Henry Purcell & His Time
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Artist | Scaramouche |
Bewertung | |
Epoche | Barock (1600-1749) |
Label | Channel Classics |
Erschienen | 1992 |
Klassik-Werke auf diesem Album
# | Werk/Besetzung | Dauer | ||
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1 | The Broken Consort Part 1, suites (6) for 2 violins, bass viol & continuo: Suite No 4 | - | ||
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2 | Consort Suite No 7 | - | ||
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3 | Work(s): Fantasy | 3:56 | ||
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4 | Divisions | 9:21 | ||
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5 | The Broken Consort Part 1, suites (6) for 2 violins, bass viol & continuo: Suite No 3 | - | ||
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6 | Consort Suite No 7 | - | ||
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7 | John, Come Kiss | 3:15 | ||
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8 | Work(s): Pavan a4 | 4:37 | ||
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9 | Work(s): Pavan a3 | 3:25 | ||
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10 | Fantasia upon a ground, for 3 violins (or recorders) & continuo in D major /F major, Z. 731 | 4:30 | ||
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Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | The Broken Consort Part 1, suites (6) for 2 violins, bass viol & continuo | - | ||
2 | Consort Suite No 7 | - | ||
3 | Work(s) | 3:56 | ||
4 | Divisions | 9:21 | ||
5 | The Broken Consort Part 1, suites (6) for 2 violins, bass viol & continuo | - | ||
6 | Consort Suite No 7 | - | ||
7 | John, Come Kiss | 3:15 | ||
8 | Work(s) | 4:37 | ||
9 | Work(s) | 3:25 | ||
10 | Fantasia upon a ground, for 3 violins (or recorders) & continuo in D major /F major, Z. 731 | 4:30 |
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