The Very Best of the Three Tenors
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Artist | The Three Tenors |
Bewertung | |
Epoche | Romantische Musik (1820-1869) |
Label | Universal Portugal Sa |
Erschienen | 2004 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
# | Titel | Dauer | ||
---|---|---|---|---|
1 | La bohème, opera | 4:54 | ||
2 | Aida, opera | 4:21 | ||
3 | Rigoletto, opera | 2:43 | ||
4 | Carmen, opera | 4:21 | ||
5 | Turandot, opera | 3:01 | ||
6 | Il Trovatore, opera | 3:24 | ||
7 | Tosca, opera | 3:18 | ||
8 | Luisa Miller, opera | 3:41 | ||
9 | Les contes d'Hoffmann, opera in 4 acts | 2:33 | ||
10 | Il Trovatore, opera | 3:20 | ||
11 | La Gioconda, opera in 4 acts | 4:46 | ||
12 | Pagliacci, opera | 3:33 | ||
13 | I Puritani, opera | 4:14 | ||
14 | Un ballo in maschera, opera | 3:20 | ||
15 | Serse (Xerxes), opera, HWV 40 | 2:50 | ||
16 | Rigoletto, opera | 4:44 | ||
17 | Turandot, opera | 2:36 | ||
18 | Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke") | 3:46 | ||
19 | Granada | 3:58 | ||
20 | Ay, Ay, Ay, canción criolla for voice & orchestra | 3:09 | ||
21 | Funiculì Funiculà, for voice & orchestra (& chorus ad lib) | 2:40 | ||
22 | Siboney for voice & piano (or orchestra) | 3:38 | ||
23 | Fenesta che lucive e mo' non luci, song for voice & piano | 3:35 | ||
24 | O sole mio, for voice & piano (or orchestra) | 3:21 | ||
25 | Core 'ngrato (Catari), for voice & orchestra | 3:12 | ||
26 | Mattinata ("L'aurora di bianco vestita"), song for voice & piano (or orchestra) | 1:58 | ||
27 | Mucho mucho, for voice & orchestra | 3:45 | ||
28 | Marechiare, for voice & piano (or orchestra) | 3:52 | ||
29 | My Own True Love | 3:42 | ||
30 | Júrame for voice & orchestra | 3:39 | ||
31 | Memory, song (for the musical Cats) | 4:17 | ||
32 | Be My Love, for voice & orchestra (from "The Toast of New Orleans") | 3:11 | ||
33 | Mamma | 3:32 | ||
34 | Torna a Surriento, for voice & piano (or orchestra) | 4:27 | ||
35 | Lolita, serenata spagnola for voice & orchestra | 2:51 | ||
36 | Vida Mia for voice & orchestra | 3:51 |
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