1
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Lamentationes Hieremiae (9), for 5 voices, H. xxii/3 | |
3:04
|
2
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O vos omnes, Holy Saturday responsory for 6 voices, W. 7/80 | |
4:07
|
3
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Mass de Cappella for 6 voices on Gomberti's motet "In Illo Tempore" (from Vespers), SV 205 | |
3:44
|
4
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Vespro della beata vergine, for chorus & instruments, SV 206 | |
2:22
|
5
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Vespro della beata vergine, for chorus & instruments, SV 206 | |
6:17
|
6
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Vespro della beata vergine, for chorus & instruments, SV 206 | |
:56
|
7
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Vespro della beata vergine, for chorus & instruments, SV 206 | |
1:12
|
8
| |
Vespro della beata vergine, for chorus & instruments, SV 206 | |
1:53
|
9
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Vespro della beata vergine, for chorus & instruments, SV 206 | |
1:26
|
10
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Sacrae Concertationes, for voices & strings - no. 9, Dialogo della cantica | |
6:33
|
11
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Vespro (6) della Beata Vergine, for 8 voices & continuo | |
9:22
|
12
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Dum Silentium, motet | |
4:16
|
13
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Jubilate Deo, motet | |
1:58
|
14
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Bone Jesu, verbum Patris, for 2 sopranos or tenors & continuo, SWV 313 (Op. 9/8) | |
4:40
|
15
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Bringt her dem Herren, for mezzo-soprano & continuo, SWV 283 (Op. 8/2) | |
2:57
|
16
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Herr nun lässest du deinen Diener/Selig sind die Toten, for double chorus & continuo ("Canticum B. Simeonis"), SWV 281 (Op. 7/3) | |
4:57
|
17
| |
Herr, auf dich traue ich, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 377 (Op. 11/9) | |
3:09
|
18
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Ich bin eine rufende Stimme, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 383 (Op. 11/15) | |
4:06
|
19
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Siehe, nach Trost war mir sehr bange, motet for 5 voices & continuo (Israelis Brünlein No. 18) | |
4:04
|
20
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Die mit Tränen säen, motet for 5 voices & continuo (Israelis Brünlein No. 3) | |
3:19
|
21
| |
Magnificat | |
4:07
|
22
| |
Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267 | |
3:15
|
23
| |
Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267 | |
1:10
|
24
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Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267 | |
2:06
|
25
| |
Membra Jesu Nostri, cantata in 7 sections for SSATB voices, 2 violins, 5 violas da gamba, violone & continuo, BuxWV 75 | |
8:55
|
26
| |
Rejoice in the Lord alway ("Bell Anthem"), anthem for alto, tenor, bass, chorus, strings & organ, Z. 49 | |
8:06
|
27
| |
Laudate Pueri Dominum, psalm, for soprano, chorus & orchestra in D, HWV 237 | |
3:24
|
28
| |
Stabat mater, for soprano, alto, strings & organ in F major - Duo: Stabat Mater dolorosa | |
3:31
|
29
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Stabat mater, for soprano, alto, strings & organ in F major - Duo: Qui est homo, qui non fleret | |
2:53
|
30
| |
Stabat mater, for soprano, alto, strings & organ in F major - Duo: Fac, ut ardeat cor meum | |
2:22
|
31
| |
Sonata à 4 al Santo Sepolcro, for 2 violins, viola & continuo in E flat major, RV 130 - Largo | |
2:26
|
32
| |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Eija mater, fons amoris. Largo | |
2:43
|
33
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Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Amen. Allegro | |
1:04
|
34
| |
Regina coeli, motet for 3 voices & continuo, LWV 77/12 | |
4:05
|
35
| |
Cantique sur le bonheur des justes, motet, S. 127 - Heureux, quie de la sagesse | |
2:06
|
36
| |
Cantique sur le bonheur des justes, motet, S. 127 - De quelle douleur profonde | |
2:27
|
37
| |
Cantique sur le bonheur des justes, motet, S. 127 - Infortunés que nous sommes | |
2:14
|
38
| |
Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483 - Ouverture | |
1:19
|
39
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Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483 - Scène 1. Air "Que nos soupirs" | |
1:34
|
40
| |
Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483 - Chœur "Le règne du péché" | |
3:17
|
41
| |
Work(s) - Leçons de Ténèbres du Mercredy Sainct | |
1:25
|
42
| |
Work(s) - Leçons de Ténèbres du Mercredy Sainct | |
:41
|
43
| |
Work(s) - Leçons de Ténèbres du Mercredy Sainct | |
2:35
|
44
| |
Work(s) - Leçons de Ténèbres du Mercredy Sainct | |
2:29
|
45
| |
Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo | |
:38
|
46
| |
Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo | |
1:55
|
47
| |
Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo | |
1:55
|
48
| |
Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo | |
2:12
|
49
| |
Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo | |
1:03
|
50
| |
Regina coeli, motet for 2 treble voices & continuo (Le Manuscrit du comte de Toulouse) | |
3:37
|
51
| |
March for kettledrums | |
1:23
|
52
| |
Te Deum, motet for 8 voices, chorus & orchestra, H. 146 - Prélude | |
1:52
|
53
| |
Te Deum, motet for 8 voices, chorus & orchestra, H. 146 - Te Deum laudamus | |
1:04
|
54
| |
Te Deum, motet for 8 voices, chorus & orchestra, H. 146 - Te aeternum Patrem | |
4:04
|
55
| |
Memorare, grand motet for double choir, strings & continuo | |
8:41
|
56
| |
Super Flumina Babylonis, grand motet for double choir, strings & continuo - Super flumina Babylonis | |
4:13
|
57
| |
Dies Irae | |
18:45
|
58
| |
Super Flumina Babylonis, grand motet for double choir, strings & continuo - [Symphonie] Super flumina Babilonis | |
3:58
|
59
| |
Super Flumina Babylonis, grand motet for double choir, strings & continuo - Filia Babilonis misera | |
1:20
|
60
| |
Super Flumina Babylonis, grand motet for double choir, strings & continuo - Filia Babilonis misera | |
1:22
|
61
| |
Miserere à voix seule - Miserere mei, Deus. Chœur: Et secundum | |
1:40
|
62
| |
Miserere à voix seule - Tunc acceptabis sacrificium | |
2:01
|
63
| |
Miserere mei Deus - Miserere mei, Deus | |
4:04
|
64
| |
Miserere mei Deus - Amplius lava me | |
2:31
|
65
| |
Miserere mei Deus - Ecce enim in iniquitatibus | |
1:23
|
66
| |
Miserere mei Deus - Docebo iniquos | |
1:32
|
67
| |
Messe Rouge H.434 - Motet pour l'offertoire | |
5:24
|
68
| |
Requiem Mass - Sanctus | |
3:49
|
69
| |
In convertendo, grand motet for soloists, chorus, 2 flutes, 2 horns, violin, viola & continuo - Récit: In convertendo | |
2:48
|
70
| |
In convertendo, grand motet for soloists, chorus, 2 flutes, 2 horns, violin, viola & continuo - Chœur: Tunc repletum est | |
3:31
|
71
| |
Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) | |
:42
|
72
| |
Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) | |
2:20
|
73
| |
Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) | |
1:42
|
74
| |
Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) | |
1:22
|
75
| |
Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) | |
1:26
|
76
| |
Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) | |
1:24
|
77
| |
La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo - Introduzion | |
:55
|
78
| |
La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo - O cecita del misero mortale! | |
1:39
|
79
| |
La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo - Piangerà | |
2:53
|
80
| |
Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Die Auferstehung unsers Herren Jesu | |
1:16
|
81
| |
Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Da der Sabbath vergangen war... | |
2:43
|
82
| |
Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Die drei Weiber: Wer wälzet uns den Stein von des Grabes Tür? | |
-
|
83
| |
Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Maria aber stund vor dem Grabe und weinet draußen | |
:58
|
84
| |
Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Weib, was weinest du | |
4:45
|
85
| |
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Die Geburt unsres Herren Jesu Christi | |
1:59
|
86
| |
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Der Engel: Fürchtet euch nicht | |
3:19
|
87
| |
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Die Menge der Engel (La Troupe des Anges) | |
1:54
|
88
| |
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Und sie kamen eilend... Da nun Jesus geboren war | |
1:18
|
89
| |
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Die Weisen aus Morgenlande (Les Mages) | |
1:48
|
90
| |
In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416 - Première partie. Prélude | |
1:34
|
91
| |
In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416 - Usque quo avertis faciem ... Memorare testamenti | |
3:23
|
92
| |
In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416 - Deuxième partie. Nuit | |
1:43
|
93
| |
In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416 - Troisième partie. Réveil des Bergers: Coeli aperti sunt | |
5:31
|
94
| |
Maddalena ai piedi di Cristo, oratorio - In lagrime stemparto | |
4:25
|
95
| |
Maddalena ai piedi di Cristo, oratorio - La ragione, s'un alma conseglia | |
2:53
|
96
| |
Maddalena ai piedi di Cristo, oratorio - Così sciolta da'lacci de' sui error | |
:37
|
97
| |
Maddalena ai piedi di Cristo, oratorio - Alle Vittorie | |
:36
|
98
| |
La Giuditta, oratorio - Giuditta. Récit Alto Signore" | |
5:06
|
99
| |
Messiah, oratorio, HWV 56 - Behold the lamb of God | |
2:19
|
100
| |
Messiah, oratorio, HWV 56 - Thus saith the Lord of Hosts | |
1:40
|
101
| |
Messiah, oratorio, HWV 56 - But who may abide the day of His coming | |
4:38
|
102
| |
Messiah, oratorio, HWV 56 - And he shall purify the sons of Levi | |
2:17
|
103
| |
Messiah, oratorio, HWV 56 - Hallelujah! | |
3:19
|
104
| |
Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Magnificat anima mea Dominum | |
3:00
|
105
| |
Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Quia respexit humilitatem | |
2:41
|
106
| |
Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Omnes generationes | |
1:22
|
107
| |
Cantata No. 21, "Ich hatte viel Bekümmernis," BWV 21 (BC A99) - Sinfonia | |
2:54
|
108
| |
Cantata No. 21, "Ich hatte viel Bekümmernis," BWV 21 (BC A99) - Ich hatte viel Bekümmernis" | |
3:58
|
109
| |
Cantata No. 78, "Jesu, der du meine Seele," BWV 78 (BC A130) - Wir eilen | |
5:17
|
110
| |
Cantata No. 78, "Jesu, der du meine Seele," BWV 78 (BC A130) - Herr, ich glaube | |
1:08
|
111
| |
Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146) - Mein Wandel auf der Welt | |
1:52
|
112
| |
Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146) - Endlich, endlich wird mein Joch | |
6:47
|
113
| |
Trauer-Ode: Cantata No. 198, "Lass, Fürstin, lass noch einen Strahl," BWV 198 (BC A120) - Laß, Fürstin, laß noch einen Strahl | |
6:00
|
114
| |
Komm, Jesu, komm, motet for chorus & continuo, BWV 229 (BC C3) - Komm, Jesu, komm | |
6:53
|
115
| |
Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) - Sinfonia | |
4:06
|
116
| |
Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) - Hier ist die Gruft | |
:49
|
117
| |
Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) - Sanfte soll mein Todeskummer | |
7:44
|
118
| |
Himmelfahrts-Oratorium, "Lobet Gott in seinen Reichen," (Ascension Oratorio), BWV 11 (BC D9) - Wenn soll es doch geschehen | |
4:07
|
119
| |
St. John Passion (Johannespassion), BWV 245 (BC D2) - Die Kriegsknechte aber, da sie Jesum gekreuziget hatten | |
2:02
|
120
| |
St. John Passion (Johannespassion), BWV 245 (BC D2) - Auf daß erfüllet würde die Schrift | |
1:38
|
121
| |
St. John Passion (Johannespassion), BWV 245 (BC D2) - Er nahm alles wohl in acht | |
1:03
|
122
| |
St. John Passion (Johannespassion), BWV 245 (BC D2) - Und von Stund an nahm sie der Jünger zu sich | |
1:20
|
123
| |
St. John Passion (Johannespassion), BWV 245 (BC D2) - Es ist vollbracht! | |
6:02
|
124
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Kommt, ihr Töchter, helft mir klagen | |
7:04
|