Sacred Women: Women as Composers and Performers of Medieval Chant
0
TickIt!
Artist | Sarband |
Bewertung | ![]() |
Epoche | Mittelalter (1-1449) |
Label | Dorian |
Erschienen | 2001 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | Alyâwma (Crucifixion) | ![]() | 5:05 |
1 | ![]() | Alyâwma (Crucifixion) | ![]() | 5:05 |
2 | ![]() | Alleluia-Victimae pascali laudes (Prose for Easter) | ![]() | 2:06 |
2 | ![]() | Alleluia-Victimae pascali laudes (Prose for Easter) | ![]() | 2:06 |
3 | ![]() | O magne pater, antiphon | ![]() | 5:42 |
3 | ![]() | O magne pater, antiphon | ![]() | 5:42 |
4 | ![]() | Alleluia, antiphon from the octoechoes (Athens MS 2406) | ![]() | 2:26 |
4 | ![]() | Alleluia, antiphon from the octoechoes (Athens MS 2406) | ![]() | 2:26 |
5 | ![]() | Benedicamus Virgini Matri, for men's ensemble | ![]() | 1:19 |
5 | ![]() | Benedicamus Virgini Matri, for men's ensemble | ![]() | 1:19 |
6 | ![]() | Catholicorum Concio | ![]() | 3:35 |
6 | ![]() | Catholicorum Concio | ![]() | 3:35 |
7 | ![]() | Augustus-Sticheron Idiomelon Doxastikon: Vespers of December 25 (Athens MS 883) | ![]() | 4:14 |
7 | ![]() | Augustus-Sticheron Idiomelon Doxastikon: Vespers of December 25 (Athens MS 883) | ![]() | 4:14 |
8 | ![]() | Rex virginum amator (2v Kyrie trope) | ![]() | 2:11 |
8 | ![]() | Rex virginum amator (2v Kyrie trope) | ![]() | 2:11 |
9 | ![]() | Kyrie eleyson (Greek-Arabic Kyrie trope) | ![]() | 3:00 |
9 | ![]() | Kyrie eleyson (Greek-Arabic Kyrie trope) | ![]() | 3:00 |
10 | ![]() | Inna Moussa | ![]() | 3:13 |
10 | ![]() | Inna Moussa | ![]() | 3:13 |
11 | ![]() | Salve Regina Glorie | ![]() | 4:08 |
11 | ![]() | Salve Regina Glorie | ![]() | 4:08 |
12 | ![]() | Ordo Virtutum, liturgical drama - O plangens vox | ![]() | 3:45 |
12 | ![]() | Ordo Virtutum, liturgical drama - O plangens vox | ![]() | 3:45 |
13 | ![]() | Fallen Woman | ![]() | 7:08 |
13 | ![]() | Fallen Woman | ![]() | 7:08 |
14 | ![]() | Mundi Dolens de Iactura, motet | ![]() | 1:30 |
14 | ![]() | Mundi Dolens de Iactura, motet | ![]() | 1:30 |
15 | ![]() | Ya rabbi - L'Apostikhon de l'Office de Mercredi Saint (Prière de Marie-Madeleine) | ![]() | 7:15 |
15 | ![]() | Ya rabbi - L'Apostikhon de l'Office de Mercredi Saint (Prière de Marie-Madeleine) | ![]() | 7:15 |
16 | ![]() | Psallat Chorus in Novo Carmina; Eximie Pater Egregie; (Aptatur), motet, for men's ensemble | ![]() | 1:45 |
16 | ![]() | Psallat Chorus in Novo Carmina; Eximie Pater Egregie; (Aptatur), motet, for men's ensemble | ![]() | 1:45 |
17 | ![]() | Rex noster promptus est, response for the Holy Innocents | ![]() | 4:56 |
17 | ![]() | Rex noster promptus est, response for the Holy Innocents | ![]() | 4:56 |
18 | ![]() | Audi pontus, audi tellus, motet | ![]() | 4:04 |
18 | ![]() | Audi pontus, audi tellus, motet | ![]() | 4:04 |
Bewertungen zu Sacred Women: Women as Composers and Performers...
Es wurde noch kein Kommentar zu diesem Album abgegeben