | Rex virginum amator (2v Kyrie trope) | 2:11 | ||
8 | Rex virginum amator (2v Kyrie trope) | 2:11 | ||
9 | Kyrie eleyson (Greek-Arabic Kyrie trope) | 3:00 | ||
9 | Kyrie eleyson (Greek-Arabic Kyrie trope) | 3:00 | ||
10 | Inna Moussa | 3:13 | ||
10 | Inna Moussa | 3:13 | ||
11 | Salve Regina Glorie | 4:08 | ||
11 | Salve Regina Glorie | 4:08 | ||
12 | Ordo Virtutum, liturgical drama - O plangens vox | 3:45 | ||
12 | Ordo Virtutum, liturgical drama - O plangens vox | 3:45 | ||
13 | Fallen Woman | 7:08 | ||
13 | Fallen Woman | 7:08 | ||
14 | Mundi Dolens de Iactura, motet | 1:30 | ||
14 | Mundi Dolens de Iactura, motet | 1:30 | ||
15 | Ya rabbi - L'Apostikhon de l'Office de Mercredi Saint (Prière de Marie-Madeleine) | 7:15 | ||
15 | Ya rabbi - L'Apostikhon de l'Office de Mercredi Saint (Prière de Marie-Madeleine) | 7:15 | ||
16 | Psallat Chorus in Novo Carmina; Eximie Pater Egregie; (Aptatur), motet, for men's ensemble | 1:45 | ||
16 | Psallat Chorus in Novo Carmina; Eximie Pater Egregie; (Aptatur), motet, for men's ensemble | 1:45 | ||
17 | Rex noster promptus est, response for the Holy Innocents | 4:56 | ||
17 | Rex noster promptus est, response for the Holy Innocents | 4:56 | ||
18 | Audi pontus, audi tellus, motet | 4:04 | ||
18 | Audi pontus, audi tellus, motet | 4:04 |
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